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</style><div id="lwal"></div><script type="text/javascript">const art_locator_data = {"global":{"x":"","backtolist":"Back to list","storelist":"Store list","details":"Store details","see":"See the art","opening":"Opening times"},"home":{"title":"Discover our global art collection","enter":"Enter","image":{"src":"\/img\/LOEWE_Facade_Art_Locator_Desktop.jpg","srcMobile":"\/img\/LOEWE_Facade_Art_Locator_Mobile.jpg","alt":"Discover our global art collection"}},"stores":[{"id":"AE1971009","menu":"Abu Dhabi","title":"LOEWE Galleria - Women's Collection","description":"Designer Peter Marino brings his trademark edge to the luxe interiors of LOEWE Abu Dhabi Galleria, featuring sensuous bronze and stone details, and a carpet in Loewe\u2019s signature \u2018Oro\u2019 shade of pale gold.","thumbnail":"\/img\/stores\/abu-dhabi\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/abu-dhabi\/hero\/mobile\/01.jpg","address":"{{storeAddress_AE1971009}}","shopname":"{{storeName_AE1971009}}","hours":"{{storeHours_AE1971009}}","hero":{"desktop":[{"image":"\/img\/stores\/abu-dhabi\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/abu-dhabi\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/abu-dhabi\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/abu-dhabi\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/abu-dhabi\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/abu-dhabi\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Jos Devriendt","thumbnail":"\/img\/stores\/abu-dhabi\/artworks\/josh-devriendt\/01.jpg","link":"\/artworks\/josh-devriendt","class":"lwal-small-izq","birth":"b. 1964","title":"Night and Day Lamp 409","year":"2021","description":"Jos Devriendt\u2019s artistry finds form in a range of varicoloured, mushroom-shaped light sculptures, which fuse a late 20th century aesthetic with contemporary playfulness. Born in Ostend, Belgium, in 1964, Devriendt\u2019s early fascination for pottery saw him pursue the study of ceramics at the LUCA School of Arts, and sculpture at the Academy of Fine Arts, Ghent. He describes his subsequent ambition as to \"reshape the form from day to night, solely with light: the daylight, which shines upon the sculpture and the artificial light, which comes from within and erases the material form\". Devriendt\u2019s handcrafted sensibility is inflected by the formal and material languages of industrial design. He uses colour as a tool for exploring light\u2019s sculptural possibilities, which he likens to the way abstract painters use colour to communicate meaning. Represented by Demisch Danant in New York, Devriendt maintains a studio in Ghent, Belgium.","images":[{"image":"\/img\/stores\/abu-dhabi\/artworks\/josh-devriendt\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Bill Lynch","thumbnail":"\/img\/stores\/abu-dhabi\/artworks\/bill-lynch\/02.jpg","link":"\/artworks\/bill-lynch","class":"lwal-med","birth":"1960-2013","title":"Mother","year":"n.d.","description":"Although the work of American painter Bill Lynch (1960\u20132013) was never exhibited during his lifetime, his work has risen to posthumous acclaim. His poignant compositions often feature animals, plants, and decorative objects such as vases that emerge from instinctive brushwork on canvases of salvaged wood. Lynch\u2019s gestural pictures often appear to have come about in dialogue with the wood\u2019s natural variations in grain or form. Although aspects of Lynch\u2019s work may seem to align with 20th century American \"folk\" or \"outsider\" art, his direct references to early Chinese and Japanese art and his attention to painting\u2019s technical nature reveal his deep study of his medium. Born in Albuquerque, New Mexico, Lynch grew up in New Jersey and studied art at Cooper Union. His first exhibition was held posthumously at White Columns in New York in 2014, organized by his friend and former classmate, the painter Verne Dawson. Lynch\u2019s work is held in collections internationally, including at CASA LOEWE Dubai.","images":[{"image":"\/img\/stores\/abu-dhabi\/artworks\/bill-lynch\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]}],"slug":"abu-dhabi"},{"id":"ES1034032","menu":"Barcelona","title":"CASA LOEWE<br>Barcelona","description":"Reimagined as an idiosyncratic collector\u2019s home, CASA LOEWE Barcelona features art, design and architectural details by local Spanish artists and artisans, including LOEWE\u2019s largest collection of ceramics by Pablo Picasso.","thumbnail":"\/img\/stores\/barcelona\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/barcelona\/hero\/mobile\/01.jpg","address":"{{storeAddress_ES1034032}}","shopname":"{{storeName_ES1034032}}","hours":"{{storeHours_ES1034032}}","hero":{"desktop":[{"image":"\/img\/stores\/barcelona\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/barcelona\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/barcelona\/hero\/desktop\/03.jpg"},{"image":"\/img\/stores\/barcelona\/hero\/desktop\/04.jpg"}],"mobile":[{"image":"\/img\/stores\/barcelona\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/barcelona\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/barcelona\/hero\/mobile\/03.jpg"},{"image":"\/img\/stores\/barcelona\/hero\/mobile\/04.jpg"}]},"artworks":[{"name":"Aurelia Mu\u00f1oz","thumbnail":"\/img\/stores\/barcelona\/artworks\/aurelia-munoz\/03.jpeg","link":"aurelia-munoz","class":"lwal-big-izq","birth":"1926-2011","title":"Cometa Anclado","year":"1974","description":"Born in Barcelona, Aurelia Mu\u00f1oz\u00a0(1926\u20132011)\u00a0created highly tactile sculpture that incorporated materials such as paper, wire, cloth, and organic matter like wood and plants. Mu\u00f1oz, who was of Catalan heritage, was influenced by the Catalan Modernism prominent in Spain in the late 19th and early 20th\u00a0centuries, associated with architects such as Antoni Gaud\u00ed and Josep Puig i Cadafalch. Accordingly, knotty yet delicate explorations of matter and motif resound in Mu\u00f1oz\u2019s work, but with explicitly sculptural attitudes and concerns: tensions between volume and buoyancy, structure and space, give rise to sometimes geometric, sometimes garment-like bodies that look equally at home on the ground or in the air. Their levitous bodies poetically evoke wings, or pinwheels, or the pages in a book. In CASA LOEWE Barcelona, a vaguely terrestrial macram\u00e9 construction twirls through space, its lacy helix suspended by a complex system of attachments.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/aurelia-munoz\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/aurelia-munoz\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/aurelia-munoz\/03.jpeg","width":8256,"height":5504,"aspect_ratio":"3 \/ 2"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-5\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-izq","birth":"1881-1973","title":"Figure De Proue","year":"1952","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-5\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/barcelona\/artworks\/zizipho-poswa-1\/02.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-med","birth":"b. 1979","title":"uNozakuzaku","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/barcelona\/artworks\/zizipho-poswa-1\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/zizipho-poswa-1\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-6\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-izq","birth":"1881-1973","title":"Colombe Mate","year":"1949","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-6\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-2\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-der","birth":"1881-1973","title":"Losange au Masque","year":"1956","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Sam Bakewell","thumbnail":"\/img\/stores\/barcelona\/artworks\/sam-bakewell-1\/01.jpg","link":"\/artworks\/sam-bakewell","class":"lwal-small-izq","birth":"b. 1983","title":"Stone In Focus X","year":"2021","description":"British artist Sam Bakewell\u2019s impasto compositions are not what they seem. What look like tightly composed colour studies in bright, thickly daubed paint are in fact ceramic sculptures that invite reflection on the nature of ornament, surface, and substance. Bakewell\u2019s abstractions\u2014if it is possible to refer to three-dimensional work with the language of image\u2014investigate painting\u2019s conventions through ceramic material and colourful glaze, a curious displacement inspired by the poet Angus MacLise\u2019s calendrical poem Year (1962), which renames the days of the week. Bakewell enacts a similar comingling of iteration and invention in his method of trompe-l'oeil study, repeated across much of his work, and his commitment to ceramic, arguably a time-based medium at the level of process. Born in Somerset in 1983, Bakewell studied ceramics and glass at the Royal College of Art in London. He received the BCB Award at the British Ceramic Biennial in Stoke-on-Trent in 2015, and in 2019 was an artist in residence at the Victoria & Albert Museum.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/sam-bakewell-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Chikuunsai Tanabe","thumbnail":"\/img\/stores\/barcelona\/artworks\/chikuunsai\/04.jpg","link":"\/artworks\/chikuunsai","class":"lwal-big-der","birth":"b. 1973","title":"Bamboo","year":"2020","description":"A fourth-generation practitioner from Sakai, Osaka,\u00a0 Chikuunsai\u00a0Tanabe weaves strips of bamboo into fascinating forms and environments as ethereal in substance as they are structurally imposing.\u00a0His\u00a0works may appear at\u00a0first as elaborate root structures growing of their own accord, but this belies the careful specificity of his process, wherein he uses a scalpel to slice tiger\u00a0bamboo, indigenous to a single area of Japan, into strips of varying sizes for weaving. In 2022 he was commissioned to create a vast site-specific work that snaked through the interior of CASA LOEWE Barcelona. The same year, he was a finalist in the LOEWE FOUNDATION Craft Prize. Sustainable practice is embedded in Tanabe\u2019s work: after exhibitions,\u00a0he\u00a0reclaims the strips and reuses them for future projects. Born in 1973,\u00a0Tanabe\u00a0graduated from the Tokyo University of the Arts before returning to his parents\u2019\u00a0home in Sakai to master bamboo arts under his father, Chikuunsai Tanabe\u00a0III.\u00a0","images":[{"image":"\/img\/stores\/barcelona\/artworks\/chikuunsai\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/chikuunsai\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/chikuunsai\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/chikuunsai\/04.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"Tomonari Hashimoto","thumbnail":"\/img\/stores\/barcelona\/artworks\/tomonari-hashimoto-3\/01.jpg","link":"\/artworks\/tomonari-hashimoto","class":"lwal-small-izq lwal-space-der","birth":"b. 1990","title":"N43","year":"2021","description":"Tomonari Hashimoto\u2019s ceramic works appear as though extracted with a great precision from the earth\u2019s molten core. Using only stoneware clay, glaze, and oxide metal, Hashimoto creates large-scale, archetypal forms such as spheres, cubes, and droplets whose variegated, iridescent surfaces reflect the artist\u2019s introspective pursuit of intangible forces. The works\u2019 surface quality of untold depths arises when Hashimoto saturates the clay with accumulated layers of oxide metal such that the metal settles on the surface and appears almost prismatic when glazed. Hashimoto often builds custom kilns to realize his pieces, a massive undertaking that reflects the serious, even solemn presence of his captivating yet ambiguous works. Born in 1990 in Wakayama, Japan, Hashimoto received his PhD in Fine Art with a focus on ceramics from Kanazawa College of Art in 2017. His work is held in collections internationally, including at the Victoria and Albert Museum in London and the Los Angeles County Museum of Art in Los Angeles. He currently lives and works in Shigaraki, Japan.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/tomonari-hashimoto-3\/01.jpg","width":3330,"height":3330,"aspect_ratio":"1 \/ 1"}]},{"name":"Richard Tuttle","thumbnail":"\/img\/stores\/barcelona\/artworks\/richard-tuttle\/01.jpg","link":"\/artworks\/richard-tuttle","class":"lwal-med","birth":"b. 1941","title":"Pre-Saw Head","year":"2020","description":"The six-decade career of post-war American artist Richard Tuttle has spanned genres including painting, sculpture, drawing, installation, and poetry. Tuttle\u2019s works are often described as having a casual or unfinished quality, perhaps attributable to the artist\u2019s use of quotidian or found materials and a seemingly ad-hoc style of assembly in which traces of the artist\u2019s hand and decision-making, as well as his embrace of art history, are nonetheless present throughout. Tuttle\u2019s style never verges on artisanal; his is a palpable commitment to working in the present tense and upholding the ever-present potential for swerves and departures. Pre Saw Head (2020), one of a series of wall-mounted sculptures, is a colourful plywood assemblage marked with spray paint, glue, wood, and nails. Like a character from a futuristic alphabet or a ceremonial figure, the work stands as one posture in a series of variations while quietly upholding its individual right to fragility and difference.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/richard-tuttle\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-7\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-der","birth":"1881-1973","title":"Chouette aux Plumes","year":"1951","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-7\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-3\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-der lwal-space-izq-big","birth":"1881-1973","title":"Visage au Nez Pince\u0301","year":"1959","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-3\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Marc Camille Chaimowicz","thumbnail":"\/img\/stores\/barcelona\/artworks\/marc-camille-chaimowicz\/01.jpg","link":"\/artworks\/marc-camille-chaimowicz","class":"lwal-center","birth":"b. 1947","title":"Four Part Decorative Folding Screen","year":"1979","description":"London-based artist Marc Camille Chaimowicz works across sculpture, painting, ceramics, installation, photography, and the decorative arts. Chaimowicz conveys vast emotional landscapes within intimate compositions, often utilizing the formal languages of interior design and artisanship. His folding screens, covered with patterns that reference postmodern or Art Nouveau aesthetics, as well as collaged, found imagery and painting, articulate the artist\u2019s interest in the relationship between domesticity, decoration, and desire in spaces of memory or abstraction. These screens are some of Chaimowicz\u2019s earliest works, dating from the 1970s, prefiguring his ongoing exploration of notions of display, wherein plinths, screens, mise en sc\u00e8ne, publications, furniture, wallpaper, textiles, and other media and methods function to expand the exhibition space. Born in 1947 in Paris, Chaimowicz\u2019s multidisciplinary practice is represented in permanent collections including the Museum of Modern Art in New York and Tate Modern in London.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/marc-camille-chaimowicz\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-1\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-izq","birth":"1881-1973","title":"Visage aux Feuilles","year":"1956","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Haegue Yang","thumbnail":"\/img\/stores\/barcelona\/artworks\/haegue-yang\/01.jpg","link":"\/artworks\/haegue-yang","class":"lwal-med","birth":"b. 1971","title":"The Intermediate: Dangling Hairy Hug","year":"2018","description":"Haegue Yang separates matter from its original context and rearranges it into abstract, multimedia compositions that build upon a unique and personal visual vocabulary. Working with disparate materials, Yang utilizes industrial fabrication alongside traditional craftsmanship, often engaging skilled craftspeople local to the site of her exhibitions. Notions of folk belief and mysticism infuse Yang\u2019s installations with a sense of timelessness and wonder alongside her acutely contemporary political sensitivity. Her uncanny sculptures, which may be woven from reeds or rattan or covered in wire that resembles fur, often live within digital landscapes or dazzling optical illusions and are set to uncanny soundscapes; these large-scale, site-specific installations are frequently \"activated\" in the manner of a performance, further foregrounding the conceptual affordances of her materials. The heterogenous nature of Yang\u2019s work belies the focus and rigour of her scientific and political concerns, where openness and abstraction become tools of immersion and critique.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/haegue-yang\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/barcelona\/artworks\/haegue-yang\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Sam Bakewell","thumbnail":"\/img\/stores\/barcelona\/artworks\/sam-bakewell-2\/01.jpg","link":"\/artworks\/sam-bakewell","class":"lwal-small-izq lwal-space-der-big","birth":"b. 1983","title":"Stone In Focus XVII","year":"2021","description":"British artist Sam Bakewell\u2019s impasto compositions are not what they seem. What look like tightly composed colour studies in bright, thickly daubed paint are in fact ceramic sculptures that invite reflection on the nature of ornament, surface, and substance. Bakewell\u2019s abstractions\u2014if it is possible to refer to three-dimensional work with the language of image\u2014investigate painting\u2019s conventions through ceramic material and colourful glaze, a curious displacement inspired by the poet Angus MacLise\u2019s calendrical poem Year (1962), which renames the days of the week. Bakewell enacts a similar comingling of iteration and invention in his method of trompe-l'oeil study, repeated across much of his work, and his commitment to ceramic, arguably a time-based medium at the level of process. Born in Somerset in 1983, Bakewell studied ceramics and glass at the Royal College of Art in London. He received the BCB Award at the British Ceramic Biennial in Stoke-on-Trent in 2015, and in 2019 was an artist in residence at the Victoria & Albert Museum.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/sam-bakewell-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Richard Wright","thumbnail":"\/img\/stores\/barcelona\/artworks\/richar-wright\/01.jpg","link":"\/artworks\/richard-wright","class":"lwal-med","birth":"b. 1960","title":"Untitled","year":"2014","description":"Artist and musician Richard Wright has evolved a unique lexicon of geometric, large-scale painted works that utilize pre-existing architectural features such as skylights or exposed brick walls as their canvas. Frequently transient in nature, almost always removed when a given exhibition ends, Wright\u2019s intricate works feature complex designs devised by the artist in response to a site. In this sense, the works gesture at an idea of use or at least usefulness in relation to their context\u2014even if this use is to create an exquisite pattern when light moves through glass surface or to add imagistic depth and dimension to structural elements of built form. A graduate of Edinburgh College of\u00a0Art\u00a0and Glasgow School of\u00a0Art, Wright has received major institutional commissions from the Museum of Contemporary Art in San Diego, Tate Britain in London, and the Rijksmuseum in Amsterdam. He lives and works in Glasgow, Scotland, and was the 2009 winner of the prestigious Turner Prize.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/richar-wright\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/barcelona\/artworks\/zizipho-poswa-2\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-der","birth":"b. 1979","title":"uNozakuzaku","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/barcelona\/artworks\/zizipho-poswa-2\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Takayuki Sakiyama","thumbnail":"\/img\/stores\/barcelona\/artworks\/takayuki-sakiyama\/01.jpg","link":"\/artworks\/takayuki-sakiyama","class":"lwal-med lwal-space-izq","birth":"b. 1958","title":"Ch\u014dt\u014d","year":"2016","description":"An incongruous appearance of motion distinguishes Takayuki Sakiyama\u2019s ceramics, which turn and twist into spiralling shapes with cresting edges and striated surfaces. Sakiyama\u2019s seamlessly sculpted artworks are also functional vessels, indicating the artist\u2019s skilful expansion of aesthetics and techniques within contemporary Japanese handcraft. A recipient of the LOEWE FOUNDATION Craft Prize Special Mention in 2021, Sakiyama\u2019s approach to practice has precursors in the British Arts & Crafts movement of the 20th century as well as in Japanese folk art (mingei), in their shared emphasis on craftsmanship and the handmade. Sakiyama\u2019s acclaimed Ch\u014dt\u014d series, which translates to \"listening to waves\", evinces a surprising fluidity from the medium, rendered through carvings that cause each vessel to appear to undulate both at and below the surface like an ocean wave. Their textural sand-glaze is Sakiyama\u2019s innovation, further emulating the Pacific coastline of his home, where the water meets the sand.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/takayuki-sakiyama\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-4\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-izq","birth":"1881-1973","title":"Visage en Gros Relief","year":"1959","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/pablo-picasso-4\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Tomonari Hashimoto","thumbnail":"\/img\/stores\/barcelona\/artworks\/tomonari-hashimoto-4\/01.jpg","link":"\/artworks\/tomonari-hashimoto","class":"lwal-small-der","birth":"b. 1990","title":"N17","year":"2021","description":"Tomonari Hashimoto\u2019s ceramic works appear as though extracted with a great precision from the earth\u2019s molten core. Using only stoneware clay, glaze, and oxide metal, Hashimoto creates large-scale, archetypal forms such as spheres, cubes, and droplets whose variegated, iridescent surfaces reflect the artist\u2019s introspective pursuit of intangible forces. The works\u2019 surface quality of untold depths arises when Hashimoto saturates the clay with accumulated layers of oxide metal such that the metal settles on the surface and appears almost prismatic when glazed. Hashimoto often builds custom kilns to realize his pieces, a massive undertaking that reflects the serious, even solemn presence of his captivating yet ambiguous works. Born in 1990 in Wakayama, Japan, Hashimoto received his PhD in Fine Art with a focus on ceramics from Kanazawa College of Art in 2017. His work is held in collections internationally, including at the Victoria and Albert Museum in London and the Los Angeles County Museum of Art in Los Angeles. He currently lives and works in Shigaraki, Japan.","images":[{"image":"\/img\/stores\/barcelona\/artworks\/tomonari-hashimoto-4\/01.jpg","width":3012,"height":3012,"aspect_ratio":"1 \/ 1"}]}],"slug":"barcelona"},{"id":"CN1086120","menu":"Beijing","title":"CASA LOEWE<br>Beijing","description":"Located in fashionable Sanlitun, CASA LOEWE Beijing features a stylish yet subtle selection of art and design, including a shelving unit by Yuji Agematsu and a brush sculpture by Lara Favaretto.","thumbnail":"\/img\/stores\/beijing\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/beijing\/hero\/mobile\/01.jpg","address":"{{storeAddress_CN1086120}}","shopname":"{{storeName_CN1086120}}","hours":"{{storeHours_CN1086120}}","hero":{"desktop":[{"image":"\/img\/stores\/beijing\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/beijing\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/beijing\/hero\/desktop\/03.jpg"},{"image":"\/img\/stores\/beijing\/hero\/desktop\/04.jpg"},{"image":"\/img\/stores\/beijing\/hero\/desktop\/05.jpg"}],"mobile":[{"image":"\/img\/stores\/beijing\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/beijing\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/beijing\/hero\/mobile\/03.jpg"},{"image":"\/img\/stores\/beijing\/hero\/mobile\/04.jpg"},{"image":"\/img\/stores\/beijing\/hero\/mobile\/05.jpg"}]},"artworks":[{"name":"Lara Favaretto","thumbnail":"\/img\/stores\/beijing\/artworks\/lara-favaretto\/01.jpg","link":"\/artworks\/lara-favaretto","class":"lwal-med","birth":"b. 1973","title":"Car Brush Not Titled Yet","year":"2019","description":"At the LOEWE Fall Winter 2023 women's\u00a0runway show, oversized cubes by the artist Lara Favaretto lined the runway. Made from compressed confetti pieces in jewel tones, Favaretto\u2019s \"momentary monuments\" are compacted together through intense physical pressure, but without any binding element, such that each piece is destined to (slowly) come apart. This tension between the works\u2019 bold presence and impermanent nature hints at the profound conceptual engagement underlying Favaretto\u2019s interdisciplinary work. Five years earlier the artist\u2019s kinetic car wash brushes appeared in the LOEWE Spring Summer 2019 runway show.\u00a0Born in Treviso in 1973, Favaretto interrogates themes of futility, paradox, and loss within a present clouded by history. From releasing a white fog over the Giardini della Biennale\u2019s main pavilion at the 58th Venice Biennale to installing densely packed shelves of toppling books at MoMA PS1, the outcomes of her investigations are sometimes quixotic, sometimes whimsical, and always unexpectedly beautiful.","images":[{"image":"\/img\/stores\/beijing\/artworks\/lara-favaretto\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/beijing\/artworks\/lara-favaretto\/02.jpg","width":3144,"height":2176,"aspect_ratio":"393 \/ 272"}]},{"name":"Takayuki Sakiyama","thumbnail":"\/img\/stores\/beijing\/artworks\/takayuki-sakiyama\/01.jpg","link":"\/artworks\/takayuki-sakiyama","class":"lwal-med","birth":"b. 1958","title":"Water Container Ch\u014dt\u014d","year":"2018","description":"An incongruous appearance of motion distinguishes Takayuki Sakiyama\u2019s ceramics, which turn and twist into spiralling shapes with cresting edges and striated surfaces. Sakiyama\u2019s seamlessly sculpted artworks are also functional vessels, indicating the artist\u2019s skilful expansion of aesthetics and techniques within contemporary Japanese handcraft. A recipient of the LOEWE FOUNDATION Craft Prize Special Mention in 2021, Sakiyama\u2019s approach to practice has precursors in the British Arts & Crafts movement of the 20th century as well as in Japanese folk art (mingei), in their shared emphasis on craftsmanship and the handmade. Sakiyama\u2019s acclaimed Ch\u014dt\u014d series, which translates to \"listening to waves\", evinces a surprising fluidity from the medium, rendered through carvings that cause each vessel to appear to undulate both at and below the surface like an ocean wave. Their textural sand-glaze is Sakiyama\u2019s innovation, further emulating the Pacific coastline of his home, where the water meets the sand.","images":[{"image":"\/img\/stores\/beijing\/artworks\/takayuki-sakiyama\/01.jpg","width":4082,"height":3005,"aspect_ratio":"4082 \/ 3005"}]},{"name":"Yuji Agematsu","thumbnail":"\/img\/stores\/beijing\/artworks\/yuji-agematsu\/01.jpg","link":"\/artworks\/yuji-agematsu","class":"lwal-center","birth":"b. 1956","title":"zip: 07.01.06...07.31.06","year":"2006","description":"A single sculpture by the artist Yuji Agematsu may comprise years\u2019 worth of debris, painstakingly collected on walks the artist has taken daily around his adopted home of New York since 1997. These fixed versions of Agematsu\u2019s more improvised \"zips\" feature detritus and\/or treasure sorted and preserved in individual cellophane cigarette wrappers, and meticulously arranged for display, often in purpose-built plexi cases. These evocative works raise questions about value and how meaning is created through selection and composition. Born in Japan in 1956, Agematsu studied movement in Milford Graves\u2019 Yara workshops, greatly influencing his integration of practice into everyday life. Agematsu\u2019s systems of objects deploy strategies of conjunction and dissonance from his background in experimental music and performance, which remain part of his practice. His photography, taken during his walks and presented on a slide projector, embraces the contradictions of returning motion to a static medium that nonetheless excels at capturing life as it happens.","images":[{"image":"\/img\/stores\/beijing\/artworks\/yuji-agematsu\/01.jpg","width":4294,"height":4229,"aspect_ratio":"4294 \/ 4229"}]},{"name":"Josh Faught","thumbnail":"\/img\/stores\/beijing\/artworks\/josh-faught\/02.jpg","link":"\/artworks\/josh-faught","class":"lwal-big-izq","birth":"b. 1979","title":"Excuse Me for Living","year":"2018","description":"Born in Saint Louis, Missouri in 1979, San Francisco-based artist Josh Faught is known for his multivalent practice combining textiles, pop cultural detritus, and archival materials to address the relationship between language, community, and constructions of identity. Faught\u2019s large-scale collage, It Takes a Lifetime to Get Exactly Where You Are (2012), partially replicates a segment of the AIDS Memorial quilt, a monumental tapestry that was installed in Washington, D.C., beginning in 1985. Using all manner of materials, from gold leaf to handwoven hemp to toilet paper, Faught painstakingly reinscribes personal, elusive, and intimate material, and historical meaning within the public, large-scale, and political. BE BOLD For What You Stand For, BE CAREFUL For What You Fall For (2013), was commissioned by SFMoMA and celebrates San Francisco\u2019s Neptune Society Columbarium, where many gay men were buried during the 1980s.\u00a0In 2019 Faught\u00a0reproduced the interior of the Connecticut home of AIDS\u00a0activist Larry Kramer,\u00a0in\u00a0three hand-made textile works\u00a0for an exhibition at\u00a0CASA LOEWE London.","images":[{"image":"\/img\/stores\/beijing\/artworks\/josh-faught\/01.jpg","width":1800,"height":1201,"aspect_ratio":"1800 \/ 1201"},{"image":"\/img\/stores\/beijing\/artworks\/josh-faught\/02.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]}],"slug":"beijing"},{"id":"CN1086108","menu":"Cheng Du","title":"CASA LOEWE<br>Chengdu","description":"At CASA LOEWE Chengdu, a modern interior with details inspired by minimalist sculpture houses an eclectic curation of art, craft, and design alongside ready-to-wear, bags and accessories.","thumbnail":"\/img\/stores\/cheng-du\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/cheng-du\/hero\/mobile\/01.jpg","address":"{{storeAddress_CN1086108}}","shopname":"{{storeName_CN1086108}}","hours":"{{storeHours_CN1086108}}","hero":{"desktop":[{"image":"\/img\/stores\/cheng-du\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/cheng-du\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/cheng-du\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/cheng-du\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/cheng-du\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/cheng-du\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Marc Camille Chaimowicz","thumbnail":"\/img\/stores\/cheng-du\/artworks\/marc-camille-chaimowicz\/02.jpg","link":"\/artworks\/marc-camille-chaimowicz","class":"lwal-med","birth":"b. 1947","title":"Dovetail tapestry","year":"2010","description":"London-based artist Marc Camille Chaimowicz works across sculpture, painting, ceramics, installation, photography, and the decorative arts. Chaimowicz conveys vast emotional landscapes within intimate compositions, often utilizing the formal languages of interior design and artisanship. His folding screens, covered with patterns that reference postmodern or Art Nouveau aesthetics, as well as collaged, found imagery and painting, articulate the artist\u2019s interest in the relationship between domesticity, decoration, and desire in spaces of memory or abstraction. These screens are some of Chaimowicz\u2019s earliest works, dating from the 1970s, prefiguring his ongoing exploration of notions of display, wherein plinths, screens, mise en sc\u00e8ne, publications, furniture, wallpaper, textiles, and other media and methods function to expand the exhibition space. Born in 1947 in Paris, Chaimowicz\u2019s multidisciplinary practice is represented in permanent collections including the Museum of Modern Art in New York and Tate Modern in London.","images":[{"image":"\/img\/stores\/cheng-du\/artworks\/marc-camille-chaimowicz\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/cheng-du\/artworks\/marc-camille-chaimowicz\/02.jpg","width":2000,"height":3000,"aspect_ratio":"2 \/ 3"}]},{"name":"Deng Xi Ping","thumbnail":"\/img\/stores\/cheng-du\/artworks\/deng-xinping\/01.jpg","link":"\/artworks\/deng-xinping","class":"lwal-small-der","birth":"b. 1942","title":"Monochrome Clay","year":"2022","description":"At CASA LOEWE Chengdu, a large central column of glass and concrete holds over 100 handmade, multicoloured ceramic bowls across 16 illuminated, purpose-built shelves. This exquisite display, a special commission for LOEWE, showcases the work of the leading contemporary ceramic artist Deng XiPing. Xiping\u2019s work draws from ancient craft to evolve a decisively modern aesthetic steeped in craftsmanship. Her works utilize colours inspired by ancient Chinese monochrome ceramics, each an ode to the power and beauty of a single hue. Their clean silhouettes and lack of ornamentation, as well as their investment in the poetic gesture of repetition, reference a multitude of design ideologies from ancient principles to modern minimalism. She graduated from Wuhan University in 1965 having studied chemistry. Aptly, the colour-glazed porcelain techniques she uses, some of which date to the Tang and Ming dynasties, are highly complex processes involving the molecular incorporation of natural minerals alongside the painstaking restoration of lost artisanal knowledge.","images":[{"image":"\/img\/stores\/cheng-du\/artworks\/deng-xinping\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Andrea B\u00fcttner","thumbnail":"\/img\/stores\/cheng-du\/artworks\/andrea-buttner\/01.jpg","link":"\/artworks\/andrea-buttner","class":"lwal-big-izq","birth":"b. 1972","title":"Potatoes","year":"2017","description":"German artist Andrea B\u00fcttner\u2019s works collide traditional and contemporary materials and media to reveal the historical roots of her various subjects. Across woodcut printing, weaving, reverse glass painting, film, and photography, B\u00fcttner explores subjects ranging from iconographies of religion and faith to experiences of shame and embarrassment engendered by 21st century value systems. Her contemporary concerns and critical approach wilfully jar with a material language informed by outmoded or pre-industrial techniques of production. This is B\u00fcttner\u2019s way of emphasising artistic labour within increasingly immaterial economies while questioning the role of the artist within these systems. Such exploration has extended to the lives and works of art historical figures that appear in B\u00fcttner\u2019s art and writing, including HAP Grieshaber, Gwen John, Martin Kippenberger, and Dieter Roth. Her woodcut Beggar (yellow) (2017) references the uneasy empathy invoked by German artist Ernst Barlac\u2019s sculpture, Verh\u00fcllte Bettlerin (1919), which questions the audience\u2019s complicity in divisive socio-economic systems.\u00a0","images":[{"image":"\/img\/stores\/cheng-du\/artworks\/andrea-buttner\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"Paul Philp","thumbnail":"\/img\/stores\/cheng-du\/artworks\/paul-philip\/01.jpg","link":"\/artworks\/paul-philip","class":"lwal-small-izq lwal-space-der-big","birth":"b. 1941","title":"Two Monumental Hand Built, Vessels","year":"2015","description":"Over a forty-year career, British ceramicist Paul Philp has evolved an artistic style of pots that appear 'discovered' rather than made. His consistent experimentation with materials and techniques, in which failure is always a possibility, gives rise to deceptively simple forms, each resulting from a committed practice of hand-building\u2014Philp prefers modelling and carving to coils and slabs\u2014and multiple firings with various slips and oxides. The effects of time and labour on the surface of Philp\u2019s works are akin to the deep time evident on the faces of geological specimens and ancient artefacts. That his singular pieces produced in his studio in Bath recall some of humanity\u2019s earliest creative endeavours is a testament to the enduring power and strength of handmade forms. Philp\u2019s work is held in many important collections worldwide, including the Mus\u00e9e des Beaux Arts in Montreal and the Mus\u00e9e Ariana in Geneva, Switzerland. A group of his vessels is currently displayed At CASA LOEWE Chengdu.","images":[{"image":"\/img\/stores\/cheng-du\/artworks\/paul-philip\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Hylton Nel","thumbnail":"\/img\/stores\/cheng-du\/artworks\/hylton-nel\/01.jpg","link":"\/artworks\/hylton-nel","class":"lwal-big-izq","birth":"b. 1941","title":"A Stone on a Path Plate Set","year":"2016","description":"The self-described \"artist potter\" Hylton Nel has built a five-decade long career creating whimsical, painted ceramics. Born in 1941 in Cape Town, South Africa, Nel draws broad inspiration from the history of decorative and visual arts and literature, as well as global politics. His ceramics, whether animal figures, bowls, or plates, are ornamented with drawing and painting often featuring humorous or provocative imagery and words. While a classically trained artist, Nel chose to focus on ceramics over painting as he felt that the latter was always more difficult to complete, analogous to a novel, whereas ceramics, akin to short stories, convert \"short bursts of energy\u2026 into more immediate things\". This sense of immediacy presents in Nel\u2019s rapid brushstrokes and the sketch-like designs of creatures across ten plates referencing designs by Jonathan Anderson, currently on display at CASA LOEWE Dubai. To Nel, everyday objects are ritualistic in their utilitarianism; even pieces on display can be experienced as both decorative and useful. ","images":[{"image":"\/img\/stores\/cheng-du\/artworks\/hylton-nel\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]}],"slug":"cheng-du"},{"id":"AE1971001","menu":"Dubai","title":"CASA LOEWE<br>Dubai","description":"CASA LOEWE Dubai\u2019s distinctive design references the eternal inspiration of nature, creating an ideal setting for a collection of works by international artists utilizing organic materials and forms.","thumbnail":"\/img\/stores\/dubai\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/dubai\/hero\/mobile\/01.jpg","address":"{{storeAddress_AE1971001}}","shopname":"{{storeName_AE1971001}}","hours":"{{storeHours_AE1971001}}","hero":{"desktop":[{"image":"\/img\/stores\/dubai\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/dubai\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/dubai\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/dubai\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/dubai\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/dubai\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Matthew Ronay","thumbnail":"\/img\/stores\/dubai\/artworks\/matthew-ronay\/01.jpg","link":"\/artworks\/matthew-ronay","class":"lwal-center","birth":"b. 1976","title":"Tribological Informant","year":"2018","description":"At first glance, Matthew Ronay\u2019s abstract, colourful sculptures invoke a childlike playfulness, appearing as fusions of toys, pets, children\u2019s television backdrops, and Play-Doh. But on closer looking, the New York-based artist\u2019s work is imbued with layers of art historical and philosophical reference, spanning surrealism, folk art, mythology, and various pop art and sci-fi futurisms. Ronay incorporates objects and anatomical forms in his installations to investigate relationships and tensions between organic and inorganic matter, as well as the nature of corporeality in relation to art and the wider world. Ronay studied at the Maryland Institute College of Art before earning his Masters in Fine Art from Yale University in 2000. He has exhibited globally at institutions including the Serpentine Galleries in London and Sculpture Centre in New York. In 2016, he was the subject of solo-presentations at the Blaffer Art Museum in Houston, Texas, and the P\u00e9rez Art Museum in Miami, Florida.","images":[{"image":"\/img\/stores\/dubai\/artworks\/matthew-ronay\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Alice-Andrea Ewing","thumbnail":"\/img\/stores\/dubai\/artworks\/alice-andrea-ewing\/01.jpg","link":"\/artworks\/alice-andrea-ewing","class":"lwal-small-izq","birth":"b. 1991","title":"Pomarius (Open and Close Oysters)","year":"n.d.","description":"Sculptor Alice-Andrea Ewing began working with bronze in 2013, establishing her own studio and foundry three years later. Under her craft-design project Pomarius, Ewing produces bronze direct casts of produce and organic objects found in historic gardens and locations across the U.K., including fruit, vegetables, and oyster shells. These small yet evocative pieces insist on the creative powers of nature, revealing intricacies of form and structure while elevating seemingly quotidian bits and pieces to the status of art. Ewing makes these works via a version of the Lost Wax Casting technique, a process that dates to antiquity and reached peak popularity during the Italian Renaissance, which involves building a mould around a sacrificial wax model to render the final artwork in meticulous, true-to-life detail. In 2021, Ewing collaborated with LOEWE on a series of sculptures and limited-edition jewellery for the Spring Summer 2021 and Fall Winter 2021 collections. Her work is currently displayed at CASA LOEWE Dubai.","images":[{"image":"\/img\/stores\/dubai\/artworks\/alice-andrea-ewing\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/alice-andrea-ewing\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/alice-andrea-ewing\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/alice-andrea-ewing\/04.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Lebrillos","thumbnail":"\/img\/stores\/dubai\/artworks\/lebrillos\/03.jpg","link":"\/artworks\/lebrillos","class":"lwal-med","birth":"n.d. ","title":"Lebrillos","year":"n.d.","description":"Reflecting the Spanish heritage of LOEWE as well as the house\u2019s passion for ceramics, CASA LOEWE Dubai houses a thoughtful collection of handmade lebrillos from Grenada. These large bowls have been made in Spain since the 15th century, and were historically used for cooking, designed with a bent edge to facilitate handling. A nod to the artisanship of the past as well as to future inspiration, the lebrillos are elevated to artwork at CASA LOEWE Dubai as they engage with the green tiled wall handmade by today\u2019s Spanish artisans. Rendered in traditional green and white hues, the bowls feature floral motifs such as the lily flower, touching on the theme of the natural world that is tantamount to LOEWE\u2019s curation. These specific bowls are Fajalauza ceramics, named for the Nasri door, one of six in the wall that surrounds the Albaic\u00edn, a district of Granada where the largest centre of ceramics was based. ","images":[{"image":"\/img\/stores\/dubai\/artworks\/lebrillos\/03.jpg","width":2000,"height":3000,"aspect_ratio":"2 \/ 3"},{"image":"\/img\/stores\/dubai\/artworks\/lebrillos\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/lebrillos\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Ewen Henderson","thumbnail":"\/img\/stores\/dubai\/artworks\/ewen-henderson\/01.jpg","link":"\/artworks\/ewen-henderson","class":"lwal-small-der lwal-space-izq-big","birth":"1934-2000","title":"Shallow Dish","year":"ca. 1980","description":"Ewen Henderson (1934-2000) is one of the most distinctive voices in the history of British studio ceramics. His vessels and sculptures remain unique for the way in which they push clay to its sculptural limits: many of his vessels are wilfully asymmetrical, and both visually and physically precarious or top-heavy. The technique of hand building, which Henderson developed while a student at Camberwell School of Arts and Crafts in 1965, allowed him to move away from the constraints of throwing on the wheel to re-envision traditional forms such as the vase or the tea bowl. The surfaces of Henderson\u2019s works are often rough and sharply textured, a patchwork effect achieved by mixing clays such as heavy stoneware with finer porcelain. Later, he pushed the vessel form towards the abstract, with a patina that made many pieces appear as if extracted from the ground. In 2018, Henderson\u2019s work featured in LOEWE\u2019s \u2018Chance Encounters\u2019 exhibition series at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/dubai\/artworks\/ewen-henderson\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Hylton Nel","thumbnail":"\/img\/stores\/dubai\/artworks\/hylton-nel\/01.jpg","link":"\/artworks\/hylton-nel","class":"lwal-big-der","birth":"b. 1941","title":"Things with Eyes, Set of 10 Plates","year":"2019","description":"The self-described \"artist potter\" Hylton Nel has built a five-decade long career creating whimsical, painted ceramics. Born in 1941 in Cape Town, South Africa, Nel draws broad inspiration from the history of decorative and visual arts and literature, as well as global politics. His ceramics, whether animal figures, bowls, or plates, are ornamented with drawing and painting often featuring humorous or provocative imagery and words. While a classically trained artist, Nel chose to focus on ceramics over painting as he felt that the latter was always more difficult to complete, analogous to a novel, whereas ceramics, akin to short stories, convert \"short bursts of energy\u2026 into more immediate things\". This sense of immediacy presents in Nel\u2019s rapid brushstrokes and the sketch-like designs of creatures across ten plates referencing designs by Jonathan Anderson, currently on display at CASA LOEWE Dubai. To Nel, everyday objects are ritualistic in their utilitarianism; even pieces on display can be experienced as both decorative and useful. ","images":[{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/04.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/05.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/06.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/07.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/dubai\/artworks\/hylton-nel\/08.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Kazuhito Takadoi","thumbnail":"\/img\/stores\/dubai\/artworks\/kazuhito-takadoi\/01.jpg","link":"\/artworks\/kazuhito-takadoi","class":"lwal-big-izq","birth":"b. 1972","title":"Kado","year":"2019","description":"Taking the natural world as both muse and medium, Kazuhito Takadoi works exclusively with organic materials to create delicately woven sculptures that are intricate in process and minimalist in design. Inspired by the verdant woodland surrounding his birthplace in Nagoya, Japan, the artist works with the grass, leaves, and twigs from his own garden. As his materials dry their subtle colours shift and soften, reflecting the natural process of seasonal change and a unique collaboration between artist and environment. Born in 1972, Takadoi studied horticulture, art, and garden design in Japan, the United States and finally the U.K. where he settled permanently. In Kado (2018), meaning \"angle\", hawthorn twigs and waxed linen twine are sewn with delicate needlework. As the viewer changes their angle, light enters the piece, increasing its dimensionality. Kado received a Special Mention at the LOEWE FOUNDATION Craft Prize 2019 and is currently displayed at CASA LOEWE Dubai.","images":[{"image":"\/img\/stores\/dubai\/artworks\/kazuhito-takadoi\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Bill Lynch","thumbnail":"\/img\/stores\/dubai\/artworks\/bill-lynch\/01.jpg","link":"\/artworks\/bill-lynch","class":"lwal-med","birth":"1960-2013","title":"No Title Brushes with Blue Flowers","year":"n.d.","description":"Although the work of American painter Bill Lynch (1960\u20132013) was never exhibited during his lifetime, his work has risen to posthumous acclaim. His poignant compositions often feature animals, plants, and decorative objects such as vases that emerge from instinctive brushwork on canvases of salvaged wood. Lynch\u2019s gestural pictures often appear to have come about in dialogue with the wood\u2019s natural variations in grain or form. Although aspects of Lynch\u2019s work may seem to align with 20th century American \"folk\" or \"outsider\" art, his direct references to early Chinese and Japanese art and his attention to painting\u2019s technical nature reveal his deep study of his medium. Born in Albuquerque, New Mexico, Lynch grew up in New Jersey and studied art at Cooper Union. His first exhibition was held posthumously at White Columns in New York in 2014, organized by his friend and former classmate, the painter Verne Dawson. Lynch\u2019s work is held in collections internationally, including at CASA LOEWE Dubai.","images":[{"image":"\/img\/stores\/dubai\/artworks\/bill-lynch\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/dubai\/artworks\/bill-lynch\/02.jpg","width":5343,"height":8011,"aspect_ratio":"5343 \/ 8011"}]},{"name":"Joanna Constantinidis","thumbnail":"\/img\/stores\/dubai\/artworks\/joanna-constantidinis\/01.jpg","link":"\/artworks\/joanna-constantidinis","class":"lwal-small-der","birth":"1927-2000","title":"Spiral Vase","year":"1976","description":"Joanna Constantinidis\u2019s ceramic work draws from sources as disparate as medieval and early industrial pottery, Staffordshire slipware, and Greek ceramics, culminating in pieces akin to contemporary relics. Born in York, England, in 1927, Constantinidis developed painstaking methods for evincing a sense of purity and harmony in her medium while highlighting its sensuous qualities. Once the clay was thrown, she would alter, cut, and gauge its form by hand, impacting both the shape and decorative surface of her work in novel and distinctive ways. In the later decades of her life, she produced tall cylinders and bowls following simple, elegant lines, finished with subtle lustres that seemed at once to speak of modern art and ancient craft. Constantinidis\u2019s work is held in major international collections including the National Museum of Modern Art in Kyoto and the British Museum in London.","images":[{"image":"\/img\/stores\/dubai\/artworks\/joanna-constantidinis\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Domingos Totora","thumbnail":"\/img\/stores\/dubai\/artworks\/domingos-totora\/01.jpg","link":"\/artworks\/domingos-totora","class":"lwal-big-izq","birth":"b. 1960","title":"Red Terrao Bench","year":"2021-2022","description":"Inspired by the natural landscapes of his mountainous hometown in Brazil, Domingos T\u00f3tora creates design and art objects through a unique, sustainable process. For his \u2018Banco de papel\u2019 benches, T\u00f3tora salvages cardboard at the end of its lifecycle and shreds it to a pulp; he then mixes it with earth and water and reshapes it by hand into a new form. Finally, the resulting material is baked under natural sunlight. This transformation of the cardboard back to its original hard, wood-like form, complete with surface striations, is emblematic of T\u00f3tora\u2019s exploration of the connections between form, function, and ecology. His elevation of seemingly simple materials reflects his embrace of the humble, widely available, or imperfect, as much an aesthetic as a philosophy of sustainability. T\u00f3tora\u2019s objects are held in private and public collections worldwide and he is represented by galleries in the United States, Brazil, and Belgium. In 2022, he was a finalist for the LOEWE FOUNDATION Craft Prize.","images":[{"image":"\/img\/stores\/dubai\/artworks\/domingos-totora\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/dubai\/artworks\/domingos-totora\/02.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/dubai\/artworks\/domingos-totora\/03.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"John Allen","thumbnail":"\/img\/stores\/dubai\/artworks\/john-allen\/01.jpg","link":"\/artworks\/john-allen","class":"lwal-big-izq","birth":"b. 1965","title":"White Horse","year":"xx","description":"English textile designer John Allen\u2019s works are immediately recognizable: from their vivid, almost Pop Art-like colours to the graphic motifs that combine to create complex and evocative pictures, Allen\u2019s woven pieces are some of the most original and sought-after of their kind. Born in 1934, he\u00a0honed his expertise in printed, knitted, and woven fabrics, becoming one of England\u2019s foremost craftsmen and textile artists. In 1977, Allen established the knitwear department at London\u2019s Royal College of Art, where he remained for over a decade. Since then, he has continued to produce prolifically, extending his repertoire in 2015 in partnership with LOEWE for a collection of accessories and prints. The resulting pieces\u2014tote bags, beach towels and scarves incorporating designs from Allen\u2019s \u2018British Landscapes\u2019 works\u2014translate the designer\u2019s unmistakable sensibility and elevated warmth in wearable form.","images":[{"image":"\/img\/stores\/dubai\/artworks\/john-allen\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]}],"slug":"dubai"},{"id":"US1001018","menu":"New York Greene St","title":"LOEWE<br>Greene Street","description":"LOEWE Greene Street combines the vibrant energy of New York City with the curated ethos of CASA LOEWE. Vernacular interior finishes such as lathed iron complement a selection of art and design objects.","thumbnail":"\/img\/stores\/new-york\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/new-york\/hero\/mobile\/01.jpg","address":"{{storeAddress_US1001018}}","shopname":"{{storeName_US1001018}}","hours":"{{storeHours_US1001018}}","hero":{"desktop":[{"image":"\/img\/stores\/new-york\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/new-york\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/new-york\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/new-york\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/new-york\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/new-york\/hero\/mobile\/03.jpg"},{"image":"\/img\/stores\/new-york\/hero\/mobile\/04.jpg"}]},"artworks":[{"name":"Ewen Henderson","thumbnail":"\/img\/stores\/new-york\/artworks\/ewen-henderson-1\/01.jpg","link":"\/artworks\/ewen-henderson","class":"lwal-small-izq","birth":"1934-2000","title":"Irregular Sculptural Piece","year":"ca. 1980","description":"Ewen Henderson (1934-2000) is one of the most distinctive voices in the history of British studio ceramics. His vessels and sculptures remain unique for the way in which they push clay to its sculptural limits: many of his vessels are wilfully asymmetrical, and both visually and physically precarious or top-heavy. The technique of hand building, which Henderson developed while a student at Camberwell School of Arts and Crafts in 1965, allowed him to move away from the constraints of throwing on the wheel to re-envision traditional forms such as the vase or the tea bowl. The surfaces of Henderson\u2019s works are often rough and sharply textured, a patchwork effect achieved by mixing clays such as heavy stoneware with finer porcelain. Later, he pushed the vessel form towards the abstract, with a patina that made many pieces appear as if extracted from the ground. In 2018, Henderson\u2019s work featured in LOEWE\u2019s \u2018Chance Encounters\u2019 exhibition series at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/new-york\/artworks\/ewen-henderson-1\/01.jpg","width":2656,"height":3543,"aspect_ratio":"2656 \/ 3543"},{"image":"\/img\/stores\/new-york\/artworks\/ewen-henderson-1\/02.jpg","width":2656,"height":3543,"aspect_ratio":"2656 \/ 3543"}]},{"name":"Lionel Wendt","thumbnail":"\/img\/stores\/new-york\/artworks\/lionel-wendt\/01.jpg","link":"\/artworks\/lionel-wendt","class":"lwal-med","birth":"1900-1944","title":"Vintage Photograph","year":"1937","description":"Born in Colombo, Sri Lanka, in 1900, polymathic photographer Lionel Wendt initially trained as a concert pianist at London\u2019s Royal Academy of Music under noted English pianist Oscar Beringer. After several years in Europe, during which a young Wendt encountered surrealism and cubism, he returned to Sri Lanka. In the 1930s, Wendt began taking photographs, experimenting with various techniques emerging contemporaneously in the field, such as photomontage, to produce arresting yet intimate images in black and white. Sometimes captured documentary-style, sometimes against staged backdrops in the style of studio portraiture, Wendt\u2019s male subjects display a disarming candour of expression that contradicts their environments. Shanay Jhaveri, assistant curator of South Asian Art at the Metropolitan Museum of Art in New York, describes \"a conflict of desire\" that animates Wendt\u2019s images, in which many of the men are in traditional Ceylonese loincloth or nude. \"There\u2019s rapture and despair at the same time\".","images":[{"image":"\/img\/stores\/new-york\/artworks\/lionel-wendt\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Takuro Kuwata","thumbnail":"\/img\/stores\/new-york\/artworks\/takuro-kuwata\/01.jpg","link":"\/artworks\/takuro-kuwata","class":"lwal-small-izq","birth":"b. 1981","title":"Tea Bowl","year":"2017","description":"Born in 1981 in Hiroshima, Takuro Kuwata is a Japanese ceramicist whose work is characterised by formal instability, an ambivalent relationship with tradition, and an intensely visceral usage of colour and shape. Although his practice is built on traditional Japanese techniques, Kuwata has become known for his contemporary innovations in pottery. Leaving some elements of his work to chance, he punctures the unfired clay, forcing its unpredictable interaction with elements such as porcelain, platinum, and steel during the firing process. \"There is a fine line between accidental and purposefully making something happen,\" Kuwata has said. \"Accidents can be controlled with technique and knowledge\". Kuwata\u2019s training in Ceramic Art at the Kyoto Saga University of Arts informed his decision to focus on art rather than traditional ceramics such as tableware. In 2018 he was awarded a Special Mention in the 2018 LOEWE FOUNDATION Craft Prize. Kuwata also collaborated with Jonathan Anderson on ceramic necklaces, bag tassels, and chest plates for the Fall Winter 2020 women's collection.","images":[{"image":"\/img\/stores\/new-york\/artworks\/takuro-kuwata\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/new-york\/artworks\/takuro-kuwata\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Ewen Henderson","thumbnail":"\/img\/stores\/new-york\/artworks\/ewen-henderson-2\/01.jpg","link":"\/artworks\/ewen-henderson","class":"lwal-small-der","birth":"1934-2000","title":"Textured and Varegated Vase","year":"ca. 1980","description":"Ewen Henderson (1934-2000) is one of the most distinctive voices in the history of British studio ceramics. His vessels and sculptures remain unique for the way in which they push clay to its sculptural limits: many of his vessels are wilfully asymmetrical, and both visually and physically precarious or top-heavy. The technique of hand building, which Henderson developed while a student at Camberwell School of Arts and Crafts in 1965, allowed him to move away from the constraints of throwing on the wheel to re-envision traditional forms such as the vase or the tea bowl. The surfaces of Henderson\u2019s works are often rough and sharply textured, a patchwork effect achieved by mixing clays such as heavy stoneware with finer porcelain. Later, he pushed the vessel form towards the abstract, with a patina that made many pieces appear as if extracted from the ground. In 2018, Henderson\u2019s work featured in LOEWE\u2019s \u2018Chance Encounters\u2019 exhibition series at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/new-york\/artworks\/ewen-henderson-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/new-york\/artworks\/ewen-henderson-2\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Zilia S\u00e1nchez","thumbnail":"\/img\/stores\/new-york\/artworks\/zilia-sanchez\/01.jpg","link":"\/artworks\/zilia-sanchez","class":"lwal-center","birth":"b. 1926","title":"Untitled","year":"2000","description":"Across a six-decade career, the Cuban-born artist Zilia S\u00e1nchez has worked as a painter, sculptor, and printmaker, constantly challenging preconceptions of art, subject matter, and medium. Her best-known works consist of stretched canvas painted with acrylic over hand-moulded armatures, extending the space of the picture plane and discarding traditional notions of painting as primarily imagistic. Born in 1926, Sanchez was cognizant of her place in a male-dominated art world, capturing themes of gender identity and an assertive female aesthetic in her art. While some work may recall post-war minimalist paintings by Italian avant-gardists such as Lucio Fontana, S\u00e1nchez\u2019s undulating, sensual forms are often titled for female warriors, such as \u2018Trojan Women\u2019 or \u2018Amazonians\u2019\u2014references as deliberate as the anatomical forms they suggest. S\u00e1nchez\u2019s work is held in prominent museum collections such as the Museum of Modern Art in New York and the Museo de Arte Contempor\u00e1neo in Puerto Rico, as well as at CASA LOEWE Paris Montaigne.","images":[{"image":"\/img\/stores\/new-york\/artworks\/zilia-sanchez\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Thomas Lanigan-Schmidt","thumbnail":"\/img\/stores\/new-york\/artworks\/thomas-laningan-schmidt\/02.jpg","link":"\/artworks\/thomas-laningan-schmidt","class":"lwal-small-izq","birth":"b. 1948","title":"Caprice Mondrian","year":"1985-1986","description":"From the late 1960s through the early 1990s, American artist Lanigan-Schmidt created highly decorative objects\u2014often chalices\u2014and settings that he considered \"situations\" rather than installations, a term that was not yet popularized. Lanigan-Schmidt\u2019s more recent work utilizes similar everyday materials of foil, plastic, and glitter, and retains its subtle devotional register as well as its psychedelia in handmade, multimedia compositions that recall stained glass windows. He aligns his work in part with the aesthetics of drag, an elaborate performance of ornamented selfhood and yearning imbued with a nuanced critique of sexuality and class. Born in New Jersey in 1948, Lanigan-Schmidt relocated to New York City in the 1960s and took part in the 1969 Stonewall uprising. In 2009, he was honoured for his participation at the White House by then-President Barack Obama. His work is held in major international collections including the Metropolitan Museum of Art and the Museum of Modern Art in New York.","images":[{"image":"\/img\/stores\/new-york\/artworks\/thomas-laningan-schmidt\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/new-york\/artworks\/thomas-laningan-schmidt\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Altoon Sultan","thumbnail":"\/img\/stores\/new-york\/artworks\/altoon-sultan\/01.jpg","link":"\/artworks\/altoon-sultan","class":"lwal-med","birth":"b. 1948","title":"Rising Green","year":"2019","description":"One could be forgiven for mistaking the painter Altoon Sultan\u2019s jewel-like paintings for inventive abstractions. Her acute compositional focus and near-scientific command of colour create potent microcosms that appear at first to have done away with figuration until closer inspection reveals recognizable (if slightly estranged) details from everyday life\u2014if everyday life could be said to involve a committed practice of close looking. A student of Philip Pearlstein and Lois Dodd at the height of Minimalism and Colour Field abstraction in the 1970s, Sultan began painting pastoral landscapes before turning in the late 1990s to her current oeuvre, intimate yet analytical works that reference industrial machinery found on farms. Working with egg tempera on parchment stretched over wood at a resolute scale of under 13 inches in width and depth, Sultan carries through her former teachers\u2019 affinity for light and space into intricate explorations of form and dimension with surprising moments of humour.","images":[{"image":"\/img\/stores\/new-york\/artworks\/altoon-sultan\/01.jpg","width":1467,"height":1936,"aspect_ratio":"1467 \/ 1936"}]},{"name":"Cerith Wyn Evans","thumbnail":"\/img\/stores\/new-york\/artworks\/cerith-wyn-evans\/02.jpg","link":"\/artworks\/cerith-wyn-evans","class":"lwal-big-izq","birth":"b. 1958","title":"Neon Sculpture","year":"2018","description":"British artist Cerith Wyn Evans is known for conceptual works that play with visibility and concealment through musical and filmic notions of polyphony and superimposition. His phenomenological engagement with the nature of perception brings about explorations of systems of communication and aesthetic production capable of encompassing disparate materials and media. From large, site-responsive arrangements of suspended neon lighting to framed photographic prints containing Duchampian holes, Evans deploys form and scale to upend preconceived notions of language, image, and environment. Born in 1958 in Wales, Evans studied at St. Martin's School of Art and the Royal College of Art in London. He began his career making short, experimental films, collaborating with the filmmaker Derek Jarman and making music videos for The Smiths, the Pet Shop Boys, and The Fall. He expanded his practice to visual art in the 1990s, honing his lexicon of installations, sculptures, photographs, and films over the subsequent decades.","images":[{"image":"\/img\/stores\/new-york\/artworks\/cerith-wyn-evans\/02.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/new-york\/artworks\/cerith-wyn-evans\/01.jpg","width":2280,"height":1620,"aspect_ratio":"38 \/ 27"}]},{"name":"Thomas Lanigan-Schmidt","thumbnail":"\/img\/stores\/new-york\/artworks\/thomas-laningan-schmidt-2\/01.jpg","link":"\/artworks\/thomas-laningan-schmidt","class":"lwal-small-der lwal-space-izq-big","birth":"b. 1948","title":"Untitled Girl Rat","year":"1985-1986","description":"From the late 1960s through the early 1990s, American artist Lanigan-Schmidt created highly decorative objects\u2014often chalices\u2014and settings that he considered \"situations\" rather than installations, a term that was not yet popularized. Lanigan-Schmidt\u2019s more recent work utilizes similar everyday materials of foil, plastic, and glitter, and retains its subtle devotional register as well as its psychedelia in handmade, multimedia compositions that recall stained glass windows. He aligns his work in part with the aesthetics of drag, an elaborate performance of ornamented selfhood and yearning imbued with a nuanced critique of sexuality and class. Born in New Jersey in 1948, Lanigan-Schmidt relocated to New York City in the 1960s and took part in the 1969 Stonewall uprising. In 2009, he was honoured for his participation at the White House by then-President Barack Obama. His work is held in major international collections including the Metropolitan Museum of Art and the Museum of Modern Art in New York.","images":[{"image":"\/img\/stores\/new-york\/artworks\/thomas-laningan-schmidt-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]}],"slug":"greene-street"},{"id":"HK1852019","menu":"Hong Kong","title":"CASA LOEWE<br>Hong Kong","description":"Bold geometry meets tactility and texture inside CASA LOEWE Hong Kong. An emphasis on innovative design techniques complements an intriguing collection of art and design objects from artists around the world. ","thumbnail":"\/img\/stores\/hong-kong\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/hong-kong\/hero\/mobile\/01.jpg","address":"{{storeAddress_HK1852019}}","shopname":"{{storeName_HK1852019}}","hours":"{{storeHours_HK1852019}}","hero":{"desktop":[{"image":"\/img\/stores\/hong-kong\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/hong-kong\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/hong-kong\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/hong-kong\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/hong-kong\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/hong-kong\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/hong-kong\/artworks\/pablo-picasso\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-small-izq","birth":"1881-1973","title":"T\u00eates","year":"1956","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/pablo-picasso\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/hong-kong\/artworks\/pablo-picasso\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Alvaro Barrington","thumbnail":"\/img\/stores\/hong-kong\/artworks\/alvaro-barrington\/01.jpg","link":"\/artworks\/alvaro-barrington","class":"lwal-med","birth":"b. 1983","title":"Date Night Boby Zoom","year":"2021","description":"Born in Venezuela to Grenadian and Haitian parents and raised partly in New York, Alvaro Barrington relocated permanently to London after studying at the Slade and fell in love with the city\u2019s Caribbean culture and community, a dynamic inspiration and influence in his multivalent work. Barrington\u2019s uninhibited command of medium and catholic attitude to reference, drawing from personal narrative alongside broader cultural and historical phenomena, contribute to his vivid expansion of painting as a relational medium. His gestural paintings often sit within complex, large-scale multimedia installations that utilize alternative materials such as burlap, concrete, and galvanized steel, and techniques of assemblage, building, and sewing. Barrington\u2019s creative relationship with LOEWE extends to the Spring 2020 Street Style campaign, for which he joined other artists, musicians, and cultural figures as a model and face.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/alvaro-barrington\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Ernst Gamperl","thumbnail":"\/img\/stores\/hong-kong\/artworks\/ernst-gamperl\/01.jpg","link":"\/artworks\/ernst-gamperl","class":"lwal-med","birth":"b. 1965","title":"74\/2015\/\/150 MP19","year":"2019","description":"Born in 1965 in Munich, Germany, Ernst Gamperl is renowned for his lifelong work with wood, having trained as a cabinetmaker before honing his craft as a master woodturner. His practice begins with the tree itself, and the inextricable link between a specimen and the landscape in which it grows. For Gamperl, the tree is an index of that place over time, which he seeks to enshrine in the final form of his vessels. Over several years, Gamperl has produced more than 40 works from a mammoth 300-year-old tree felled by a storm, which he refers to as \"the tree of life\", with the shape of each object determined by the unique characteristics of the wood. The surface of these works is carefully treated, using wax and polish to bring out subtle variations in tone and texture. Gamperl\u2019s practice is born out of a deep respect and reverence for his material; each work represents a delicate and skilful negotiation between artist and source.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/ernst-gamperl\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/hong-kong\/artworks\/ernst-gamperl\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/hong-kong\/artworks\/ernst-gamperl\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/hong-kong\/artworks\/ernst-gamperl\/04.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-3\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-der","birth":"b. 1979","title":"uDuli VIII miniature","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-3\/01.jpg","width":1260,"height":1800,"aspect_ratio":"7 \/ 10"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-1\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-izq","birth":"b. 1979","title":"iSazimzi V miniature","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-1\/01.jpg","width":1260,"height":1800,"aspect_ratio":"7 \/ 10"}]},{"name":"Maria Kristofersson","thumbnail":"\/img\/stores\/hong-kong\/artworks\/maria-kristoferson\/01.jpg","link":"\/artworks\/maria-kristofersson","class":"lwal-small-der","birth":"b. 1956","title":"Piece 4","year":"2020","description":"In her poetic contemplation of space, line, and surface texture, Swedish-born artist Maria Kristofersson constructs earthenware clay sculptures that have been likened to three-dimensional drawings. Kristofersson works primarily with unglazed, coil-built works in a palette of white, black, and terracotta, pursuing what she describes as \"the intersection between the fragile and the robust\" through subtle reinterpretations of the conventional shapes of boxes, vessels, plates, and bowls. The traditionally robust qualities of structure are transferred to her sculptures\u2019 surface, and the thin walls of their various forms communicate an undeniable fragility. At CASA LOEWE Hong Kong, Kristofersson\u2019s Piece 4 sculpture, reminiscent of an architectural plan, inadvertently echoes the store\u2019s own architectural details and geometric design. Kristofersson lives and works in Gothenburg, Sweden, and has undertaken solo exhibitions in Sweden, Norway, Japan, and the United Kingdom.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/maria-kristoferson\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-4\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-izq","birth":"b. 1979","title":"uMyeni VII miniature","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-4\/01.jpg","width":1260,"height":1800,"aspect_ratio":"7 \/ 10"}]},{"name":"Altoon Sultan","thumbnail":"\/img\/stores\/hong-kong\/artworks\/altoon-sultan\/01.jpg","link":"\/artworks\/altoon-sultan","class":"lwal-med","birth":"b. 1948","title":"Red Bars","year":"2020","description":"One could be forgiven for mistaking the painter Altoon Sultan\u2019s jewel-like paintings for inventive abstractions. Her acute compositional focus and near-scientific command of colour create potent microcosms that appear at first to have done away with figuration until closer inspection reveals recognizable (if slightly estranged) details from everyday life\u2014if everyday life could be said to involve a committed practice of close looking. A student of Philip Pearlstein and Lois Dodd at the height of Minimalism and Colour Field abstraction in the 1970s, Sultan began painting pastoral landscapes before turning in the late 1990s to her current oeuvre, intimate yet analytical works that reference industrial machinery found on farms. Working with egg tempera on parchment stretched over wood at a resolute scale of under 13 inches in width and depth, Sultan carries through her former teachers\u2019 affinity for light and space into intricate explorations of form and dimension with surprising moments of humour.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/altoon-sultan\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Nengi Omuku","thumbnail":"\/img\/stores\/hong-kong\/artworks\/nengi-omuku\/01.jpg","link":"\/artworks\/nengi-omuku","class":"lwal-big-izq","birth":"b. 1987","title":"Group Hug","year":"2021","description":"Nengi Omuku is a Nigerian artist who works with classically influenced oil paint brushwork on stitched-together strips of sanyan fabric, an Aso-oke silk fabric crafted by the Yoruba people. Oscillating between figuration and abstraction, Omuku\u2019s richly hued landscapes play with colour and perspective, dovetailing a sculptural attention to materiality and form with an Impressionistic sense of pictorial detail within representations of the natural world. Foregrounding notions of interiority and subjecthood in concepts of cultural identity, difference, and belonging, Omuku subtly interweaves criticality and insight with the contemplative atmosphere of her work.\u00a0Born in Lagos, Nigeria, in 1987, Omuku trained as a horticulturist and florist before studying at the Slade in London. In 2018, she was commissioned to paint a mural in an intensive care psychiatric facility in London, and subsequently founded The Art of Healing (TAOH), an organization aimed at using art to support people in challenging circumstances to heal.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/nengi-omuku\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-2\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-izq","birth":"b. 1979","title":"iSazimzi VI miniature","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-2\/01.jpg","width":1260,"height":1800,"aspect_ratio":"7 \/ 10"}]},{"name":"Jennifer Lee","thumbnail":"\/img\/stores\/hong-kong\/artworks\/jennifer-lee\/01.jpg","link":"\/artworks\/jennifer-lee","class":"lwal-small-der","birth":"b. 1956","title":"Fading Ellipse, Shadowed Traces","year":"2018","description":"Jennifer Lee\u2019s works convey her enduring investment in traditional techniques elaborated by hand. Born in Aberdeenshire, Scotland, in 1956, Lee studied ceramics and tapestry at Edinburgh College of Art, and later at the Royal College of Art in London, before developing her own method of colouring by mixing metallic oxides into clay. The forms of Lee\u2019s vessels are at once anchored in the natural world and possessed of an otherworldly gravity, with delicately flared openings poised on gently rounded bases that barely flatten to stand. Her hand-coiled or pinched pieces display bands, haloes or abstract atmospheres of oxidised pigments. Some of these are coloured decades prior to creation, imbuing Lee\u2019s works with material intensities and elemental charges at once living and frozen in time. Lee\u2019s ceramics are held in over forty public collections in the United Kingdom and internationally. In 2018, she won the\u00a0LOEWE FOUNDATION Craft Prize.","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/jennifer-lee\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-5\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-der lwal-space-izq-big","birth":"b. 1979","title":"uMyeni VII miniature","year":"2021","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/hong-kong\/artworks\/zizipho-poswa-5\/01.jpg","width":1260,"height":1800,"aspect_ratio":"7 \/ 10"}]}],"slug":"hong-kong"},{"id":"KW1965001","menu":"Kuwait","title":"LOEWE Kuwait","description":"A chandelier by Sir Edward Lutyens and handmade rugs by John Allen furnish an inviting space in LOEWE Kuwait The Avenues Prestige, located in the largest shopping centre in Kuwait.","thumbnail":"\/img\/stores\/kuwait\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/kuwait\/hero\/mobile\/01.jpg","address":"{{storeAddress_KW1965001}}","shopname":"{{storeName_KW1965001}}","hours":"{{storeHours_KW1965001}}","hero":{"desktop":[{"image":"\/img\/stores\/kuwait\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/kuwait\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/kuwait\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/kuwait\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/kuwait\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/kuwait\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Lebrillos","thumbnail":"\/img\/stores\/kuwait\/artworks\/lebrijos\/01.jpg","link":"\/artworks\/lebrijos","class":"lwal-small-izq","birth":"n.d.","title":"Lebrillos","year":"n.d.","description":"Reflecting the Spanish heritage of LOEWE as well as the house\u2019s passion for ceramics, CASA LOEWE Dubai houses a thoughtful collection of handmade lebrillos from Grenada. These large bowls have been made in Spain since the 15th century, and were historically used for cooking, designed with a bent edge to facilitate handling. A nod to the artisanship of the past as well as to future inspiration, the lebrillos are elevated to artwork at CASA LOEWE Dubai as they engage with the green tiled wall handmade by today\u2019s Spanish artisans. Rendered in traditional green and white hues, the bowls feature floral motifs such as the lily flower, touching on the theme of the natural world that is tantamount to LOEWE\u2019s curation. These specific bowls are Fajalauza ceramics, named for the Nasri door, one of six in the wall that surrounds the Albaic\u00edn, a district of Granada where the largest centre of ceramics was based. ","images":[{"image":"\/img\/stores\/kuwait\/artworks\/lebrijos\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Edwin Lutyens","thumbnail":"\/img\/stores\/kuwait\/artworks\/edwin-lutyens\/01.jpg","link":"\/artworks\/edwin-lutyens","class":"lwal-med","birth":"1869-1944","title":"White lamp","year":"1930","description":"Sir Edwin Lutyens (1869-1944) was an English architect of notable country houses, public buildings, and monuments in Britain and internationally. Although his early work was rooted in the Arts and Crafts Movement, he went on to adopt a more classical style that defined early 20th century British civic architecture. Lutyens\u2019 largest and most significant building and urban planning project was for New Delhi, which in 1912 was chosen to replace Calcutta as the seat of the British Indian colonial government. Designed and built over 20 years and completed in 1930, Lutyens employed a unique mix of classical and vernacular Indian stylistic idioms. His Mercury Ball chandelier (c. 1930s), a remarkable work housed at CASA LOEWE London, is one of hundreds of decorative fittings Lutyens designed for the New Delhi project, specifically for the Viceroy\u2019s House. Referencing precedents from 17th and 18th century design, the chandelier incorporates classical painted-brass detailing, a reflective mercury ball and textile decoration.","images":[{"image":"\/img\/stores\/kuwait\/artworks\/edwin-lutyens\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Yoshiaki Kojiro","thumbnail":"\/img\/stores\/kuwait\/artworks\/yoshiaki-kohuro\/01.jpg","link":"\/artworks\/yoshiaki-kohuro","class":"lwal-center","birth":"b. 1968","title":"Hatate #11","year":"2017","description":"Born in 1968 in Chiba, Japan, Yoshiaki Kojiro studied architecture before developing his artisanal skills in glassmaking at the Tokyo Glass Art Institute. His disciplined approach to his medium is also highly innovative, infusing not only his process but his forms with the triumphs and scars of experimentation. To create his striking pieces, Kojiro mixes glass with lime or copper oxide powder in a mould and fires the mixture. The melting glass encloses the gas produced by other materials to create porous lumps that Kojiro refires before letting them cool. This unique interplay of base materials, heat and gases produces both an ephemeral glow and a dynamic shape with cracks on its surface. The artist views this process of transformation, with its resultant creation and destruction, as a life cycle; he both exploits the natural propensity of his medium while capturing in his eventuating forms the exact moment of the time of change.","images":[{"image":"\/img\/stores\/kuwait\/artworks\/yoshiaki-kohuro\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/kuwait\/artworks\/yoshiaki-kohuro\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]}],"slug":"kuwait"},{"id":"PT1351063","menu":"Lisbon","title":"CASA LOEWE<br>Lisbon","description":"A bright oasis within a fully restored historic building, CASA LOEWE Lisbon features a greenery-filled outdoor terrace and a thoughtfully curated selection of historic design and ceramics.","thumbnail":"\/img\/stores\/lisbon\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/lisbon\/hero\/mobile\/01.jpg","address":"{{storeAddress_PT1351063}}","shopname":"{{storeName_PT1351063}}","hours":"{{storeHours_PT1351063}}","hero":{"desktop":[{"image":"\/img\/stores\/lisbon\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/lisbon\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/lisbon\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/lisbon\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/lisbon\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/lisbon\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Takuro Kuwata","thumbnail":"\/img\/stores\/lisbon\/artworks\/takuro-kuwata\/01.jpg","link":"\/artworks\/takuro-kuwata","class":"lwal-small-izq","birth":"b. 1981","title":"Bowl","year":"2014","description":"Born in 1981 in Hiroshima, Takuro Kuwata is a Japanese ceramicist whose work is characterised by formal instability, an ambivalent relationship with tradition, and an intensely visceral usage of colour and shape. Although his practice is built on traditional Japanese techniques, Kuwata has become known for his contemporary innovations in pottery. Leaving some elements of his work to chance, he punctures the unfired clay, forcing its unpredictable interaction with elements such as porcelain, platinum, and steel during the firing process. \"There is a fine line between accidental and purposefully making something happen,\" Kuwata has said. \"Accidents can be controlled with technique and knowledge\". Kuwata\u2019s training in Ceramic Art at the Kyoto Saga University of Arts informed his decision to focus on art rather than traditional ceramics such as tableware. In 2018 he was awarded a Special Mention in the 2018 LOEWE FOUNDATION Craft Prize. Kuwata also collaborated with Jonathan Anderson on ceramic necklaces, bag tassels, and chest plates for the Fall Winter 2020 women's collection.","images":[{"image":"\/img\/stores\/lisbon\/artworks\/takuro-kuwata\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/lisbon\/artworks\/takuro-kuwata\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Andrea Walsh","thumbnail":"\/img\/stores\/lisbon\/artworks\/andrea-walsh\/03.jpg","link":"\/artworks\/andrea-walsh","class":"lwal-small-der","birth":"b. 1974","title":"Collection of Contained Boxes","year":"2018","description":"Born in 1974 in Stockport, United Kingdom, Andrea Walsh studied fine art before undertaking a Masters in glass and establishing her studio in 2005. Today, Walsh uses both glass and ceramic materials, elaborating ideas of care and value through various casting, mould-making, and polishing techniques as well as other processes so meticulous that a single piece can take months to produce. Walsh\u2019s Collection of Contained Boxes (2022) exemplifies the simultaneously delicate yet durational qualities of her work: the three pieces, each an exploration of the vessel form, are first carved in plaster, then remade in wax, and cast in glass. Each piece receives twelve fine coats of precious metal paste and is fired in a kiln and burnished to bring out the interior\u2019s glow. The resulting work, three intricately layered glass vitrines, suggests that an object\u2019s value is far more than surface deep. The vessel, traditionally used to hold treasures, becomes the treasure.\u00a0In 2024 she was commissioned to create work\u00a0for\u00a0LOEWE Lamps, an exhibition held during Salone del Mobile Milan.","images":[{"image":"\/img\/stores\/lisbon\/artworks\/andrea-walsh\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/lisbon\/artworks\/andrea-walsh\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/lisbon\/artworks\/andrea-walsh\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Harry Morgan","thumbnail":"\/img\/stores\/lisbon\/artworks\/harry-morgan\/02.jpg","link":"\/artworks\/harry-morgan","class":"lwal-med","birth":"b. 1990","title":"Untitled from Dichotomy Series","year":"2019","description":"Harry Morgan\u2019s work is energized by the conflicting relationship between his two primary materials\u2014ceramics and glass\u2014which he fuses through experiments with ancient processes such as glassblowing and concrete casting. Morgan\u2019s counterintuitive combinations foreground his materials\u2019 elemental nature as well as their diametrically opposing qualities: the ambiguity and lightness of glass; the certainty and density of heavier materials such as concrete. His minimal, often geometric structures include columns and cubes. At CASA LOEWE Lisbon, a piece from Morgan\u2019s series,\u00a0Dichotomy (2019) evokes both the cerebral and deterministic nature of Brutalist architecture and the intricate innovations of historic Venetian glass making: a dense mass of concrete sits atop a glacier-like block of glass filaments, which were individually pulled from the furnace by hand. In 2019, Morgan was a finalist in the LOEWE FOUNDATION Craft Prize, for which his work was exhibited at Isamu Noguchi\u2019s indoor garden \u2018Heaven\u2019 in Tokyo, where the jury awarded him a Special Mention.","images":[{"image":"\/img\/stores\/lisbon\/artworks\/harry-morgan\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/lisbon\/artworks\/harry-morgan\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Erika Verzutti","thumbnail":"\/img\/stores\/lisbon\/artworks\/erika-verzutti\/01.jpg","link":"\/artworks\/erika-verzutti","class":"lwal-med","birth":"b. 1971","title":"Forest","year":"2019","description":"Erika Verzutti was born in 1971 in S\u00e3o Paulo, where she currently lives and works. Trained in industrial design from the Universidade Presbiteriana Mackenzie, Verzutti subsequently completed a Masters in Fine Arts at Goldsmiths in London. Her work fuses painting and sculpture, and is characterised by the incorporation of \u2018accidents\u2019\u2014scratches, breaks, and stains\u2014influenced by the wabi-sabi philosophy of finding beauty in imperfection. Often realised in bronze, concrete, and papier m\u00e2ch\u00e9, Verzutti\u2019s works draw from supposedly quotidian sources such as fruits, vegetables, and tropical plants, as well as newspaper clippings and imagery found online. The sculptural nature of her painterly process is most evident in her wall reliefs, such as Forest (2019), wherein ridges and surface carvings become guidelines for the application of paint, challenging the conventional space of the picture plane as well as the pictorial nature of working in three dimensions.","images":[{"image":"\/img\/stores\/lisbon\/artworks\/erika-verzutti\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]}],"slug":"lisbon"},{"id":"GB1044014","menu":"London","title":"CASA LOEWE<br>London","description":"Located on New Bond Street in a three-storey heritage building, CASA LOEWE London is appointed with a Georgian-style spiral staircase, panoramic cylindrical lift, and a curated selection of contemporary art.","thumbnail":"\/img\/stores\/london\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/london\/hero\/mobile\/01.jpg","address":"{{storeAddress_GB1044014}}","shopname":"{{storeName_GB1044014}}","hours":"{{storeHours_GB1044014}}","hero":{"desktop":[{"image":"\/img\/stores\/london\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/london\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/london\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/london\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/london\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/london\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Anthea Hamilton","thumbnail":"\/img\/stores\/london\/artworks\/anthea-hamilton\/02.jpg","link":"\/artworks\/anthea-hamilton","class":"lwal-med","birth":"b. 1978","title":"Vulcano Table","year":"2014","description":"Visitors ascending the staircase in CASA LOEWE London may find themselves stopped in their tracks by an enormous profusion of lipstick-red blown glass, near cartoonish in shape yet sculpturally awe-inspiring\u2014and possibly ready to burst. This is British artist Anthea Hamilton\u2019s \u2018Volcano Table\u2019, 2014, the first and perhaps most recognizable artwork ever acquired for LOEWE\u2019s stores. Hamilton\u2019s history with LOEWE is extensive, from the group exhibition Chance Encounters, curated by Jonathan Anderson as part of Art Basel Miami Beach, to her performance work, \u2018The Squash\u2019, 2018, commissioned by the Tate Britain, featuring costumes by LOEWE. To mark the Spring Summer 2021 Women\u2019s Runway collection, Hamilton became the subject of Akimbo Stylee, a short documentary by fellow artist Ayo Akingbade, which followed Hamilton from London to Margate and back, capturing in film some of the gentle surrealness and play of form, iconography and meaning that characterize Hamilton\u2019s transportive installations.\u00a0","images":[{"image":"\/img\/stores\/london\/artworks\/anthea-hamilton\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/london\/artworks\/anthea-hamilton\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Takuro Kuwata","thumbnail":"\/img\/stores\/london\/artworks\/takuro-kuwata-2\/01.jpg","link":"\/artworks\/takuro-kuwata","class":"lwal-small-der","birth":"b. 1981","title":"Tea Bowl Unique","year":"2018","description":"Born in 1981 in Hiroshima, Takuro Kuwata is a Japanese ceramicist whose work is characterised by formal instability, an ambivalent relationship with tradition, and an intensely visceral usage of colour and shape. Although his practice is built on traditional Japanese techniques, Kuwata has become known for his contemporary innovations in pottery. Leaving some elements of his work to chance, he punctures the unfired clay, forcing its unpredictable interaction with elements such as porcelain, platinum, and steel during the firing process. \"There is a fine line between accidental and purposefully making something happen,\" Kuwata has said. \"Accidents can be controlled with technique and knowledge\". Kuwata\u2019s training in Ceramic Art at the Kyoto Saga University of Arts informed his decision to focus on art rather than traditional ceramics such as tableware. In 2018 he was awarded a Special Mention in the 2018 LOEWE FOUNDATION Craft Prize. Kuwata also collaborated with Jonathan Anderson on ceramic necklaces, bag tassels, and chest plates for the Fall Winter 2020 women's collection.","images":[{"image":"\/img\/stores\/london\/artworks\/takuro-kuwata-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Daniel Sinsel","thumbnail":"\/img\/stores\/london\/artworks\/daniel-sinsel\/01.jpg","link":"\/artworks\/daniel-sinsel","class":"lwal-center","birth":"b. 1976","title":"Butzenbrille","year":"2007","description":"In his paintings, sculptures and installations, Daniel Sinsel explores classical ideas of space and volume, often referencing historical tropes of painting. Born in 1976 in Munich, Germany, Sinsel completed his MA in Painting at the Royal College of Art in London, where he currently lives and works. His paintings are characterised by their minute detail, often employing trompe l\u2019oeil effects that engage with the canvas as a space of illusion. The overt homoeroticism of his early paintings depicting partially clothed men and boys is less evident in his more recent work but is no less present in the affective sense. His intricately painted depictions of folded textiles, fruit, musical instruments, or architectural spaces are all shot through with an erotic charge through which tactile desire becomes wilfully intertwined with the pleasures of looking.","images":[{"image":"\/img\/stores\/london\/artworks\/daniel-sinsel\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Martin Soto","thumbnail":"\/img\/stores\/london\/artworks\/martin-soto-1\/01.jpg","link":"\/artworks\/martin-soto","class":"lwal-small-izq","birth":"b. 1977","title":"Gossip 5","year":"2018","description":"Working across sculpture, installation, drawing and mixed media, the artist Mart\u00edn Soto Climent challenges received notions about representation and the body, implicating tactility and materiality in his approach to image-making. Born in 1977 in Mexico City, Climent studied industrial design before completing a Masters in Visual Art at UNAM. He employs an almost fetishistic repetition of key motifs and media to interrogate ideas (and ideals) of desirability, from M.C. Escher-esque fantasies and orifice-like openings to image works that play on Freudian tactics of subliminal association. Climent is perhaps best known for his work involving stockings contorted into tenuous structures of shadow and shape. Stretched across linen or plywood or the central courtyard of Locarno\u2019s Museo Casa Rusca, these unearthly webs are also disquietingly familiar. Two of his Gossip works, twists of stocking in cedar boxes, are housed at CASA LOEWE in London.","images":[{"image":"\/img\/stores\/london\/artworks\/martin-soto-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Ernst Gamperl","thumbnail":"\/img\/stores\/london\/artworks\/ernst-gamperl\/01.jpg","link":"\/artworks\/ernst-gamperl","class":"lwal-med","birth":"b. 1965","title":"Three Wood Vessels\u200b","year":"2017","description":"Born in 1965 in Munich, Germany, Ernst Gamperl is renowned for his lifelong work with wood, having trained as a cabinetmaker before honing his craft as a master woodturner. His practice begins with the tree itself, and the inextricable link between a specimen and the landscape in which it grows. For Gamperl, the tree is an index of that place over time, which he seeks to enshrine in the final form of his vessels. Over several years, Gamperl has produced more than 40 works from a mammoth 300-year-old tree felled by a storm, which he refers to as \"the tree of life\", with the shape of each object determined by the unique characteristics of the wood. The surface of these works is carefully treated, using wax and polish to bring out subtle variations in tone and texture. Gamperl\u2019s practice is born out of a deep respect and reverence for his material; each work represents a delicate and skilful negotiation between artist and source.","images":[{"image":"\/img\/stores\/london\/artworks\/ernst-gamperl\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Giorgio Griffa","thumbnail":"\/img\/stores\/london\/artworks\/giorgio-griffa\/01.jpg","link":"\/artworks\/giorgio-griffa","class":"lwal-big-der","birth":"b. 1936","title":"Polittico con Tredici Colori","year":"1998","description":"Since the 1960s, Italian artist Giorgio Griffa has made paintings that are both formally expressive and conceptually rigorous. This balance results in works displaying a delicate interplay of marks and painterly inscriptions rendered in a joyous spectrum of colour. \"I don\u2019t represent anything, I just paint\", the artist stated in 1973. Indeed, his paintings are determined by the tools of the medium itself: the colours and quality of paint, the type or thicknesses of the brushes he uses, and the qualities of the surfaces he selects, whether cotton, jute, hemp or linen. Griffa\u2019s early works were primarily composed of repetitive singular marks\u2014lines or short strokes, often in one colour, that continued from one edge of the canvas to the other. Over time his language evolved to incorporate numbers, representing his interest in numerical systems such as the Fibonacci series and the Golden Ratio, as well as solid planes of colour and more effusive painterly sequences.","images":[{"image":"\/img\/stores\/london\/artworks\/giorgio-griffa\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"Alvaro Barrington","thumbnail":"\/img\/stores\/london\/artworks\/alvaro-barrington\/01.jpg","link":"\/artworks\/alvaro-barrington","class":"lwal-med","birth":"b. 1983","title":"Been Around the World 2","year":"2018","description":"Born in Venezuela to Grenadian and Haitian parents and raised partly in New York, Alvaro Barrington relocated permanently to London after studying at the Slade and fell in love with the city\u2019s Caribbean culture and community, a dynamic inspiration and influence in his multivalent work. Barrington\u2019s uninhibited command of medium and catholic attitude to reference, drawing from personal narrative alongside broader cultural and historical phenomena, contribute to his vivid expansion of painting as a relational medium. His gestural paintings often sit within complex, large-scale multimedia installations that utilize alternative materials such as burlap, concrete, and galvanized steel, and techniques of assemblage, building, and sewing. Barrington\u2019s creative relationship with LOEWE extends to the Spring 2020 Street Style campaign, for which he joined other artists, musicians, and cultural figures as a model and face.","images":[{"image":"\/img\/stores\/london\/artworks\/alvaro-barrington\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Martin Soto","thumbnail":"\/img\/stores\/london\/artworks\/martin-soto-2\/01.jpg","link":"\/artworks\/martin-soto","class":"lwal-small-der","birth":"b. 1977","title":"Gossip 2","year":"2018","description":"Working across sculpture, installation, drawing and mixed media, the artist Mart\u00edn Soto Climent challenges received notions about representation and the body, implicating tactility and materiality in his approach to image-making. Born in 1977 in Mexico City, Climent studied industrial design before completing a Masters in Visual Art at UNAM. He employs an almost fetishistic repetition of key motifs and media to interrogate ideas (and ideals) of desirability, from M.C. Escher-esque fantasies and orifice-like openings to image works that play on Freudian tactics of subliminal association. Climent is perhaps best known for his work involving stockings contorted into tenuous structures of shadow and shape. Stretched across linen or plywood or the central courtyard of Locarno\u2019s Museo Casa Rusca, these unearthly webs are also disquietingly familiar. Two of his Gossip works, twists of stocking in cedar boxes, are housed at CASA LOEWE in London.","images":[{"image":"\/img\/stores\/london\/artworks\/martin-soto-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Sara Flynn","thumbnail":"\/img\/stores\/london\/artworks\/sarah-flynn-1\/01.jpg","link":"\/artworks\/sara-flynn","class":"lwal-small-izq","birth":"b. 1971","title":"Camber Vessel","year":"2018","description":"Irish-born ceramicist Sara Flynn\u2019s works redefine the vessel form and speak as much to the history of sculpture as to ceramics. Her primary material, porcelain, is an inherently fragile and difficult material; the paper-thin surfaces of Flynn\u2019s works are the result of a delicate dance through which she teases out complex shapes and volumes. All of Flynn\u2019s vessels start life as a cylinder thrown on the wheel. A shape slowly emerges through physical interventions that immediately skew any sense of symmetry: using a knife to remove a part of the pot\u2019s wall, necessitating the open edges to be resealed, Flynn creates ridge-like contours that distort her works\u2019 profiles. In this way, her vessels narrate a sequence of visceral gestures, their surfaces an imprint of these various interventions. In 2017, Flynn was shortlisted for the LOEWE FOUNDATION Craft Prize and has been on the Prize's Expert Panel since 2018. She was also commissioned to create a new body of work that year for the Chance Encounters exhibitions presented by the LOEWE FOUNDATION at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/london\/artworks\/sarah-flynn-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Takuro Kuwata","thumbnail":"\/img\/stores\/london\/artworks\/takuro-kuwata-1\/01.jpg","link":"\/artworks\/takuro-kuwata","class":"lwal-small-der","birth":"b. 1981","title":"Tea Bowl Unique","year":"2018","description":"Born in 1981 in Hiroshima, Takuro Kuwata is a Japanese ceramicist whose work is characterised by formal instability, an ambivalent relationship with tradition, and an intensely visceral usage of colour and shape. Although his practice is built on traditional Japanese techniques, Kuwata has become known for his contemporary innovations in pottery. Leaving some elements of his work to chance, he punctures the unfired clay, forcing its unpredictable interaction with elements such as porcelain, platinum, and steel during the firing process. \"There is a fine line between accidental and purposefully making something happen,\" Kuwata has said. \"Accidents can be controlled with technique and knowledge\". Kuwata\u2019s training in Ceramic Art at the Kyoto Saga University of Arts informed his decision to focus on art rather than traditional ceramics such as tableware. In 2018 he was awarded a Special Mention in the 2018 LOEWE FOUNDATION Craft Prize. Kuwata also collaborated with Jonathan Anderson on ceramic necklaces, bag tassels, and chest plates for the Fall Winter 2020 women's collection.","images":[{"image":"\/img\/stores\/london\/artworks\/takuro-kuwata-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Magali Reus","thumbnail":"\/img\/stores\/london\/artworks\/magali-reus\/01.jpg","link":"\/artworks\/magali-reus","class":"lwal-small-izq","birth":"b. 1981","title":"Leaves (Shell Drake, November)","year":"2015","description":"Born in 1981 in The Hague, Magali Reus creates sculptural forms that explore our physical and perceptual relationship to the material world. Her sculptures are often suggestive of domestic or industrial objects and architectural fragments, from fridges and stadium seats to street curbs and decorative metalwork. Reus is interested in how these objects become facilitators of everyday actions and receptacles for human interaction; while typically proximate to the body, they are often overlooked or rendered invisible through their ubiquity. Reus\u2019s interrogation and reinterpretation of their forms through various casting and moulding processes takes them in a variety of abstract directions. With carefully honed colour palettes and combinations of materials, each work assumes a tangible personality. Reus\u2019s Leaves (Shell Drake, November) (2015), held at CASA LOEWE London, borrows the form of the padlock. Comically oversized and made from made from intricately cut layers of metal and rubber, Reus\u2019 sculptural padlock conflates function and decoration, encouraging us to question and look again at the familiar world of objects around us. In 2024 she was commissioned to create work for LOEWE Lamps, an exhibition held during Salone del Mobile Milan.","images":[{"image":"\/img\/stores\/london\/artworks\/magali-reus\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"William Turnbull","thumbnail":"\/img\/stores\/london\/artworks\/william-turnbull\/02.jpg","link":"\/artworks\/william-turnbull","class":"lwal-med","birth":"1922-2012","title":"Idol 4","year":"1956","description":"William Turnbull (1922\u20132012) was a sculptor and painter and one of the most important British artists of the 20th century. Turnbull moved from London to Paris in the 1940s and became part of an influential circle of artists that included Alberto Giacometti and Constantin Brancusi. There, he begun to hone his sculptural language shaped by an existential desire to explore the human condition. Turnbull drew on a wide range of historical sources and archetypes, from ancient Greek and Egyptian sculpture to neolithic stone constructions and primitive tools. This vast glossary of references lends Turnbull\u2019s work an elemental quality that transcends time and place. In contrast to works by his contemporaries, such as Barbara Hepworth and Henry Moore, who were interested in how sculpture unfolds as a viewer walks around it, Turnbull was more concerned with sculpture being perceived in an immediately frontal manner, and much of the power of his works comes from this sense of confrontation.","images":[{"image":"\/img\/stores\/london\/artworks\/william-turnbull\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/london\/artworks\/william-turnbull\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Grayson Perry","thumbnail":"\/img\/stores\/london\/artworks\/grayson-perry\/01.jpg","link":"\/artworks\/grayson-perry","class":"lwal-med","birth":"b. 1960","title":"Mum and Dad","year":"1987","description":"Grayson Perry is a British artist known for ceramic vessels and tapestries that respond to the contemporary social, political, and cultural landscape. His explorations of universal themes of identity, religion, gender, and sexuality are entwined with deeply personal narratives that draw on family history and his female alter-ego, Claire. Beginning in the 1980s, during a period of resurgence for British ceramics, Perry subverted the traditional forms of vases and platters by inscribing their surfaces with text and applying illustration through photographic transfer, transforming their decorative surfaces into sites of storytelling or debate. Mum and Dad (1987), a glazed vessel, bears portraits of Perry\u2019s mother and father among other illustrated figures looming over a dog killed by a passing car. A woman\u2014perhaps Perry\u2019s alter-ego, Claire\u2014weeps over the dog\u2019s body. In Perry\u2019s work, the promise of beauty often leads to a confrontation with truth in all its facets.\u00a0","images":[{"image":"\/img\/stores\/london\/artworks\/grayson-perry\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/london\/artworks\/grayson-perry\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Sara Flynn","thumbnail":"\/img\/stores\/london\/artworks\/sarah-flynn-3\/01.jpg","link":"\/artworks\/sara-flynn","class":"lwal-small-der","birth":"b. 1971","title":"Double Spine Camber Vessel","year":"2018","description":"Irish-born ceramicist Sara Flynn\u2019s works redefine the vessel form and speak as much to the history of sculpture as to ceramics. Her primary material, porcelain, is an inherently fragile and difficult material; the paper-thin surfaces of Flynn\u2019s works are the result of a delicate dance through which she teases out complex shapes and volumes. All of Flynn\u2019s vessels start life as a cylinder thrown on the wheel. A shape slowly emerges through physical interventions that immediately skew any sense of symmetry: using a knife to remove a part of the pot\u2019s wall, necessitating the open edges to be resealed, Flynn creates ridge-like contours that distort her works\u2019 profiles. In this way, her vessels narrate a sequence of visceral gestures, their surfaces an imprint of these various interventions. In 2017, Flynn was shortlisted for the LOEWE FOUNDATION Craft Prize and has been on the Prize's Expert Panel since 2018. She was also commissioned to create a new body of work that year for the Chance Encounters exhibitions presented by the LOEWE FOUNDATION at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/london\/artworks\/sarah-flynn-3\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Sara Flynn","thumbnail":"\/img\/stores\/london\/artworks\/sarah-flynn-4\/01.jpg","link":"\/artworks\/sara-flynn","class":"lwal-small-izq","birth":"b. 1971","title":"Flection Vessel 2018","year":"2018","description":"Irish-born ceramicist Sara Flynn\u2019s works redefine the vessel form and speak as much to the history of sculpture as to ceramics. Her primary material, porcelain, is an inherently fragile and difficult material; the paper-thin surfaces of Flynn\u2019s works are the result of a delicate dance through which she teases out complex shapes and volumes. All of Flynn\u2019s vessels start life as a cylinder thrown on the wheel. A shape slowly emerges through physical interventions that immediately skew any sense of symmetry: using a knife to remove a part of the pot\u2019s wall, necessitating the open edges to be resealed, Flynn creates ridge-like contours that distort her works\u2019 profiles. In this way, her vessels narrate a sequence of visceral gestures, their surfaces an imprint of these various interventions. In 2017, Flynn was shortlisted for the LOEWE FOUNDATION Craft Prize and has been on the Prize's Expert Panel since 2018. She was also commissioned to create a new body of work that year for the Chance Encounters exhibitions presented by the LOEWE FOUNDATION at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/london\/artworks\/sarah-flynn-4\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Sara Flynn","thumbnail":"\/img\/stores\/london\/artworks\/sarah-flynn-2\/01.jpg","link":"\/artworks\/sara-flynn","class":"lwal-small-der","birth":"b. 1971","title":"Flection Vessel 2018","year":"2018","description":"Irish-born ceramicist Sara Flynn\u2019s works redefine the vessel form and speak as much to the history of sculpture as to ceramics. Her primary material, porcelain, is an inherently fragile and difficult material; the paper-thin surfaces of Flynn\u2019s works are the result of a delicate dance through which she teases out complex shapes and volumes. All of Flynn\u2019s vessels start life as a cylinder thrown on the wheel. A shape slowly emerges through physical interventions that immediately skew any sense of symmetry: using a knife to remove a part of the pot\u2019s wall, necessitating the open edges to be resealed, Flynn creates ridge-like contours that distort her works\u2019 profiles. In this way, her vessels narrate a sequence of visceral gestures, their surfaces an imprint of these various interventions. In 2017, Flynn was shortlisted for the LOEWE FOUNDATION Craft Prize and has been on the Prize's Expert Panel since 2018. She was also commissioned to create a new body of work that year for the Chance Encounters exhibitions presented by the LOEWE FOUNDATION at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/london\/artworks\/sarah-flynn-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Nicholas Byrne","thumbnail":"\/img\/stores\/london\/artworks\/nicholas-byrne\/02.jpg","link":"\/artworks\/nicholas-byrne","class":"lwal-med","birth":"b. 1979","title":"Make Oars of my Arms and Ropes on my Hair<br>Ma-naglr - 00022 Cedric The Driver","year":"2015","description":"Nicholas Byrne creates paintings and sculptures that move fluidly between figurative and abstract motifs. A graphic line weaves together figure and ground, defining Byrne\u2019s subjects and creating surfaces that vibrate with energy. Bodies blur and break into fragments, their formal and painterly treatment reminiscent of certain key figures of modern British painting, from the linear clarity of Ben Nicholson and the fleshy violence of Francis Bacon to the earthy palette of Prunella Clough. Byrne luxuriates in the versatility of paint and the effects that can be achieved. Experiments with the painting support, swapping canvas for copper or plexiglass, offer Byrne further scope for gestural and textural expression and for exploring the sculptural qualities of the painted object. Born in 1979 in Oldham, Byrne graduated from the\u00a0Slade and the Royal College of Art in London, where he currently lives and works. In 2024 he was commissioned to create work for\u00a0LOEWE Lamps, an\u00a0exhibition held during Salone del Mobile Milan.","images":[{"image":"\/img\/stores\/london\/artworks\/nicholas-byrne\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/london\/artworks\/nicholas-byrne\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Ron Nagle","thumbnail":"\/img\/stores\/london\/artworks\/ron-nagle\/01.jpg","link":"\/artworks\/ron-nagle","class":"lwal-med","birth":"b. 1939","title":"Cedric the Driver","year":"2016","description":"For over 50 years, American artist Ron Nagle has created small-scale ceramic objects that draw on the languages of sculpture and painting. While his use of clay and early work with vessel forms have seen his work contextualised within the history of ceramic arts, his subsequent orientation has been toward abstraction, though always maintaining a sense of intimacy and a relationship to the hand. Nagel\u2019s constructions are composed from both hand-carved clay and slip cast elements brought together in tight-knit compositions. Simultaneously conjuring body parts, organic forms, and fragments of architecture, each work unfolds as a compact theatre of gestures. His vivid colours, rendered in finishes ranging from painterly matt to slick high-gloss, recall all manner of natural and manmade surfaces, from mossy rocks to hot rod car finishes. Nagle often presents his works within niches to highlight his sculpture\u2019s inherently theatrical qualities. In Cedric the Driver (2016), a gum-pink cube nestles within a stage-like space framed by green and grey mottled slabs.","images":[{"image":"\/img\/stores\/london\/artworks\/ron-nagle\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"David Wojnarowicz","thumbnail":"\/img\/stores\/london\/artworks\/david-wojnarowicz\/01.jpg","link":"\/artworks\/david-wojnarowicz","class":"lwal-small-izq","birth":"1954-1992","title":"Untitled (Face in Dirt)","year":"1991-2018","description":"Working across photography, installation, painting, sculpture and writing, David Wojnarowicz\u00a0(1954-1992)\u00a0used his art as a tool to address social and political inequality. As a queer artist working in New York at the onset of the AIDS\u00a0epidemic in the 1980s, he became one of the most vociferous critics of the government\u2019s failure to acknowledge and address the crisis that erased a generation\u00a0of gay men and women, including Wojnarowicz himself. He engaged deeply with the historical visual languages of political art, as well as the\u00a0cultural ferment of 1980s New York, from photo-conceptualism and painting, to graffiti, music, and performance. Wojnarowicz drew freely from these\u00a0movements\u00a0to\u00a0create a polymorphous language of his own.\u00a0In 2018, Jonathan Anderson honoured\u00a0Wojnarowicz\u2019s legacy with a collection of T-shirts featuring his work, in collaboration with the charity Visual AIDS.\u00a0This was followed by an exhibition of Wojnarowicz\u2019s photographs,\u00a0alongside those of his\u00a0collaborator, friend and former partner,\u00a0Peter Hujar, at Madrid's\u00a0PHotoESPA\u00d1A.","images":[{"image":"\/img\/stores\/london\/artworks\/david-wojnarowicz\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Justin Fitzpatrick","thumbnail":"\/img\/stores\/london\/artworks\/justin-fitzpatrick\/01.jpg","link":"\/artworks\/justin-fitzpatrick","class":"lwal-med","birth":"b. 1985","title":"A Squeeze of the Hand (Come, let us squeeze hands all round; nay, let us all squeeze ourselves into each other)","year":"2019","description":"Justin Fitzpatrick uses painting to explore the ways in which social and political systems shape our relationship to our bodies and our desires. His canvases are composed of tightly interlocking forms, from animals to mechanical components, defined by a schematic simplicity that pushes these components to pictorial surface. Fitzpatrick\u2019s subjects move between figuration and abstraction, evoking the decorative forms of Art Nouveau and the diagrammatic precision of scientific illustrations. In A squeeze of the hand, (Come, let us squeeze hands all round; nay, let us all squeeze ourselves into each other) (2017), Fitzpatrick depicts two male bodies in profile and from the waist down. Their forms have been flayed to reveal their bright red musculature and gleaming sinews that bind the two bodies together, unfolding like a web across the canvas surface. Fitzpatrick\u2019s precisely rendered mise-en-sc\u00e8ne frames fluid bodies that flaunt their intimacy in ways that challenge normative desires.","images":[{"image":"\/img\/stores\/london\/artworks\/justin-fitzpatrick\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]}],"slug":"london"},{"id":"ES1034017","menu":"Madrid","title":"CASA LOEWE<br>Madrid","description":"Works by masters of form and abstraction, from Sir Howard Hodgkin to Edmund de Waal, are displayed alongside a central staircase made of Spanish Campaspero stone at CASA LOEWE Madrid.","thumbnail":"\/img\/stores\/madrid\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/madrid\/hero\/mobile\/01.jpg","address":"{{storeAddress_ES1034017}}","shopname":"{{storeName_ES1034017}}","hours":"{{storeHours_ES1034017}}","hero":{"desktop":[{"image":"\/img\/stores\/madrid\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/madrid\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/madrid\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/madrid\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/madrid\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/madrid\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Sir Howard Hodking","thumbnail":"\/img\/stores\/madrid\/artworks\/hodward-hodking\/02.jpg","link":"\/artworks\/hodward-hodking","class":"lwal-big-izq","birth":"1932\u20132017","title":"As Time Goes By","year":"2009-2014","description":"Sir Howard Hodgkin (1932\u20132017) was one of the United Kingdom\u2019s greatest painters and printmakers. His richly coloured abstract compositions are always rooted in depictions of figurative subjects \u2014people, places, and experiences\u2014 and he has described himself as \u201ca representational painter, but not a painter of appearances\u201d. Though his work appears spontaneously gestural in appearance, Hodgkin often worked on individual paintings over several years, building images through a slow accumulation of marks. Born in London, Hodgkin was active as a printmaker from the late 1970s, working primarily in etching and aquatint, pushing the boundaries of the medium by bringing it ever closer to painting. At over six metres long, As Time Goes By (Orange) (2009\u20132014) is one of Hodgkin\u2019s largest and most ambitious prints and may be the largest etching ever made using these techniques. Throughout the printing process, Hodgkin worked into the print with hand colouring, creating a rich dynamic of textures across the surface of the paper. ","images":[{"image":"\/img\/stores\/madrid\/artworks\/hodward-hodking\/02.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/madrid\/artworks\/hodward-hodking\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"Richard Smith","thumbnail":"\/img\/stores\/madrid\/artworks\/richard-smith\/03.jpg","link":"\/artworks\/richard-smith","class":"lwal-med lwal-space-der","birth":"1931-2016","title":"Both Halves (A)","year":"2015","description":"British artist Richard Smith (1931\u20132016) was one of the most original painters of his generation. He emerged in the late 1950s and became known for works that challenged the accepted traditions of painting, particularly in his use of shaped canvases which extended into three-dimensional space. After moving to New York in 1959, Smith embraced the legacies of both Pop Art and Abstract Expressionism, folding them into his work to evolve a language entirely his own. In the early 1970s, Smith began introducing components such as aluminium tubes, ropes, and loose canvas into his works, which reference tent constructions and kites. In Both Halves (A) (1977), two square yellow canvases are stretched and pegged onto aluminium bars and suspended in front of one another. Additional painted squares have the effect of emphasising the work\u2019s three-dimensionality as well as its flatness, while loose strings that trail downwards suggest a sense of perpetual motion. In 2017 his work was shown as part of the Chance Encounters exhibition presented by the LOEWE FOUNDATION at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/madrid\/artworks\/richard-smith\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/madrid\/artworks\/richard-smith\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/madrid\/artworks\/richard-smith\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Uri Aran","thumbnail":"\/img\/stores\/madrid\/artworks\/uri-aran\/01.jpg","link":"\/artworks\/uri-aran","class":"lwal-big-der","birth":"b. 1977","title":"Maths Simple","year":"2016","description":"Known for his diverse body of work, including film, sculpture, drawing, and assemblage, Uri Aran looks for decomposition and absurdity within linguistic and symbolic systems and treats these as points of access for making. Aran\u2019s philosophical interrogation of meaning, ambiguity and identity is informed by interdisciplinary research and a broadly agnostic material sensibility, wherein a single work can comprise ceramic, corn husks, oil pastel, resin, and more, arranged on plywood or other unassuming backings. By unpicking hierarchies within art, Aran interrogates norms and conventions within broader social structures. This extends to his performance work, which uses enigmatic narrative and surreal choreography to challenge paradigms of power and communication. Born in Israel in 1977, Aran completed a Bachelor of Design at Bezalel Academy of Arts and Design in Jerusalem before undertaking an MFA at Columbia University in 2007. Aran presently lives and works in New York City.","images":[{"image":"\/img\/stores\/madrid\/artworks\/uri-aran\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"William Mckeown","thumbnail":"\/img\/stores\/madrid\/artworks\/william-mckeown-1\/01.jpg","link":"\/artworks\/william-mckeown","class":"lwal-small-izq","birth":"1962-2011","title":"Snowing","year":"2008","description":"William McKeown is known for his paintings, watercolours, and drawings in which the subjects of time, place and memory are distilled into planes of colour. McKeown was born in County Tyrone in Northern Ireland and trained in textiles before becoming an artist. His paintings are built up from many washes of colour on unprimed linen canvases, giving them a luminous depth that echoes works by great American painters such as Morris Louis or Agnes Martin. McKeown\u2019s paintings are grounded in his experiences of the world around him: childhood memories of the places where he grew up or impressions of the light at a certain time of day. Snowing (2008) and Hayfield (2007) illustrate how McKeown captures place and atmosphere with the most pared-down of painterly languages. Perfectly graduated fields of colour suggest the subtle differences in light created by contrasting weather conditions. Defined borders recast the paintings as windows, or single frames of a film depicting a transcendent landscape.","images":[{"image":"\/img\/stores\/madrid\/artworks\/william-mckeown-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/madrid\/artworks\/william-mckeown-1\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Siobh\u00e1n Hapaska","thumbnail":"\/img\/stores\/madrid\/artworks\/siobhan-hapaska\/02.jpg","link":"\/artworks\/sioban-hapaska","class":"lwal-med","birth":"b. 1963","title":"Repressed Apple","year":"2015","description":"Born in 1963 in Belfast, Northern Ireland, Siobh\u00e1n Hapaska makes sculptures that encourage the viewer to question their understanding of materials and their meaning. Utilising all manner of matter from wood and animal skins to fibreglass and metal, all expertly fabricated by the artist herself, Hapaska forges unlikely combinations of natural and synthetic, abstract and figurative, in sculptures that remain elusive and open to interpretation. Repressed Apple (2015) takes the form of a shiny green \u2018apple\u2019 trapped in an aluminium frame. The apple is made from highly polished and lacquered fibreglass which appears at once organic and man-made. The angular, cage-like frame, which stands upright like a human body, is softened by the introduction of an artificial snakeskin covering that lends the work a living quality. Like much of Hapaska\u2019s work, Repressed Apple both attracts and repels, activating the viewer\u2019s senses through its strange combinations of form and material.","images":[{"image":"\/img\/stores\/madrid\/artworks\/siobhan-hapaska\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Edmund de Waal","thumbnail":"\/img\/stores\/madrid\/artworks\/edmund-de-waal\/01.jpg","link":"\/artworks\/edmund-de-waal","class":"lwal-small-izq lwal-space-der-big","birth":"b. 1964","title":"Sonatas and Interludes<br>Both Halves (A)\"","year":"2015","description":"Edmund de Waal is one of the most significant contemporary artists working in the medium of ceramic. At the heart of his practice are small, simple porcelain vessels fired in subtle tones of white, celadon, and black, which he brings together in careful compositions. In recent years his work has grown to encompass site-specific pieces and wall-based installations arranged in glass-fronted vitrines. In de Waal\u2019s triptych, Sonatas and Interludes (2015), gilding is applied to the backs of ten porcelain vessels to create a subtle reflective glow within the vitrine, while three plaster blocks add an architectural character. De Waal often references other art forms as underlying inspirations for his arrangements, and here the work\u2019s title, borrowed from a cycle of twenty pieces by the minimalist composer John Cage, references the structure of music as a compositional device.","images":[{"image":"\/img\/stores\/madrid\/artworks\/edmund-de-waal\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/madrid\/artworks\/edmund-de-waal\/02.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"Matthew Ronay","thumbnail":"\/img\/stores\/madrid\/artworks\/matthew-ronay\/02.jpg","link":"\/artworks\/matthew-ronay","class":"lwal-med","birth":"b. 1976","title":"Attuned Unmade","year":"2018","description":"At first glance, Matthew Ronay\u2019s abstract, colourful sculptures invoke a childlike playfulness, appearing as fusions of toys, pets, children\u2019s television backdrops, and Play-Doh. But on closer looking, the New York-based artist\u2019s work is imbued with layers of art historical and philosophical reference, spanning surrealism, folk art, mythology, and various pop art and sci-fi futurisms. Ronay incorporates objects and anatomical forms in his installations to investigate relationships and tensions between organic and inorganic matter, as well as the nature of corporeality in relation to art and the wider world. Ronay studied at the Maryland Institute College of Art before earning his Masters in Fine Art from Yale University in 2000. He has exhibited globally at institutions including the Serpentine Galleries in London and Sculpture Centre in New York. In 2016, he was the subject of solo-presentations at the Blaffer Art Museum in Houston, Texas, and the P\u00e9rez Art Museum in Miami, Florida.","images":[{"image":"\/img\/stores\/madrid\/artworks\/matthew-ronay\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/madrid\/artworks\/matthew-ronay\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"William Mckeown","thumbnail":"\/img\/stores\/madrid\/artworks\/william-mckeown-2\/01.jpg","link":"\/artworks\/william-mckeown","class":"lwal-small-der","birth":"1962-2011","title":"The Hayfield","year":"2007","description":"William McKeown is known for his paintings, watercolours, and drawings in which the subjects of time, place and memory are distilled into planes of colour. McKeown was born in County Tyrone in Northern Ireland and trained in textiles before becoming an artist. His paintings are built up from many washes of colour on unprimed linen canvases, giving them a luminous depth that echoes works by great American painters such as Morris Louis or Agnes Martin. McKeown\u2019s paintings are grounded in his experiences of the world around him: childhood memories of the places where he grew up or impressions of the light at a certain time of day. Snowing (2008) and Hayfield (2007) illustrate how McKeown captures place and atmosphere with the most pared-down of painterly languages. Perfectly graduated fields of colour suggest the subtle differences in light created by contrasting weather conditions. Defined borders recast the paintings as windows, or single frames of a film depicting a transcendent landscape.","images":[{"image":"\/img\/stores\/madrid\/artworks\/william-mckeown-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/madrid\/artworks\/william-mckeown-2\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Gloria Garc\u00eda Lorca","thumbnail":"\/img\/stores\/madrid\/artworks\/gloria-garcia-lorca\/02.jpg","link":"\/artworks\/gloria-garcia-lorca","class":"lwal-big-der","birth":"b. 1945","title":"Selecci\u00f3n de piezas cer\u00e1mica de 'Windwall'","year":"2016","description":"Gloria Garc\u00eda Lorca arrives at image through repetition: taking a single, often geometric element, such as a rectangle, she duplicates it and begins an\u00a0arrangement, moving through form to achieve composition. Garc\u00eda Lorca\u2019s rhythmic approach produces complex wall works and murals akin to visual scores, in\u00a0materials as disparate as acrylic paint on cotton, enamelled\u00a0refractory\u00a0clay or crayon and watercolour on Kraft paper.\u00a0The varied yet methodical character of her\u00a0work reflects her interest in the workings of memory as it applies to the natural world; for example, how an organic material such as clay records the imprint of the maker's hand. Now based in Madrid, Garc\u00eda Lorca was born in New York, where her parents\u00a0settled in exile after the Spanish Civil War. Three of her large-scale works are currently housed across CASA LOEWE\u00a0Tokyo and CASA LOEWE\u00a0Madrid.","images":[{"image":"\/img\/stores\/madrid\/artworks\/gloria-garcia-lorca\/02.jpg","width":6000,"height":4000,"aspect_ratio":"3 \/ 2"},{"image":"\/img\/stores\/madrid\/artworks\/gloria-garcia-lorca\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/madrid\/artworks\/gloria-garcia-lorca\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/madrid\/artworks\/gloria-garcia-lorca\/04.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]}],"slug":"madrid"},{"id":"JP1081035","menu":"Tokyo Omotesando","title":"LOEWE<br>Omotesando","description":"The iconic LOEWE Omotesando, distinguished by its tiled silver fa\u00e7ade, provided the original inspiration for the CASA LOEWE concept, which imagines the store as the home of a cultivated art collector.","thumbnail":"\/img\/stores\/omotesando\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/omotesando\/hero\/mobile\/01.jpg","address":"{{storeAddress_JP1081035}}","shopname":"{{storeName_JP1081035}}","hours":"{{storeHours_JP1081035}}","hero":{"desktop":[{"image":"\/img\/stores\/omotesando\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/omotesando\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/omotesando\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/omotesando\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/omotesando\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/omotesando\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Anthea Hamilton","thumbnail":"\/img\/stores\/omotesando\/artworks\/anthea-hamilton\/01.jpg","link":"\/artworks\/anthea-hamilton","class":"lwal-med","birth":"b. 1978","title":"Leather Pumpkin","year":"2022","description":"Visitors ascending the staircase in CASA LOEWE London may find themselves stopped in their tracks by an enormous profusion of lipstick-red blown glass, near cartoonish in shape yet sculpturally awe-inspiring\u2014and possibly ready to burst. This is British artist Anthea Hamilton\u2019s \u2018Volcano Table\u2019, 2014, the first and perhaps most recognizable artwork ever acquired for LOEWE\u2019s stores. Hamilton\u2019s history with LOEWE is extensive, from the group exhibition Chance Encounters, curated by Jonathan Anderson as part of Art Basel Miami Beach, to her performance work, \u2018The Squash\u2019, 2018, commissioned by the Tate Britain, featuring costumes by LOEWE. To mark the Spring Summer 2021 Women\u2019s Runway collection, Hamilton became the subject of Akimbo Stylee, a short documentary by fellow artist Ayo Akingbade, which followed Hamilton from London to Margate and back, capturing in film some of the gentle surrealness and play of form, iconography and meaning that characterize Hamilton\u2019s transportive installations.\u00a0","images":[{"image":"\/img\/stores\/omotesando\/artworks\/anthea-hamilton\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/anthea-hamilton\/02.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/omotesando\/artworks\/anthea-hamilton\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Sir Cedric Morris","thumbnail":"\/img\/stores\/omotesando\/artworks\/cedric-morris\/01.jpg","link":"\/artworks\/cedric-morris","class":"lwal-med","birth":"1889-1982","title":"Red Hot Pokers","year":"1940","description":"British artist Sir Cedric Lockwood Morris (1889\u20131982) famously referred to himself as an \"artist plantsman\", perfectly encapsulating the synthesis of medium and natural world that occurs in his exuberant paintings of flowers and scenery. Born in Swansea, Morris primarily worked in East Anglia, but his enchanting, at times idiosyncratic landscapes capture settings the world over, from the Algarve in Spain to Turkey and Libya. An avid collector, Morris travelled widely seeking plant species for his garden at Benton End. His sensuous portraits and vivid still lives utilize undulating impasto and rich, almost graphically contrasting colour that call forward to later British painters such as David Hockney as much as back to the post-impressionists. At CASA LOEWE Omotesando, Morris\u2019s Red Hot Pokers (c1940s) hangs on a wall of mirrored tiles. Its array of brush-like flora in lurid greens and flame-like tones seem almost to burst from the canvas in a surreal and inviting display of natural fecundity. ","images":[{"image":"\/img\/stores\/omotesando\/artworks\/cedric-morris\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Lucie Rie","thumbnail":"\/img\/stores\/omotesando\/artworks\/lucie-rie\/01.jpg","link":"\/artworks\/lucie-rie","class":"lwal-med","birth":"1902-1995","title":"Blue Bowl<br>457","year":"n.d.","description":"Austrian-born British potter Lucie Rie was one of the most prolific female ceramicists of the twentieth century. She is widely considered to have elevated the craft of studio ceramics to new aesthetic heights, creating objects determined by precise lines and refined functionality. Born in 1902 in Vienna, Rie fled Nazi occupation and emigrated to London where she would stay and develop her artistic career. She had previously won a silver medal at the Paris International Exhibition alongside artists including Pablo Picasso, who exhibited his iconic painting, Guernica. Nonetheless, the duration of World War II saw Rie making ceramic buttons and jewellery for couture fashion houses to survive. Through this work, she came to master her glazing and ceramic method, as well as the artful, delicate approach to function that would inform her career as a master potter. Rie\u2019s buttons can be found at the Victoria and Albert Museum in London, alongside her studio itself, which was moved and reconstructed in the museum.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/lucie-rie\/01.jpg","width":2000,"height":3000,"aspect_ratio":"2 \/ 3"},{"image":"\/img\/stores\/omotesando\/artworks\/lucie-rie\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Jos Devriendt","thumbnail":"\/img\/stores\/omotesando\/artworks\/jos-devriendt\/01.jpg","link":"\/artworks\/jos-devriendt","class":"lwal-med","birth":"b. 1964","title":"Night and Day 456","year":"2022","description":"Jos Devriendt\u2019s artistry finds form in a range of varicoloured, mushroom-shaped light sculptures, which fuse a late 20th century aesthetic with contemporary playfulness. Born in Ostend, Belgium, in 1964, Devriendt\u2019s early fascination for pottery saw him pursue the study of ceramics at the LUCA School of Arts, and sculpture at the Academy of Fine Arts, Ghent. He describes his subsequent ambition as to \"reshape the form from day to night, solely with light: the daylight, which shines upon the sculpture and the artificial light, which comes from within and erases the material form\". Devriendt\u2019s handcrafted sensibility is inflected by the formal and material languages of industrial design. He uses colour as a tool for exploring light\u2019s sculptural possibilities, which he likens to the way abstract painters use colour to communicate meaning. Represented by Demisch Danant in New York, Devriendt maintains a studio in Ghent, Belgium.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/jos-devriendt\/01.jpg","width":2000,"height":3000,"aspect_ratio":"2 \/ 3"},{"image":"\/img\/stores\/omotesando\/artworks\/jos-devriendt\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Eliot Hodgking","thumbnail":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/01.jpg","link":"\/artworks\/elliot-hodgkin","class":"lwal-center","birth":"(1905-1987)","title":"Botanical Works","year":"1975","description":"A crisp stillness punctuates the still lives of British painter Eliot Hodgkin (1905\u20131987). From the icy blue quilting of a pair of child\u2019s shoes to the immaculate white peaks of wrapping for three lush peaches, Hodgkin\u2019s intense command of form and line within an otherwise spare picture plane have led him to be considered a master of the genre. Born in Berkshire, Hodgkin studied at the Byam Shaw School of Art and briefly at the Royal Academy Schools, working in oils before starting with tempera, which he appreciated for its ability to capture the true surface character of his subjects. His later works rely less on the overt use of shadow than on subtle variations of tone to bring about lush yet minimal compositions featuring plant life, fruit, and vegetables. At CASA LOEWE Omotesando, a collection of Hodgkin\u2019s Botanical works (1975) evidence the painter\u2019s prodigious capacity to think through drawing.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/04.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/05.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/06.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/omotesando\/artworks\/elliot-hodgkin\/07.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Mary Stephenson","thumbnail":"\/img\/stores\/omotesando\/artworks\/mary-stephenson\/01.jpg","link":"\/artworks\/mary-stephenson","class":"lwal-med","birth":"b. 1989","title":"Baby, Baby 2022","year":"2022","description":"Mary Stephenson translations A less declarative world of forms comes to life in Mary Stephenson\u2019s images, where definition arises largely through subtle shifts in colour and perspective. Stephenson\u2019s cultivated restraint and lyricism when it comes to representation recall the poetic register of scale and light in the work of post-minimalist artists such as Richard Tuttle and Eva Hesse, who similarly questioned boundaries between abstraction and figuration. But Stephenson is very firmly a painter, deeply engaged with the history and methods of her medium as well as its potential to extract new meaning from the details of everyday life. Born in 1989 in London, Stephenson studied at the Glasgow School of Art and the Royal Academy in London. At LOEWE Omotesando, Stephenson\u2019s Baby, Baby (2022) presents a landscape of beach umbrellas in hues of sour milk that float against an inky background, a populous scene that nonetheless seems to await the arrival of human subjects who may never come.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/mary-stephenson\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/mary-stephenson\/02.jpg"}]},{"name":"Haegue Yang","thumbnail":"\/img\/stores\/omotesando\/artworks\/haegue-yang\/01.jpg","link":"\/artworks\/haegue-yang","class":"lwal-med","birth":"b. 1971","title":"Sacred Relic and Strange Fruit in Six Folds","year":"2017","description":"Haegue Yang separates matter from its original context and rearranges it into abstract, multimedia compositions that build upon a unique and personal visual vocabulary. Working with disparate materials, Yang utilizes industrial fabrication alongside traditional craftsmanship, often engaging skilled craftspeople local to the site of her exhibitions. Notions of folk belief and mysticism infuse Yang\u2019s installations with a sense of timelessness and wonder alongside her acutely contemporary political sensitivity. Her uncanny sculptures, which may be woven from reeds or rattan or covered in wire that resembles fur, often live within digital landscapes or dazzling optical illusions and are set to uncanny soundscapes; these large-scale, site-specific installations are frequently \"activated\" in the manner of a performance, further foregrounding the conceptual affordances of her materials. The heterogenous nature of Yang\u2019s work belies the focus and rigour of her scientific and political concerns, where openness and abstraction become tools of immersion and critique.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/haegue-yang\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/haegue-yang\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Bernard Leach","thumbnail":"\/img\/stores\/omotesando\/artworks\/bernard-leach\/01.jpg","link":"\/artworks\/bernard-leach","class":"lwal-med","birth":"1887\u20131979","title":"Salmon Vase","year":"1950","description":"Bernard Leach (1887\u20131979) was one of the foremost British studio potters and a highly influential figure in 20th century art. Born in Hong Kong, Leach began studying pottery in 1911, working under Japanese potters in the tradition of Ogata Kenzan, a master ceramicist of the Edo period, who Leach later biographized in Kenzan and His Tradition (1966). Leach remained in Japan until 1920 when he returned to establish Leach Pottery in St. Ives, Cornwall, with his friend and colleague, Hamada Sh\u014dji. Works from the Leach studio are distinguished by their profound simplicity and embrace of functionality, as well as their incorporation of ancient techniques then new to the West, such as raku firing. Leach later described his works as \"ethical pots\", encapsulating not only their utilitarian intent and organic, handmade style but a certain right-mindedness or spiritual and moral rectitude on the part of the maker. He popularized this theory, an interpretation of the Japanese concept of mingei, in his seminal book, A Potter's Book (1940).","images":[{"image":"\/img\/stores\/omotesando\/artworks\/bernard-leach\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Myungtaek Jung","thumbnail":"\/img\/stores\/omotesando\/artworks\/myoungtaek-jung\/01.jpg","link":"\/artworks\/myoungtaek-jung","class":"lwal-med","birth":"b. 1971","title":"Bronze and Stone","year":"2021","description":"Myungtaek Jung\u2019s works embody the art-furniture maker\u2019s enduring attempts to marry ancient form with effortless function. Born in 1971 in Seoul, Republic of Korea, Jung trained in woodwork and furniture design at Hongik University before further refining his craft at Rochester Institute of Technology in New York. His thesis, \u2018Art Furniture Embodying the Three Non-being Spirits of Korean Ancient Architecture\u2019, established the tone and theme for much of the work that followed. Jung\u2019s Dumbung-Jucho (2022) benches, which take their name from a Korean method of building architectural structures using natural cornerstones, fuse traditional building techniques with a contemporary aesthetic. To create these unique forms, Jung interprets the organic shape of the cornerstones in a prototype that is then divided diagonally into a harmony of opposites, one piece hewn from stone, the other cast in bronze. Jung has held solo exhibitions internationally, including in the United States, Egypt, and Korea. In 2022, he was a finalist in the LOEWE FOUNDATION Craft Prize.\u00a0","images":[{"image":"\/img\/stores\/omotesando\/artworks\/myoungtaek-jung\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/myoungtaek-jung\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/myoungtaek-jung\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/myoungtaek-jung\/04.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Richard Hawkins","thumbnail":"\/img\/stores\/omotesando\/artworks\/richard-hawkins\/01.jpg","link":"\/artworks\/richard-hawkins","class":"lwal-med","birth":"b. 1961","title":"Fons Mercurialis","year":"2022","description":"A cacophony of colour, form and figure erupts in the work of Los Angeles-based artist Richard Hawkins. Hawkins\u2019s densely populated paintings and collages incorporate faces and characters from contemporary culture to antiquity among brightly coloured shapes and phrases. Elements of slapstick surrealism, a liberal hand with reference, and an embrace of luridness in Hawkins\u2019s style recall such influential American representational painters as the Chicago Imagists, who were inspired by alternative comic books, advertisements, and storefront signage. Born in 1961 in Mexia, Texas, Hawkins studied art at the University of Texas, Austin, and the California Institute of Arts before settling permanently in Los Angeles. For LOEWE\u2019s Autumn\/Winter 2024 menswear collection, Creative Director Jonathan Anderson invited Hawkins to create digital collages of playful young men that screened during the runway show against a backdrop of seven Hawkins paintings, moving away from the idea of a \"single look\" to present \"a multitude of desirable characters\". ","images":[{"image":"\/img\/stores\/omotesando\/artworks\/richard-hawkins\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/richard-hawkins\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/richard-hawkins\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/omotesando\/artworks\/pablo-picasso\/01.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-med","birth":"1881-1973","title":"Bouquet de Fleurs 1955","year":"1955","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/pablo-picasso\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/pablo-picasso\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Tsubaki","thumbnail":"\/img\/stores\/omotesando\/artworks\/tsubaki\/01.jpg","link":"\/artworks\/tsubaki","class":"lwal-med","birth":"est. 2014","title":"Oyama","year":"2023","description":"Established in 2014, Tsubaki is the collaborative project of Tokyo-based Keishi Miyahara and Ikuko Yamashita. Dedicated to the art of botanical arrangement, Tsubaki creates site-specific installations that revel in the aesthetic and material dynamism of plants and flowers. Their works have adorned events, public spaces, and even gardens, introducing a thoughtful and curated sensibility expressed through nature into a range of urban environments. \"Using life that has arisen from the ground, we create settings,\" they write. Although their works sometimes evoke traditional Japanese plant art such as bonsai and ikebana, the Tsubaki house style is distinctly contemporary, as sculptural as it is cinematic, with aspects so delicate or artisanal that they appear akin to haute couture or fine craftsmanship from other creative fields. At CASA LOEWE Omotesando, Tsubaki\u2019s OYAMA: Hanging Pool (2018) features indigenous woods, lush greens, and ferns sourced from Japanese mountainsides, with a central pond populated by native Japanese kili fish or medaka.","images":[{"image":"\/img\/stores\/omotesando\/artworks\/tsubaki\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/tsubaki\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/tsubaki\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/tsubaki\/04.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/tsubaki\/05.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/tsubaki\/06.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Chikuunsai Tanabe","thumbnail":"\/img\/stores\/omotesando\/artworks\/tabane-chikuunsai\/01.jpg","link":"\/artworks\/tabane-chikuunsai","class":"lwal-med","birth":"b. 1973","title":"Funagata Hanakago Amatsukaze","year":"2022","description":"A fourth-generation practitioner from Sakai, Osaka,\u00a0 Chikuunsai\u00a0Tanabe weaves strips of bamboo into fascinating forms and environments as ethereal in substance as they are structurally imposing.\u00a0His\u00a0works may appear at\u00a0first as elaborate root structures growing of their own accord, but this belies the careful specificity of his process, wherein he uses a scalpel to slice tiger\u00a0bamboo, indigenous to a single area of Japan, into strips of varying sizes for weaving. In 2022 he was commissioned to create a vast site-specific work that snaked through the interior of CASA LOEWE Barcelona. The same year, he was a finalist in the LOEWE FOUNDATION Craft Prize. Sustainable practice is embedded in Tanabe\u2019s work: after exhibitions,\u00a0he\u00a0reclaims the strips and reuses them for future projects. Born in 1973,\u00a0Tanabe\u00a0graduated from the Tokyo University of the Arts before returning to his parents\u2019\u00a0home in Sakai to master bamboo arts under his father, Chikuunsai Tanabe\u00a0III.\u00a0","images":[{"image":"\/img\/stores\/omotesando\/artworks\/tabane-chikuunsai\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/omotesando\/artworks\/tabane-chikuunsai\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/omotesando\/artworks\/tabane-chikuunsai\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Bernard Leach","thumbnail":"\/img\/stores\/omotesando\/artworks\/bernard-leach-2\/01.jpg","link":"\/artworks\/bernard-leach","class":"lwal-small-izq","birth":"1887\u20131979","title":"Tile","year":"1950","description":"Bernard Leach (1887\u20131979) was one of the foremost British studio potters and a highly influential figure in 20th century art. Born in Hong Kong, Leach began studying pottery in 1911, working under Japanese potters in the tradition of Ogata Kenzan, a master ceramicist of the Edo period, who Leach later biographized in Kenzan and His Tradition (1966). Leach remained in Japan until 1920 when he returned to establish Leach Pottery in St. Ives, Cornwall, with his friend and colleague, Hamada Sh\u014dji. Works from the Leach studio are distinguished by their profound simplicity and embrace of functionality, as well as their incorporation of ancient techniques then new to the West, such as raku firing. Leach later described his works as \"ethical pots\", encapsulating not only their utilitarian intent and organic, handmade style but a certain right-mindedness or spiritual and moral rectitude on the part of the maker. He popularized this theory, an interpretation of the Japanese concept of mingei, in his seminal book, A Potter's Book (1940).","images":[{"image":"\/img\/stores\/omotesando\/artworks\/bernard-leach-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]}],"slug":"omotesando"},{"id":"FR1033001","menu":"Paris Ave Montaigne","title":"LOEWE<br>Av. Montaigne","description":"An arresting screen print by Henry Moore, a Walter Price painting and ceramics by Pablo Picasso are just some of the masterpieces housed at LOEWE Montaigne, recently redesigned in the brand\u2019s signature concrete and pale wood.","thumbnail":"\/img\/stores\/paris\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/paris\/hero\/mobile\/01.jpg","address":"{{storeAddress_FR1033001}}","shopname":"{{storeName_FR1033001}}","hours":"{{storeHours_FR1033001}}","hero":{"desktop":[{"image":"\/img\/stores\/paris\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/paris\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/paris\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/paris\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/paris\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/paris\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Takayuki Sakiyama","thumbnail":"\/img\/stores\/paris\/artworks\/takayuki-sakiyama\/01.jpg","link":"\/artworks\/takayuki-sakiyama","class":"lwal-small-izq","birth":"b. 1958","title":"Ch\u014dt\u014d","year":"2021","description":"An incongruous appearance of motion distinguishes Takayuki Sakiyama\u2019s ceramics, which turn and twist into spiralling shapes with cresting edges and striated surfaces. Sakiyama\u2019s seamlessly sculpted artworks are also functional vessels, indicating the artist\u2019s skilful expansion of aesthetics and techniques within contemporary Japanese handcraft. A recipient of the LOEWE FOUNDATION Craft Prize Special Mention in 2021, Sakiyama\u2019s approach to practice has precursors in the British Arts & Crafts movement of the 20th century as well as in Japanese folk art (mingei), in their shared emphasis on craftsmanship and the handmade. Sakiyama\u2019s acclaimed Ch\u014dt\u014d series, which translates to \"listening to waves\", evinces a surprising fluidity from the medium, rendered through carvings that cause each vessel to appear to undulate both at and below the surface like an ocean wave. Their textural sand-glaze is Sakiyama\u2019s innovation, further emulating the Pacific coastline of his home, where the water meets the sand.","images":[{"image":"\/img\/stores\/paris\/artworks\/takayuki-sakiyama\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/paris\/artworks\/pablo-picasso-1\/02.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-med","birth":"1881-1973","title":"Visage de Femme","year":"1953","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/paris\/artworks\/pablo-picasso-1\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/paris\/artworks\/pablo-picasso-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Genta Ishizuka","thumbnail":"\/img\/stores\/paris\/artworks\/genta-ishizuka\/01.jpg","link":"\/artworks\/genta-ishizuka","class":"lwal-med","birth":"b. 1982","title":"Surface Tactility #11","year":"2019","description":"Genta Ishizuka\u2019s works are distinguished by his use of the traditional urushi sap technique, which employs a varnish sourced from East Asian trees and dates to the 7th\u00a0and 8th\u00a0centuries. Through this painstaking method, Ishizuka builds on the richness of the past to imagine new possibilities for the future of craft, pairing precious natural materials with unlikely complements such as fabric and Styrofoam balls. The resulting works, such as Surface Tactility #11 (2018), a sinuous, garnet coloured sculpture, convey an impressive textural fusion of ancient and modern, nature and artifice, tradition and freedom. Born in Kyoto in 1982, Genta Ishizuka earned a Bachelor of Fine Arts followed by a Masters in Urushi\u00a0Lacquering from Kyoto City University of Arts.\u00a0In\u00a02019\u00a0Ishizuka\u00a0won the\u00a0LOEWE FOUNDATION Craft Prize\u00a0and went on to design a series of bags and jewellery for the LOEWE Fall Winter 2022 women's collection.","images":[{"image":"\/img\/stores\/paris\/artworks\/genta-ishizuka\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/paris\/artworks\/zizipho-poswa-2\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-izq","birth":"b. 1979","title":"Bukiwe from Magodi Series","year":"2020","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/paris\/artworks\/zizipho-poswa-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Maruja Mallo","thumbnail":"\/img\/stores\/paris\/artworks\/maruja-mallo\/01.jpg","link":"\/artworks\/maruja-mallo","class":"lwal-center","birth":"1902-1995","title":"Algas","year":"1943","description":"Maruja Mallo (1902\u20131995) was a Spanish surrealist painter associated with the avant-garde circles of the Generaci\u00f3n del 27, an influential contingency of Spanish poets, writers, and artists including Luis Bu\u00f1uel, Rafael Alberti, Federico Garc\u00eda Lorca, and Salvador Dali. Although Mallo is lesser known than her male contemporaries, her unique vision for Surrealism was an important catalyst in the Spanish avant-garde movement and was greatly admired by major figures such as Andr\u00e9 Breton. Politically engaged in both art and life, Mallo went into exile to Buenos Aires in 1936 with the eruption of the Spanish Civil War. This constituted a pivotal influence on her subsequent work, which vividly addressed themes of nature, artifice, gender, and sensuality; these are especially evident in her Naturalezas Vivas (1943) paintings and drawings, which depict marine and floral motifs in eroticized configurations. In 2023, the artist's distinctive paintings inspired a collection of LOEWE ready-to-wear, bags and accessories.\u00a0Mallo\u2019s art is present in major collections around the world, including the Museo Nacional Centro de Arte Reina Sofia in Madrid.","images":[{"image":"\/img\/stores\/paris\/artworks\/maruja-mallo\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Pablo Picasso","thumbnail":"\/img\/stores\/paris\/artworks\/pablo-picasso-2\/02.jpg","link":"\/artworks\/pablo-picasso","class":"lwal-med","birth":"1881-1973","title":"Chouetton","year":"1952","description":"Pablo Ruiz Picasso (1881\u20131973)\u00a0was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer. He is considered to be one the most influential artists of the 20th century. While best known for his modern Cubist innovations and monumental paintings, such as Les Demoiselles d\u2019Avignon (1907) and Guernica (1937), which commented on political upheaval and the complex nature of human experience, the artist also created a significant volume of ceramic work beginning in the 1940s through the final years of his life. Utilitarian yet decorative, these ceramics, eight of which are currently housed at CASA LOEWE Barcelona, allowed Picasso to create affordable works in editions that could be purchased directly from the workshop of Suzanne and Georges Rami\u00e9, his friends in Vallauris, a French town known for ceramics. The famed painter is said to have embraced the levity and even whimsicality of working with clay as a contrast to the more strenuous demands of his primary medium of painting.","images":[{"image":"\/img\/stores\/paris\/artworks\/pablo-picasso-2\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/paris\/artworks\/pablo-picasso-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/paris\/artworks\/zizipho-poswa-1\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-der","birth":"b. 1979","title":"Bukiwe","year":"2020","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/paris\/artworks\/zizipho-poswa-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Zizipho Poswa","thumbnail":"\/img\/stores\/paris\/artworks\/zizipho-poswa-3\/01.jpg","link":"\/artworks\/zizipho-poswa","class":"lwal-small-izq","birth":"b. 1979","title":"Weniamo from Baobab Series","year":"2020","description":"Mthatha-born Zizipho Poswa is a contemporary ceramist known for her large-scale, boldly coloured sculptures that celebrate African womanhood. In particular, the silhouettes, surfaces, and motifs of Poswa\u2019s work invoke the daily rituals of Xhosa women, with specific attention to hair, headpieces, and the bundles of wood, buckets of water, or parcels they might carry on their heads. Other works make formal reference to spiritual traditions, such as the symbol of the cow in ancient South African marital negotiations. In Poswa\u2019s iLobola series, combinations of round hand-coiled clay bases in vivid blues and gold-streaked whites are topped with cast bronze horns, equally commanding and evocative in their scale and shape. Poswa\u2019s practice evolved from her work in textile design and fashion, which continues to inform her approach to surface. Several of her recurring treatments, involving patterns, drips, and lines, are inspired by traditional Xhosa textiles. \"I always think in terms of colour, pattern and texture,\" Poswa says.\u00a0","images":[{"image":"\/img\/stores\/paris\/artworks\/zizipho-poswa-3\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Henry Moore","thumbnail":"\/img\/stores\/paris\/artworks\/henry-moore\/02.jpg","link":"\/artworks\/henry-moore","class":"lwal-med","birth":"1898-1986","title":"Two Standing Figures","year":"1948-1949","description":"The son of a Yorkshire coal miner, Henry Moore (1898-1986) became one of the most significant British artists of the 20th century. Known for his colossal modernist sculptures, Moore developed a unique visual language by using materials such as marble and bronze to abstract, engage, and represent the human form in ground-breaking ways. Often inspired by pre-Columbian and African art, a popular influence on his contemporaries such as Pablo Picasso, Moore\u2019s forms suggest totem-like shapes with inscrutable faces and sensuous, evocative postures. Moore received plentiful accolades throughout his career both in Britain and internationally. In 1946, he received his first international retrospective at the Museum of Modern Art in New York, before representing Great Britain at the Venice Biennale in 1948. Today, Moore\u2019s work is held in major private and public collections including the Tate Britain in London and The Guggenheim Museum in New York.","images":[{"image":"\/img\/stores\/paris\/artworks\/henry-moore\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/paris\/artworks\/henry-moore\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Tomonari Hashimoto","thumbnail":"\/img\/stores\/paris\/artworks\/tomonari-hashimoto\/01.jpg","link":"\/artworks\/tomonari-hashimoto","class":"lwal-small-izq","birth":"b. 1990","title":"Untitled","year":"2019","description":"Tomonari Hashimoto\u2019s ceramic works appear as though extracted with a great precision from the earth\u2019s molten core. Using only stoneware clay, glaze, and oxide metal, Hashimoto creates large-scale, archetypal forms such as spheres, cubes, and droplets whose variegated, iridescent surfaces reflect the artist\u2019s introspective pursuit of intangible forces. The works\u2019 surface quality of untold depths arises when Hashimoto saturates the clay with accumulated layers of oxide metal such that the metal settles on the surface and appears almost prismatic when glazed. Hashimoto often builds custom kilns to realize his pieces, a massive undertaking that reflects the serious, even solemn presence of his captivating yet ambiguous works. Born in 1990 in Wakayama, Japan, Hashimoto received his PhD in Fine Art with a focus on ceramics from Kanazawa College of Art in 2017. His work is held in collections internationally, including at the Victoria and Albert Museum in London and the Los Angeles County Museum of Art in Los Angeles. He currently lives and works in Shigaraki, Japan.","images":[{"image":"\/img\/stores\/paris\/artworks\/tomonari-hashimoto\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]}],"slug":"paris"},{"id":"US1001025","menu":"LA Rodeo Drive","title":"LOEWE<br>Rodeo Drive","description":"An exterior of handcrafted turquoise tiles precedes a warm yet refined interior in shades of cream, offset by eye-catching works from celebrated artists such as Nairy Baghramian and Peter Voulkos.","thumbnail":"\/img\/stores\/rodeo-drive\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/rodeo-drive\/hero\/mobile\/01.jpg","address":"{{storeAddress_US1001025}}","shopname":"{{storeName_US1001025}}","hours":"{{storeHours_US1001025}}","hero":{"desktop":[{"image":"\/img\/stores\/rodeo-drive\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/rodeo-drive\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/rodeo-drive\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/rodeo-drive\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/rodeo-drive\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/rodeo-drive\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Joanna Constantinidis","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-2\/01.jpg","link":"\/artworks\/joanna-constantinidis","class":"lwal-small-izq","birth":"1927-2000","title":"Enclosed Pot Circa 1982","year":"1982","description":"Joanna Constantinidis\u2019s ceramic work draws from sources as disparate as medieval and early industrial pottery, Staffordshire slipware, and Greek ceramics, culminating in pieces akin to contemporary relics. Born in York, England, in 1927, Constantinidis developed painstaking methods for evincing a sense of purity and harmony in her medium while highlighting its sensuous qualities. Once the clay was thrown, she would alter, cut, and gauge its form by hand, impacting both the shape and decorative surface of her work in novel and distinctive ways. In the later decades of her life, she produced tall cylinders and bowls following simple, elegant lines, finished with subtle lustres that seemed at once to speak of modern art and ancient craft. Constantinidis\u2019s work is held in major international collections including the National Museum of Modern Art in Kyoto and the British Museum in London.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Nairy Baghramian","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/nairy-baghramian-2\/01.jpg","link":"\/artworks\/nairy-baghramian","class":"lwal-med","birth":"b. 1971","title":"Mooring","year":"2016","description":"How image translates into language is a key source of inspiration for the sculptor Nairy Baghramian. A slip of the hand or tongue, the space around an elbow, and the underside of a petticoat have all provided starting points, and indeed, titles, for Baghramian\u2019s large-scale, often site-specific works. Born in 1971 in Isfahan, Baghramian fled Iran with her family in 1984, eventually settling as refugees in West Berlin, where she became involved in the explosion of art, performance, and critique in the 1990s. Using humour and a deep recourse to art history and politics, Baghramian critiques institutional conventions of display and reception, questioning the status of the artwork in relation to its imagined audience. Her deconstructive attitude to form and her fearlessness when it comes to materials and production methods give rise to unlikely yet inarguable sculptures that seek dialogue and challenge assumptions of embodiment through their living combinations of matter, reference, and shape.\u00a0Baghramian was featured in the LOEWE Fall Winter 2023 precollection campaign photographed by Juergen Teller.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/nairy-baghramian-2\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/rodeo-drive\/artworks\/nairy-baghramian-2\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Joanna Constantinidis","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-1\/01.jpg","link":"\/artworks\/joanna-constantinidis","class":"lwal-small-izq lwal-space-der-big","birth":"1927-2000","title":"Angula Pot 1994","year":"1994","description":"Joanna Constantinidis\u2019s ceramic work draws from sources as disparate as medieval and early industrial pottery, Staffordshire slipware, and Greek ceramics, culminating in pieces akin to contemporary relics. Born in York, England, in 1927, Constantinidis developed painstaking methods for evincing a sense of purity and harmony in her medium while highlighting its sensuous qualities. Once the clay was thrown, she would alter, cut, and gauge its form by hand, impacting both the shape and decorative surface of her work in novel and distinctive ways. In the later decades of her life, she produced tall cylinders and bowls following simple, elegant lines, finished with subtle lustres that seemed at once to speak of modern art and ancient craft. Constantinidis\u2019s work is held in major international collections including the National Museum of Modern Art in Kyoto and the British Museum in London.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Nairy Baghramian","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/nairy-baghramian-1\/01.jpg","link":"\/artworks\/nairy-baghramian","class":"lwal-center","birth":"b. 1971","title":"Portrait: The Concept","year":"2016","description":"How image translates into language is a key source of inspiration for the sculptor Nairy Baghramian. A slip of the hand or tongue, the space around an elbow, and the underside of a petticoat have all provided starting points, and indeed, titles, for Baghramian\u2019s large-scale, often site-specific works. Born in 1971 in Isfahan, Baghramian fled Iran with her family in 1984, eventually settling as refugees in West Berlin, where she became involved in the explosion of art, performance, and critique in the 1990s. Using humour and a deep recourse to art history and politics, Baghramian critiques institutional conventions of display and reception, questioning the status of the artwork in relation to its imagined audience. Her deconstructive attitude to form and her fearlessness when it comes to materials and production methods give rise to unlikely yet inarguable sculptures that seek dialogue and challenge assumptions of embodiment through their living combinations of matter, reference, and shape.\u00a0Baghramian was featured in the LOEWE Fall Winter 2023 precollection campaign photographed by Juergen Teller.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/nairy-baghramian-1\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"}]},{"name":"Paul Pfeiffer","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/paul-pfeiffer-1\/01.jpg","link":"\/artworks\/paul-pfeiffer","class":"lwal-med","birth":"b. 1966","title":"Justin Bieber Head","year":"2018","description":"Paul Pfeiffer is known for photography, video and installations that rework mass media and other artefacts of popular culture into alternative reflections of history and subjectivity. Drawing on architectural notions of framing and perspective, Pfeiffer manipulates his reference material, from a Michael Jackson concert to a televised boxing match, to manufacture dreamlike hyperrealities that are nonetheless familiar in their affective and aesthetic presence. Two minutes of digital video can take Pfeiffer up to four months to create; other works require the use of technically tricky or rarefied apparatuses such as 16mm projectors. Through such painstaking investments, Pfeiffer foregrounds the mediated nature of contemporary life, calling into question the supposed indelibility of individual agency and even free will. Born in\u00a0Honolulu,\u00a0Hawaii\u00a0in 1966, Pfeiffer completed his studies in 1994 with a Master of Fine Arts at Hunter College, New York, where he presently lives and works.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/paul-pfeiffer-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Joanna Constantinidis","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-3\/01.jpg","link":"\/artworks\/joanna-constantinidis","class":"lwal-small-der","birth":"1927-2000","title":"Small Globular Pot 1972","year":"1972","description":"Joanna Constantinidis\u2019s ceramic work draws from sources as disparate as medieval and early industrial pottery, Staffordshire slipware, and Greek ceramics, culminating in pieces akin to contemporary relics. Born in York, England, in 1927, Constantinidis developed painstaking methods for evincing a sense of purity and harmony in her medium while highlighting its sensuous qualities. Once the clay was thrown, she would alter, cut, and gauge its form by hand, impacting both the shape and decorative surface of her work in novel and distinctive ways. In the later decades of her life, she produced tall cylinders and bowls following simple, elegant lines, finished with subtle lustres that seemed at once to speak of modern art and ancient craft. Constantinidis\u2019s work is held in major international collections including the National Museum of Modern Art in Kyoto and the British Museum in London.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-3\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Maria Kristofersson","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/maria-kristofersson\/01.jpg","link":"\/artworks\/maria-kristofersson","thumbnailmobile":"\/img\/stores\/rodeo-drive\/artworks\/maria-kristofersson\/01-mobile.jpg","class":"lwal-small-izq","birth":"b. 1956","title":"Clay","year":"2020","description":"In her poetic contemplation of space, line, and surface texture, Swedish-born artist Maria Kristofersson constructs earthenware clay sculptures that have been likened to three-dimensional drawings. Kristofersson works primarily with unglazed, coil-built works in a palette of white, black, and terracotta, pursuing what she describes as \"the intersection between the fragile and the robust\" through subtle reinterpretations of the conventional shapes of boxes, vessels, plates, and bowls. The traditionally robust qualities of structure are transferred to her sculptures\u2019 surface, and the thin walls of their various forms communicate an undeniable fragility. At CASA LOEWE Hong Kong, Kristofersson\u2019s Piece 4 sculpture, reminiscent of an architectural plan, inadvertently echoes the store\u2019s own architectural details and geometric design. Kristofersson lives and works in Gothenburg, Sweden, and has undertaken solo exhibitions in Sweden, Norway, Japan, and the United Kingdom.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/maria-kristofersson\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/rodeo-drive\/artworks\/maria-kristofersson\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/rodeo-drive\/artworks\/maria-kristofersson\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Joanna Constantinidis","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-5\/01.jpg","link":"\/artworks\/joanna-constantinidis","class":"lwal-small-der","birth":"1927-2000","title":"Tapered Pot 1971","year":"1971","description":"Joanna Constantinidis\u2019s ceramic work draws from sources as disparate as medieval and early industrial pottery, Staffordshire slipware, and Greek ceramics, culminating in pieces akin to contemporary relics. Born in York, England, in 1927, Constantinidis developed painstaking methods for evincing a sense of purity and harmony in her medium while highlighting its sensuous qualities. Once the clay was thrown, she would alter, cut, and gauge its form by hand, impacting both the shape and decorative surface of her work in novel and distinctive ways. In the later decades of her life, she produced tall cylinders and bowls following simple, elegant lines, finished with subtle lustres that seemed at once to speak of modern art and ancient craft. Constantinidis\u2019s work is held in major international collections including the National Museum of Modern Art in Kyoto and the British Museum in London.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-5\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Peter Voulkos","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/peter-voulkos\/01.jpg","link":"\/artworks\/peter-voulkos","class":"lwal-center","birth":"1924-2002","title":"Six Ceramic Plates","year":"1980, 1973, 1973, 1979, 1978, 1981","description":"One could say that Peter Voulkos broke the mould when he conscripted clay and other ceramic materials and techniques into the project of abstract expressionism. Born in 1924, Voulkos encountered major figures in American abstract art in the middle of the century, including Robert Rauschenberg and John Cage, during a summer teaching at Black Mountain College in 1953. These meetings significantly influenced Voulkos\u2019s artistic trajectory. Once settled in Los Angeles, his shop became the headquarters for a loose group of practitioners known for their avant-garde approach to ceramics. A conversation with Franz Kline led Voulkos to produce monumental works free from the strictures of traditional ceramic scale, helping to redefine contemporaneous conceptions of the role of clay in sculpture. Voulkos\u2019s works are celebrated for their highly expressive and dynamic qualities, implicating movement, contradiction, chaos, and other energies in their formal behaviour.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/peter-voulkos\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Joanna Constantinidis","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-4\/01.jpg","link":"\/artworks\/joanna-constantinidis","class":"lwal-small-izq","birth":"1927-2000","title":"Tall Tapered Bottle 1975","year":"1975","description":"Joanna Constantinidis\u2019s ceramic work draws from sources as disparate as medieval and early industrial pottery, Staffordshire slipware, and Greek ceramics, culminating in pieces akin to contemporary relics. Born in York, England, in 1927, Constantinidis developed painstaking methods for evincing a sense of purity and harmony in her medium while highlighting its sensuous qualities. Once the clay was thrown, she would alter, cut, and gauge its form by hand, impacting both the shape and decorative surface of her work in novel and distinctive ways. In the later decades of her life, she produced tall cylinders and bowls following simple, elegant lines, finished with subtle lustres that seemed at once to speak of modern art and ancient craft. Constantinidis\u2019s work is held in major international collections including the National Museum of Modern Art in Kyoto and the British Museum in London.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/joanna-constantidinis-4\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Paul Pfeiffer","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/paul-pfeiffer-2\/01.jpg","link":"\/artworks\/paul-pfeiffer","class":"lwal-small-der","birth":"b. 1966","title":"Left arm and right arm from \u2018Justin Bieber III (set with head, torso, arm left, arm right)\u2019 (2023)","year":"2023","description":"Paul Pfeiffer is known for photography, video and installations that rework mass media and other artefacts of popular culture into alternative reflections of history and subjectivity. Drawing on architectural notions of framing and perspective, Pfeiffer manipulates his reference material, from a Michael Jackson concert to a televised boxing match, to manufacture dreamlike hyperrealities that are nonetheless familiar in their affective and aesthetic presence. Two minutes of digital video can take Pfeiffer up to four months to create; other works require the use of technically tricky or rarefied apparatuses such as 16mm projectors. Through such painstaking investments, Pfeiffer foregrounds the mediated nature of contemporary life, calling into question the supposed indelibility of individual agency and even free will. Born in\u00a0Honolulu,\u00a0Hawaii\u00a0in 1966, Pfeiffer completed his studies in 1994 with a Master of Fine Arts at Hunter College, New York, where he presently lives and works.","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/paul-pfeiffer-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/rodeo-drive\/artworks\/paul-pfeiffer-2\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/rodeo-drive\/artworks\/paul-pfeiffer-2\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Doyle Lane","thumbnail":"\/img\/stores\/rodeo-drive\/artworks\/doyle-lane\/01.jpg","link":"\/artworks\/doyle-lane","class":"lwal-med lwal-space-izq","birth":"1925\u20132002","title":"Tiles","year":"ca. 1960","description":"In the ceramicist Doyle Lane\u2019s iconic series 'Weed Pots', the glaze does something unusual: enveloping the vessels in molten orange blobs, it looks as if bubbled up from within, a living matter or material encroaching on fired surface. Lane became known for such innovations with glaze while working in the El Sereno district of Los Angeles, where he moved from New Orleans in 1946. Working across pottery, clay paintings, jewellery, and murals, Lane applied technical aptitude to his innate feeling for colour and shape to produce objects and artworks that radically recast notions of beauty and the role of craft and ceramics in art in mid-century California and beyond. Indeed, several of Lane\u2019s clay paintings can still be found at prominent sites across the West Coast, including the Huntington Library, where his name is worked into an abstraction of ceramic bricks glazed with his characteristically enduring molten orange.\u00a0","images":[{"image":"\/img\/stores\/rodeo-drive\/artworks\/doyle-lane\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/rodeo-drive\/artworks\/doyle-lane\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]}],"slug":"rodeo-drive"},{"id":"CN1086132","menu":"Shangai","title":"CASA LOEWE<br>Shanghai","description":"Concrete floors and colourful ceramic walls lend a unique character to CASA LOEWE Shanghai, enhanced by design features such as Gerrit Thomas Rietveld chairs and carpets featuring the work of artist John Allen.","thumbnail":"\/img\/stores\/shangai\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/shangai\/hero\/mobile\/01.jpg","address":"{{storeAddress_CN1086132}}","shopname":"{{storeName_CN1086132}}","hours":"{{storeHours_CN1086132}}","hero":{"desktop":[{"image":"\/img\/stores\/shangai\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/shangai\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/shangai\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/shangai\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/shangai\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/shangai\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Cerith Wyn Evans","thumbnail":"\/img\/stores\/shangai\/artworks\/cerith-wyn-evans\/01.jpg","link":"\/artworks\/cerith-wyn-evans","class":"lwal-small-izq","birth":"b. 1958","title":"SpatialinterventionX, after Isamu","year":"2020","description":"British artist Cerith Wyn Evans is known for conceptual works that play with visibility and concealment through musical and filmic notions of polyphony and superimposition. His phenomenological engagement with the nature of perception brings about explorations of systems of communication and aesthetic production capable of encompassing disparate materials and media. From large, site-responsive arrangements of suspended neon lighting to framed photographic prints containing Duchampian holes, Evans deploys form and scale to upend preconceived notions of language, image, and environment. Born in 1958 in Wales, Evans studied at St. Martin's School of Art and the Royal College of Art in London. He began his career making short, experimental films, collaborating with the filmmaker Derek Jarman and making music videos for The Smiths, the Pet Shop Boys, and The Fall. He expanded his practice to visual art in the 1990s, honing his lexicon of installations, sculptures, photographs, and films over the subsequent decades.","images":[{"image":"\/img\/stores\/shangai\/artworks\/cerith-wyn-evans\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Igshaan Adams","thumbnail":"\/img\/stores\/shangai\/artworks\/igshaan-adams\/01.jpg","link":"\/artworks\/igshaan-adams","class":"lwal-small-der","birth":"b. 1982","title":"Die dood van die Alledaags, Wall Piece","year":"2021","description":"A queer,\u00a0practicing Muslim born in apartheid-era South Africa, Igshaan Adams draws on his innate experience of multiplicity to produce multivalent sculptures and installations in rope, twine, wire, beads, springs, and DIY dyes such as red wine and detergents. These woven works offer alternative diagrams wherein materials arrange, entwine, and undo themselves, defying traditional notions of composition with a visual bricolage that reflects the accretive nature of their construction. Entropy is allowed in the form of gaps and breaks; latent figural potential is subsumed into the material\u2019s libidinous self-exploration. In In Between, 2011, a patchworked carpet floor reveals the outline of a snake, an archetypal symbol of lost divinity but also of humanity, which only ever partially appears.","images":[{"image":"\/img\/stores\/shangai\/artworks\/igshaan-adams\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/igshaan-adams\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Shinpei Kusanagi","thumbnail":"\/img\/stores\/shangai\/artworks\/shinpei-kusanagi\/01.jpg","link":"\/artworks\/shinpei-kusanagi","class":"lwal-med","birth":"b. 1973","title":"Carve","year":"2020","description":"Storms, swamps, and other landscapes almost appear in the work of painter Shinpei Kusanagi. But Kusanagi\u2019s improvisational, occasionally frenetic abstractions in acrylic and coloured pencil on canvas refute the wholly imagistic. In this way, they most accurately resemble phosphenes, the errant light that dances behind closed eyes. If specific forms are hinted at, they are unstable and dynamic. The visual effect of Kusanagi\u2019s canvases has been liked to half-remembered recollections. Born in Japan in 1973, Kusanagi began his career making drawings on paper and works on wood panel in a range of media before turning his attention to painting. His push toward abstraction began at an artist residency in Vienna in 2005, where he dispensed with narrative tendencies. Subsequent works utilize a technique akin to traditional Japanese nijimi, with Kusanagi staining untreated canvas with translucent colour before applying brushstrokes. Veritable explosions of light and energy seem to appear within each colour and, more importantly, within the paint itself.","images":[{"image":"\/img\/stores\/shangai\/artworks\/shinpei-kusanagi\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Tony Marsh","thumbnail":"\/img\/stores\/shangai\/artworks\/tony-marsh\/03.jpg","link":"\/artworks\/tony-marsh","class":"lwal-med","birth":"b. 1954","title":"Crucible from Series 3","year":"2018","description":"For over three decades, California-based ceramicist Anthony Marsh has explored themes of creation, abundance, fertility, and death in wildly wide-ranging series of vessels. Marsh has held over 25 solo exhibitions in the United States, Asia, and Europe over the course of his career, and his work is held in many major museums and public collections, including the Metropolitan Museum of Art in New York and the Taipei Ceramics Museum in Taiwan. Marsh\u2019s vessels are the culmination of his repeated application of materials and multiple firings, constituting a layered exploration of the boundaries between nature and culture, intuitive wisdom and scientific knowledge. Whereas some works, such as the Crucible (2018) series, resemble unpolished gemstones or rock formations with hollowed centres, others, like the earthenware \"perforated\" pieces, recall delicate, immaculately formed pieces of coral. Yet across Marsh\u2019s oeuvre, the textured, topographical surfaces of his vessels tell a shared story of an artistic imagination laid bare to the arcane power of the elements.","images":[{"image":"\/img\/stores\/shangai\/artworks\/tony-marsh\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/shangai\/artworks\/tony-marsh\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/tony-marsh\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Domingos Totora","thumbnail":"\/img\/stores\/shangai\/artworks\/domingos-totora\/01.jpg","link":"\/artworks\/domingos-totora","class":"lwal-big-izq","birth":"b. 1960","title":"Terrao Bench","year":"2020","description":"Inspired by the natural landscapes of his mountainous hometown in Brazil, Domingos T\u00f3tora creates design and art objects through a unique, sustainable process. For his \u2018Banco de papel\u2019 benches, T\u00f3tora salvages cardboard at the end of its lifecycle and shreds it to a pulp; he then mixes it with earth and water and reshapes it by hand into a new form. Finally, the resulting material is baked under natural sunlight. This transformation of the cardboard back to its original hard, wood-like form, complete with surface striations, is emblematic of T\u00f3tora\u2019s exploration of the connections between form, function, and ecology. His elevation of seemingly simple materials reflects his embrace of the humble, widely available, or imperfect, as much an aesthetic as a philosophy of sustainability. T\u00f3tora\u2019s objects are held in private and public collections worldwide and he is represented by galleries in the United States, Brazil, and Belgium. In 2022, he was a finalist for the LOEWE FOUNDATION Craft Prize.","images":[{"image":"\/img\/stores\/shangai\/artworks\/domingos-totora\/01.jpg","width":7000,"height":5108,"aspect_ratio":"1750 \/ 1277"}]},{"name":"Sofu Teshigahara","thumbnail":"\/img\/stores\/shangai\/artworks\/sofu-teshigahara\/02.jpg","link":"\/artworks\/sofu-teshigahara","class":"lwal-small-izq","birth":"1900-1979","title":"Title Unknown","year":"1950-1970","description":"The contours of Sofu Teshigahara\u2019s art developed partly in opposition to his father, the famed ikebana artist Wafu Teshigahara. Born in Osaka, the younger Teshigahara (1900\u20131979) founded the S\u014dgetsu school in 1927, which he dedicated to respecting the individuality of the person arranging the flowers and the impact of this uniqueness on their work. An emphasis on freer personal expression beyond traditional rules and formalist techniques came to define Teshigahara\u2019s ikebana style. His emphasis on asymmetry and formal dynamism carry through in the sheet copper sculptures he made in the 1950s and 1960s. Teshigahara spent much of his career introducing ikebana to the wider world, holding exhibitions and demonstrations in Europe, and the United States, as well as around Japan. In the 1960s, he received both an Order of Arts and Letters and the Legion of Honour from the French Government, as well as a Minister of Education Award for Art from Japan.","images":[{"image":"\/img\/stores\/shangai\/artworks\/sofu-teshigahara\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/sofu-teshigahara\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/sofu-teshigahara\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/sofu-teshigahara\/04.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Raphaela Simon","thumbnail":"\/img\/stores\/shangai\/artworks\/raphaela-simon\/02.jpg","link":"\/artworks\/raphaela-simon","class":"lwal-med","birth":"b. 1986","title":"BlauerSaphir","year":"2021","description":"Berlin-based artist Raphaela Simon approaches a painting in several stages, an exacting process wherein overpainting and other modifications allow earlier colours and gestures to return to the surface. This balance of doing and undoing, deduction and creation, produces stark yet nuanced images of simple forms against monochromatic backgrounds. Referencing the art historical language of portrait painting, Simon\u2019s focus on everyday objects is echoed in her titles, which foreground ordinary phenomena. This emphasis acquires a particular poignancy when the image in Simon\u2019s painting is non-distinct, almost daring viewers to attribute meaning to (supposedly) unprepossessing colour and shape. Born in 1986, Simon studied under Peter Doig at the D\u00fcsseldorf Art Academy and with G\u00fcnther F\u00f6rg at the Munich Academy of Fine Arts.\u00a0Beginning in 2018, she has worked with textiles to render complicated objects and figures staged in careful tableaux, further querying the role of the viewer\u2014and, indeed, her paintings\u2014in the production of narrative.","images":[{"image":"\/img\/stores\/shangai\/artworks\/raphaela-simon\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/shangai\/artworks\/raphaela-simon\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Hafu Matsumoto","thumbnail":"\/img\/stores\/shangai\/artworks\/hafu-matsumoto\/01.jpg","link":"\/artworks\/hafu-matsumoto","class":"lwal-small-izq","birth":"b. 1952","title":"Untitled","year":"2021","description":"The Japanese bamboo weaver Hafu Matsumoto trained as an apprentice under the master bamboo-weaver Iizuka Sh\u014dkansai, last in the line of Japan\u00b4s most celebrated bamboo craft dynasty. Matsumoto\u2019s reverence for bamboo is such that he has dedicated his life to his practice, weaving expressive yet subtle sculptures that highlight the material\u2019s incredible versatility and grace. In 2022, Matsumoto joined LOEWE for Milan Design Week along with 11 other masters of traditional basketry to exhibit pieces crafted from wide strips of leather interwoven with multiple varieties of bamboo. Matsumoto\u2019s \u2018LOEWE Baskets\u2019 reference his renowned noshitake\u00a0technique, a practice of flattening pieces of bamboo into wide strips, heating them with warm water, then twisting them into nuanced shapes.\u00a0Working amid bamboo groves in Japan\u2019s Boso Peninsula, Matsumoto\u2019s practice is fuelled by his proximity to his medium. His unquenchable ambition is to create art that can match the beauty of the wild bamboo itself.\u00a0","images":[{"image":"\/img\/stores\/shangai\/artworks\/hafu-matsumoto\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/hafu-matsumoto\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/hafu-matsumoto\/03.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/hafu-matsumoto\/04.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Takayuki Sakiyama","thumbnail":"\/img\/stores\/shangai\/artworks\/takayuki-sakiyama\/01.jpg","link":"\/artworks\/takayuki-sakiyama","class":"lwal-small-der lwal-space-izq-big","birth":"b. 1958","title":"Ch\u014dt\u014d","year":"2018","description":"An incongruous appearance of motion distinguishes Takayuki Sakiyama\u2019s ceramics, which turn and twist into spiralling shapes with cresting edges and striated surfaces. Sakiyama\u2019s seamlessly sculpted artworks are also functional vessels, indicating the artist\u2019s skilful expansion of aesthetics and techniques within contemporary Japanese handcraft. A recipient of the LOEWE FOUNDATION Craft Prize Special Mention in 2021, Sakiyama\u2019s approach to practice has precursors in the British Arts & Crafts movement of the 20th century as well as in Japanese folk art (mingei), in their shared emphasis on craftsmanship and the handmade. Sakiyama\u2019s acclaimed Ch\u014dt\u014d series, which translates to \"listening to waves\", evinces a surprising fluidity from the medium, rendered through carvings that cause each vessel to appear to undulate both at and below the surface like an ocean wave. Their textural sand-glaze is Sakiyama\u2019s innovation, further emulating the Pacific coastline of his home, where the water meets the sand.","images":[{"image":"\/img\/stores\/shangai\/artworks\/takayuki-sakiyama\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/shangai\/artworks\/takayuki-sakiyama\/02.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]}],"slug":"shangai"},{"id":"SG1065022","menu":"Singapore","title":"CASA LOEWE<br>Singapore","description":"Wood detailing and soft pink walls infuse the 340 square metre CASA LOEWE Singapore with a sense of warmth and intimacy, complemented by a careful installation of contemporary art and design.","thumbnail":"\/img\/stores\/singapore\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/singapore\/hero\/mobile\/01.jpg","address":"{{storeAddress_SG1065022}}","shopname":"{{storeName_SG1065022}}","hours":"{{storeHours_SG1065022}}","hero":{"desktop":[{"image":"\/img\/stores\/singapore\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/singapore\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/singapore\/hero\/desktop\/03.jpg"},{"image":"\/img\/stores\/singapore\/hero\/desktop\/04.jpg"}],"mobile":[{"image":"\/img\/stores\/singapore\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/singapore\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/singapore\/hero\/mobile\/03.jpg"},{"image":"\/img\/stores\/singapore\/hero\/mobile\/04.jpg"}]},"artworks":[{"name":"Shihoko Fukumoto","thumbnail":"\/img\/stores\/singapore\/artworks\/shihoko-fukumoto\/01.jpg","link":"\/artworks\/shihoko-fukumoto","class":"lwal-med lwal-space-izq","birth":"b. 1945","title":"Time Space 3","year":"1991","description":"Shihoko Fukumoto is Japan\u2019s most celebrated practitioner of aizome, or traditional Japanese indigo dyeing. Fukumoto\u2019s work is distinguished by her exquisite yet minimal designs and her use of unconventional materials such as linen, hemp, pineapple fibre, and mosquito netting. Born in 1945 in Japan, Fukumoto studied painting at the Kyoto Municipal University of Fine Art before turning her focus to indigo dyeing and textiles in the 1970s. Fukumoto\u2019s practice, as well as her stated ambition, has been to elevate a technique traditionally used for household items to the status of an artform. Her recent work incorporates handwoven cloth from old tunics and other reclaimed materials as the canvas for designs that recall such natural phenomena as eclipses, tidal movements, and horizon lines. Fukumoto\u2019s work is housed at CASA LOEWE Singapore alongside a collection of textile and ceramic works that honour the presence and inspiration of nature within contemporary art.","images":[{"image":"\/img\/stores\/singapore\/artworks\/shihoko-fukumoto\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Josh Faught","thumbnail":"\/img\/stores\/singapore\/artworks\/josh-faught\/03.jpg","link":"\/artworks\/josh-faught","class":"lwal-big-izq","birth":"b. 1979","title":"A Positive Light","year":"2019","description":"Born in Saint Louis, Missouri in 1979, San Francisco-based artist Josh Faught is known for his multivalent practice combining textiles, pop cultural detritus, and archival materials to address the relationship between language, community, and constructions of identity. Faught\u2019s large-scale collage, It Takes a Lifetime to Get Exactly Where You Are (2012), partially replicates a segment of the AIDS Memorial quilt, a monumental tapestry that was installed in Washington, D.C., beginning in 1985. Using all manner of materials, from gold leaf to handwoven hemp to toilet paper, Faught painstakingly reinscribes personal, elusive, and intimate material, and historical meaning within the public, large-scale, and political. BE BOLD For What You Stand For, BE CAREFUL For What You Fall For (2013), was commissioned by SFMoMA and celebrates San Francisco\u2019s Neptune Society Columbarium, where many gay men were buried during the 1980s.\u00a0In 2019 Faught\u00a0reproduced the interior of the Connecticut home of AIDS\u00a0activist Larry Kramer,\u00a0in\u00a0three hand-made textile works\u00a0for an exhibition at\u00a0CASA LOEWE London.","images":[{"image":"\/img\/stores\/singapore\/artworks\/josh-faught\/03.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/singapore\/artworks\/josh-faught\/04.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/singapore\/artworks\/josh-faught\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/singapore\/artworks\/josh-faught\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Betty Blandino","thumbnail":"\/img\/stores\/singapore\/artworks\/betty-blandino\/02.jpg","link":"\/artworks\/betty-blandino","class":"lwal-big-der","birth":"1927-2011","title":"Eight Ceramic Works\u200b","year":"n.d.","description":"Planetary landscapes, organic forms, the shifting behaviours of sand dunes and ocean tides\u2014the stoneware vessels of British potter Betty Blandino\u00a0(1927\u20132011)\u00a0invoke a vast range of references from the natural world. Born in London, Blandino studied painting and pottery at Goldsmiths College and eventually dedicated herself solely to ceramics, on which she has authored several books. Utilizing hand building techniques of pinching and coiling, an ancient practice whereby a potter builds the body of a piece from consecutive coils of clay, Blandino creates sculptural containers of delicate thinness. The exterior of these is frequently left unglazed but is occasionally brushed with oxides that enhance the dappled appearance of the buff speckled clay. This only adds to the overall feeling that Blandino\u2019s works emerge from a kind of rhizomatic relationship with nature and tend, at times, as they tilt this way and that, to seek a return to the earth.\u00a0","images":[{"image":"\/img\/stores\/singapore\/artworks\/betty-blandino\/02.jpg","width":4134,"height":1268,"aspect_ratio":"2067 \/ 634"},{"image":"\/img\/stores\/singapore\/artworks\/betty-blandino\/01.jpg","width":4500,"height":5625,"aspect_ratio":"4 \/ 5"}]},{"name":"Nicholas Homoky","thumbnail":"\/img\/stores\/singapore\/artworks\/nicholas-homoki\/02.jpg","link":"\/artworks\/nicholas-homoki","class":"lwal-big-izq","birth":"b. 1950","title":"Four Ceramic Bowls\u200b","year":"1985","description":"An expressive line or series of lines makes their way across the ceramicist Nicholas Homoky\u2019s body of work. Wrapping, curving, curling, breaking, this graphic mark in black oxide inlay forms a link between his vessels, bringing immaculate porcelain teapots into conversation with black-rimmed vases and pouring bowls. Homoky\u2019s postmodern style doesn\u2019t disguise his lineage in classical and modernist ceramics, wherein formal simplicity and functionality of design are prioritised even if, as with Homoky\u2019s work, this involves a few expressive twists. Born in 1950 in Hungary, Homoky settled in Britain with his family in the mid-1950s, later studying at The Royal College of Art in London and Bristol Polytechnic, now called University of the West of England Bristol, where he presently teaches. Although porcelain is Homoky\u2019s medium of choice, he has also created small sculptures in stoneware akin to drafts or sketches for future works. ","images":[{"image":"\/img\/stores\/singapore\/artworks\/nicholas-homoki\/01.jpg","width":4500,"height":5625,"aspect_ratio":"4 \/ 5"},{"image":"\/img\/stores\/singapore\/artworks\/nicholas-homoki\/02.jpg","width":2953,"height":1741,"aspect_ratio":"2953 \/ 1741"}]}],"slug":"singapore"},{"id":"JP1081027","menu":"Tokyo Ginza","title":"CASA LOEWE<br>Tokyo","description":"Behind a magisterial fa\u00e7ade, CASA LOEWE Tokyo unites works from Spanish artists with icons of Japanese design and year-round ikebana arrangements in a mansion-like setting on Ginza\u2019s historic Kojunsha-dori.","thumbnail":"\/img\/stores\/tokyo\/hero\/desktop\/01.jpg","thumbnailmobile":"\/img\/stores\/tokyo\/hero\/mobile\/01.jpg","address":"{{storeAddress_JP1081027}}","shopname":"{{storeName_JP1081027}}","hours":"{{storeHours_JP1081027}}","hero":{"desktop":[{"image":"\/img\/stores\/tokyo\/hero\/desktop\/01.jpg"},{"image":"\/img\/stores\/tokyo\/hero\/desktop\/02.jpg"},{"image":"\/img\/stores\/tokyo\/hero\/desktop\/03.jpg"}],"mobile":[{"image":"\/img\/stores\/tokyo\/hero\/mobile\/01.jpg"},{"image":"\/img\/stores\/tokyo\/hero\/mobile\/02.jpg"},{"image":"\/img\/stores\/tokyo\/hero\/mobile\/03.jpg"}]},"artworks":[{"name":"Takuro Kuwata","thumbnail":"\/img\/stores\/tokyo\/artworks\/takuro-kuwata-1\/01.jpg","link":"\/artworks\/takuro-kuwata","class":"lwal-small-izq","birth":"b. 1981","title":"Tea Bowl","year":"2018","description":"Born in 1981 in Hiroshima, Takuro Kuwata is a Japanese ceramicist whose work is characterised by formal instability, an ambivalent relationship with tradition, and an intensely visceral usage of colour and shape. Although his practice is built on traditional Japanese techniques, Kuwata has become known for his contemporary innovations in pottery. Leaving some elements of his work to chance, he punctures the unfired clay, forcing its unpredictable interaction with elements such as porcelain, platinum, and steel during the firing process. \"There is a fine line between accidental and purposefully making something happen,\" Kuwata has said. \"Accidents can be controlled with technique and knowledge\". Kuwata\u2019s training in Ceramic Art at the Kyoto Saga University of Arts informed his decision to focus on art rather than traditional ceramics such as tableware. In 2018 he was awarded a Special Mention in the 2018 LOEWE FOUNDATION Craft Prize. Kuwata also collaborated with Jonathan Anderson on ceramic necklaces, bag tassels, and chest plates for the Fall Winter 2020 women's collection.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/takuro-kuwata-1\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Takuro Kuwata","thumbnail":"\/img\/stores\/tokyo\/artworks\/takuro-kuwata-2\/01.jpg","link":"\/artworks\/takuro-kuwata","class":"lwal-small-der","birth":"b. 1981","title":"Tea Bowl","year":"2018","description":"Born in 1981 in Hiroshima, Takuro Kuwata is a Japanese ceramicist whose work is characterised by formal instability, an ambivalent relationship with tradition, and an intensely visceral usage of colour and shape. Although his practice is built on traditional Japanese techniques, Kuwata has become known for his contemporary innovations in pottery. Leaving some elements of his work to chance, he punctures the unfired clay, forcing its unpredictable interaction with elements such as porcelain, platinum, and steel during the firing process. \"There is a fine line between accidental and purposefully making something happen,\" Kuwata has said. \"Accidents can be controlled with technique and knowledge\". Kuwata\u2019s training in Ceramic Art at the Kyoto Saga University of Arts informed his decision to focus on art rather than traditional ceramics such as tableware. In 2018 he was awarded a Special Mention in the 2018 LOEWE FOUNDATION Craft Prize. Kuwata also collaborated with Jonathan Anderson on ceramic necklaces, bag tassels, and chest plates for the Fall Winter 2020 women's collection.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/takuro-kuwata-2\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Yuji Agematsu","thumbnail":"\/img\/stores\/tokyo\/artworks\/yuji-agematsu\/01.jpg","link":"\/artworks\/yuji-agematsu","class":"lwal-center","birth":"b. 1956","title":"zip: 07.01.06...07.31.06","year":"2013","description":"A single sculpture by the artist Yuji Agematsu may comprise years\u2019 worth of debris, painstakingly collected on walks the artist has taken daily around his adopted home of New York since 1997. These fixed versions of Agematsu\u2019s more improvised \"zips\" feature detritus and\/or treasure sorted and preserved in individual cellophane cigarette wrappers, and meticulously arranged for display, often in purpose-built plexi cases. These evocative works raise questions about value and how meaning is created through selection and composition. Born in Japan in 1956, Agematsu studied movement in Milford Graves\u2019 Yara workshops, greatly influencing his integration of practice into everyday life. Agematsu\u2019s systems of objects deploy strategies of conjunction and dissonance from his background in experimental music and performance, which remain part of his practice. His photography, taken during his walks and presented on a slide projector, embraces the contradictions of returning motion to a static medium that nonetheless excels at capturing life as it happens.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/yuji-agematsu\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"}]},{"name":"Simone Pheulpin","thumbnail":"\/img\/stores\/tokyo\/artworks\/simone-pheulpin\/01.jpg","link":"\/artworks\/simone-pheulpin","class":"lwal-small-der lwal-space-izq-big","birth":"b. 1941","title":"CROISSANCE XL","year":"2018","description":"Born in Nancy, France, in 1941, Simone Pheulpin uses fabric to create works inspired by the natural landscape. The self-taught textile sculptor uses strips of unbleached calico from her hometown to variously evoke fossils, rock crevices, ancient sediment, sand dunes, and other organic phenomena in a concise yet expansive repertoire of forms. Pheulpin shapes, stacks, and solidifies her material using only her hands and some thousands of pins, following subtle or intuitive cues to transform the otherwise humble material into a compelling representation of grandeur and strength. Her works are as remarkable as they are profoundly peaceful, invoking a planetary timescale of shifting matter and mass in which human existence is only momentary. Pheulpin\u2019s work is held in international collections including the Hinaya textile company in Kyoto, Japan, and numerous collections around France. In 2015, she was awarded the Prix Le Cr\u00e9ateur by the Fondation Ateliers d'Art de France and in 2018 she was a finalist in the LOEWE FOUNDATION Craft Prize.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/simone-pheulpin\/01.jpg","width":3000,"height":2250,"aspect_ratio":"4 \/ 3"},{"image":"\/img\/stores\/tokyo\/artworks\/simone-pheulpin\/02.jpg","width":3024,"height":4032,"aspect_ratio":"3 \/ 4"},{"image":"\/img\/stores\/tokyo\/artworks\/simone-pheulpin\/03.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Caragh Thuring","thumbnail":"\/img\/stores\/tokyo\/artworks\/caragh-thuring\/01.jpg","link":"\/artworks\/caragh-thuring","class":"lwal-center","birth":"1972","title":"Hot Maiolica","year":"2018","description":"For Caragh Thuring, painting is a means to engage with the endless flow of images that mediate our relationship to the contemporary world. Thuring\u2019s paintings often feel as if their subjects have been extracted from this repository and collaged together to create a fragmented snapshot, elusive in its meaning. A careful balance between unprimed canvas and painted details keeps the viewer ever-aware of the artifice of painting\u2014a subject Thuring enjoys mining. In recent works, she has further explored the performative potential of the canvas surface by collaborating with weavers to produce canvas woven with the images of her previous works. \"You can hint at so much in painting,\" Thuring says, \"and painting, for me, is about having an awareness of that idea, that images can nudge people towards various different associations and meanings, about subtly trying to permeate the works with it.\"","images":[{"image":"\/img\/stores\/tokyo\/artworks\/caragh-thuring\/01.jpg","width":2280,"height":1620,"aspect_ratio":"38 \/ 27"}]},{"name":"Gloria Garc\u00eda Lorca","thumbnail":"\/img\/stores\/tokyo\/artworks\/gloria-garcia-lorca-2\/02.jpg","link":"\/artworks\/gloria-garcia-lorca","class":"lwal-center","birth":"b. 1945","title":"Selection of Ceramic Pieces of Windwall","year":"2019","description":"Gloria Garc\u00eda Lorca arrives at image through repetition: taking a single, often geometric element, such as a rectangle, she duplicates it and begins an\u00a0arrangement, moving through form to achieve composition. Garc\u00eda Lorca\u2019s rhythmic approach produces complex wall works and murals akin to visual scores, in\u00a0materials as disparate as acrylic paint on cotton, enamelled\u00a0refractory\u00a0clay or crayon and watercolour on Kraft paper.\u00a0The varied yet methodical character of her\u00a0work reflects her interest in the workings of memory as it applies to the natural world; for example, how an organic material such as clay records the imprint of the maker's hand. Now based in Madrid, Garc\u00eda Lorca was born in New York, where her parents\u00a0settled in exile after the Spanish Civil War. Three of her large-scale works are currently housed across CASA LOEWE\u00a0Tokyo and CASA LOEWE\u00a0Madrid.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/gloria-garcia-lorca-2\/01.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"},{"image":"\/img\/stores\/tokyo\/artworks\/gloria-garcia-lorca-2\/02.jpg","width":2880,"height":1620,"aspect_ratio":"16 \/ 9"}]},{"name":"Andrea B\u00fcttner","thumbnail":"\/img\/stores\/tokyo\/artworks\/andrea-buttner\/01.jpg","link":"\/artworks\/andrea-buttner","class":"lwal-med","birth":"b. 1972","title":"Diver","year":"2017","description":"German artist Andrea B\u00fcttner\u2019s works collide traditional and contemporary materials and media to reveal the historical roots of her various subjects. Across woodcut printing, weaving, reverse glass painting, film, and photography, B\u00fcttner explores subjects ranging from iconographies of religion and faith to experiences of shame and embarrassment engendered by 21st century value systems. Her contemporary concerns and critical approach wilfully jar with a material language informed by outmoded or pre-industrial techniques of production. This is B\u00fcttner\u2019s way of emphasising artistic labour within increasingly immaterial economies while questioning the role of the artist within these systems. Such exploration has extended to the lives and works of art historical figures that appear in B\u00fcttner\u2019s art and writing, including HAP Grieshaber, Gwen John, Martin Kippenberger, and Dieter Roth. Her woodcut Beggar (yellow) (2017) references the uneasy empathy invoked by German artist Ernst Barlac\u2019s sculpture, Verh\u00fcllte Bettlerin (1919), which questions the audience\u2019s complicity in divisive socio-economic systems.\u00a0","images":[{"image":"\/img\/stores\/tokyo\/artworks\/andrea-buttner\/01.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"John Ward","thumbnail":"\/img\/stores\/tokyo\/artworks\/john-ward\/01.jpg","link":"\/artworks\/john-ward","class":"lwal-small-der","birth":"1917-2007","title":"A Stoneware Disk Pot","year":"1938","description":"Born in Islington, London, British ceramicist John Ward (1938\u20132023) studied at the city\u2019s Camberwell School of Art in the 1960s under influential practitioners Hans Coper and Lucie Rie. In particular, the elemental, almost ancient qualities of Coper\u2019s sculptural forms continued to resonate in Ward\u2019s hand-built pots. Each starts with a coil of clay that Ward carefully manipulates into a vessel shape; the characteristic ridges and creases of the works are achieved through cutting and rejoining the clay, lending his pots their distinctive silhouette. While some pieces assume more traditional forms, Ward evolved a varied language of shape, playing with exaggerated volume and two-dimensionality, as well as creating profiles with an almost architectural quality. In all his work, Ward aimed for a balance of dynamism and stillness. His op-art variations of black and white glazes play with visual effects, both emphasising and disrupting the shapes of the pots themselves, creating forms that vibrate with energy. In 2016 his work was shown as part of the Chance Encounters exhibition presented by the LOEWE FOUNDATION at the brand\u2019s Miami store.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/john-ward\/01.jpg","width":3000,"height":3000,"aspect_ratio":"1 \/ 1"},{"image":"\/img\/stores\/tokyo\/artworks\/john-ward\/02.jpg","width":2250,"height":3000,"aspect_ratio":"3 \/ 4"}]},{"name":"Gloria Garc\u00eda Lorca","thumbnail":"\/img\/stores\/tokyo\/artworks\/gloria-garcia-lorca-1\/01.jpg","link":"\/artworks\/gloria-garcia-lorca","class":"lwal-center","birth":"b. 1945","title":"Selection of Ceramic Pieces of Windwall","year":"2019","description":"Gloria Garc\u00eda Lorca arrives at image through repetition: taking a single, often geometric element, such as a rectangle, she duplicates it and begins an\u00a0arrangement, moving through form to achieve composition. Garc\u00eda Lorca\u2019s rhythmic approach produces complex wall works and murals akin to visual scores, in\u00a0materials as disparate as acrylic paint on cotton, enamelled\u00a0refractory\u00a0clay or crayon and watercolour on Kraft paper.\u00a0The varied yet methodical character of her\u00a0work reflects her interest in the workings of memory as it applies to the natural world; for example, how an organic material such as clay records the imprint of the maker's hand. Now based in Madrid, Garc\u00eda Lorca was born in New York, where her parents\u00a0settled in exile after the Spanish Civil War. Three of her large-scale works are currently housed across CASA LOEWE\u00a0Tokyo and CASA LOEWE\u00a0Madrid.","images":[{"image":"\/img\/stores\/tokyo\/artworks\/gloria-garcia-lorca-1\/01.jpg","width":1387,"height":1200,"aspect_ratio":"1387 \/ 1200"},{"image":"\/img\/stores\/tokyo\/artworks\/gloria-garcia-lorca-1\/02.jpg","width":960,"height":1324,"aspect_ratio":"240 \/ 331"}]}],"slug":"tokyo"}]};/*! For license information please see main.min.js.LICENSE.txt */
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This will not be able to modify the v-for source array because writing to the alias is like modifying a function local variable. 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i,o=0;"number"==typeof t?e.setTransition(t):!0===t&&e.setTransition(e.params.speed);const a=t=>r?e.slides[e.getSlideIndexByData(t)]:e.slides[t];if("auto"!==e.params.slidesPerView&&e.params.slidesPerView>1)if(e.params.centeredSlides)(e.visibleSlides||[]).forEach((t=>{n.push(t)}));else for(i=0;i<Math.ceil(e.params.slidesPerView);i+=1){const t=e.activeIndex+i;if(t>e.slides.length&&!r)break;n.push(a(t))}else n.push(a(e.activeIndex));for(i=0;i<n.length;i+=1)if(void 0!==n[i]){const t=n[i].offsetHeight;o=t>o?t:o}(o||0===o)&&(e.wrapperEl.style.height=`${o}px`)},updateSlidesOffset:function(){const t=this,e=t.slides,n=t.isElement?t.isHorizontal()?t.wrapperEl.offsetLeft:t.wrapperEl.offsetTop:0;for(let r=0;r<e.length;r+=1)e[r].swiperSlideOffset=(t.isHorizontal()?e[r].offsetLeft:e[r].offsetTop)-n-t.cssOverflowAdjustment()},updateSlidesProgress:function(t){void 0===t&&(t=this&&this.translate||0);const e=this,n=e.params,{slides:r,rtlTranslate:i,snapGrid:o}=e;if(0===r.length)return;void 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io(t){let{swiper:e,runCallbacks:n,direction:r,step:i}=t;const{activeIndex:o,previousIndex:a}=e;let s=r;if(s||(s=o>a?"next":o<a?"prev":"reset"),e.emit(`transition${i}`),n&&o!==a){if("reset"===s)return void e.emit(`slideResetTransition${i}`);e.emit(`slideChangeTransition${i}`),"next"===s?e.emit(`slideNextTransition${i}`):e.emit(`slidePrevTransition${i}`)}}var oo={slideTo:function(t,e,n,r,i){void 0===t&&(t=0),void 0===e&&(e=this.params.speed),void 0===n&&(n=!0),"string"==typeof t&&(t=parseInt(t,10));const o=this;let a=t;a<0&&(a=0);const{params:s,snapGrid:l,slidesGrid:c,previousIndex:u,activeIndex:d,rtlTranslate:p,wrapperEl:f,enabled:h}=o;if(o.animating&&s.preventInteractionOnTransition||!h&&!r&&!i)return!1;const m=Math.min(o.params.slidesPerGroupSkip,a);let v=m+Math.floor((a-m)/o.params.slidesPerGroup);v>=l.length&&(v=l.length-1);const g=-l[v];if(s.normalizeSlideIndex)for(let t=0;t<c.length;t+=1){const e=-Math.floor(100*g),n=Math.floor(100*c[t]),r=Math.floor(100*c[t+1]);void 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e=o.virtual&&o.params.virtual.enabled;e&&(o.wrapperEl.style.scrollSnapType="none",o._immediateVirtual=!0),e&&!o._cssModeVirtualInitialSet&&o.params.initialSlide>0?(o._cssModeVirtualInitialSet=!0,requestAnimationFrame((()=>{f[t?"scrollLeft":"scrollTop"]=n}))):f[t?"scrollLeft":"scrollTop"]=n,e&&requestAnimationFrame((()=>{o.wrapperEl.style.scrollSnapType="",o._immediateVirtual=!1}))}else{if(!o.support.smoothScroll)return Fi({swiper:o,targetPosition:n,side:t?"left":"top"}),!0;f.scrollTo({[t?"left":"top"]:n,behavior:"smooth"})}return!0}return o.setTransition(e),o.setTranslate(g),o.updateActiveIndex(a),o.updateSlidesClasses(),o.emit("beforeTransitionStart",e,r),o.transitionStart(n,_),0===e?o.transitionEnd(n,_):o.animating||(o.animating=!0,o.onSlideToWrapperTransitionEnd||(o.onSlideToWrapperTransitionEnd=function(t){o&&!o.destroyed&&t.target===this&&(o.wrapperEl.removeEventListener("transitionend",o.onSlideToWrapperTransitionEnd),o.onSlideToWrapperTransitionEnd=null,delete 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You need to add more slides (or make duplicates, or empty slides)"),i()):i(),e.loopFix({slideRealIndex:t,direction:n.centeredSlides?void 0:"next"})},loopFix:function(t){let{slideRealIndex:e,slideTo:n=!0,direction:r,setTranslate:i,activeSlideIndex:o,byController:a,byMousewheel:s}=void 0===t?{}:t;const l=this;if(!l.params.loop)return;l.emit("beforeLoopFix");const{slides:c,allowSlidePrev:u,allowSlideNext:d,slidesEl:p,params:f}=l,{centeredSlides:h}=f;if(l.allowSlidePrev=!0,l.allowSlideNext=!0,l.virtual&&f.virtual.enabled)return n&&(f.centeredSlides||0!==l.snapIndex?f.centeredSlides&&l.snapIndex<f.slidesPerView?l.slideTo(l.virtual.slides.length+l.snapIndex,0,!1,!0):l.snapIndex===l.snapGrid.length-1&&l.slideTo(l.virtual.slidesBefore,0,!1,!0):l.slideTo(l.virtual.slides.length,0,!1,!0)),l.allowSlidePrev=u,l.allowSlideNext=d,void l.emit("loopFix");let m=f.slidesPerView;"auto"===m?m=l.slidesPerViewDynamic():(m=Math.ceil(parseFloat(f.slidesPerView,10)),h&&m%2==0&&(m+=1));const v=f.slidesPerGroupAuto?m:f.slidesPerGroup;let g=v;g%v!=0&&(g+=v-g%v),g+=f.loopAdditionalSlides,l.loopedSlides=g;const _=l.grid&&f.grid&&f.grid.rows>1;c.length<m+g?Yi("Swiper Loop Warning: The number of slides is not enough for loop mode, it will be disabled and not function properly. You need to add more slides (or make duplicates) or lower the values of slidesPerView and slidesPerGroup parameters"):_&&"row"===f.grid.fill&&Yi("Swiper Loop Warning: Loop mode is not compatible with grid.fill = `row`");const y=[],w=[];let b=l.activeIndex;void 0===o?o=l.getSlideIndex(c.filter((t=>t.classList.contains(f.slideActiveClass)))[0]):b=o;const x="next"===r||!r,T="prev"===r||!r;let S=0,C=0;const k=_?Math.ceil(c.length/f.grid.rows):c.length,M=(_?c[o].column:o)+(h&&void 0===i?-m/2+.5:0);if(M<g){S=Math.max(g-M,v);for(let t=0;t<g-M;t+=1){const e=t-Math.floor(t/k)*k;if(_){const t=k-e-1;for(let e=c.length-1;e>=0;e-=1)c[e].column===t&&y.push(e)}else y.push(k-e-1)}}else if(M+m>k-g){C=Math.max(M-(k-2*g),v);for(let t=0;t<C;t+=1){const e=t-Math.floor(t/k)*k;_?c.forEach(((t,n)=>{t.column===e&&w.push(n)})):w.push(e)}}if(l.__preventObserver__=!0,requestAnimationFrame((()=>{l.__preventObserver__=!1})),T&&y.forEach((t=>{c[t].swiperLoopMoveDOM=!0,p.prepend(c[t]),c[t].swiperLoopMoveDOM=!1})),x&&w.forEach((t=>{c[t].swiperLoopMoveDOM=!0,p.append(c[t]),c[t].swiperLoopMoveDOM=!1})),l.recalcSlides(),"auto"===f.slidesPerView?l.updateSlides():_&&(y.length>0&&T||w.length>0&&x)&&l.slides.forEach(((t,e)=>{l.grid.updateSlide(e,t,l.slides)})),f.watchSlidesProgress&&l.updateSlidesOffset(),n)if(y.length>0&&T){if(void 0===e){const t=l.slidesGrid[b],e=l.slidesGrid[b+S]-t;s?l.setTranslate(l.translate-e):(l.slideTo(b+S,0,!1,!0),i&&(l.touchEventsData.startTranslate=l.touchEventsData.startTranslate-e,l.touchEventsData.currentTranslate=l.touchEventsData.currentTranslate-e))}else if(i){const t=_?y.length/f.grid.rows:y.length;l.slideTo(l.activeIndex+t,0,!1,!0),l.touchEventsData.currentTranslate=l.translate}}else if(w.length>0&&x)if(void 0===e){const t=l.slidesGrid[b],e=l.slidesGrid[b-C]-t;s?l.setTranslate(l.translate-e):(l.slideTo(b-C,0,!1,!0),i&&(l.touchEventsData.startTranslate=l.touchEventsData.startTranslate-e,l.touchEventsData.currentTranslate=l.touchEventsData.currentTranslate-e))}else{const t=_?w.length/f.grid.rows:w.length;l.slideTo(l.activeIndex-t,0,!1,!0)}if(l.allowSlidePrev=u,l.allowSlideNext=d,l.controller&&l.controller.control&&!a){const t={slideRealIndex:e,direction:r,setTranslate:i,activeSlideIndex:o,byController:!0};Array.isArray(l.controller.control)?l.controller.control.forEach((e=>{!e.destroyed&&e.params.loop&&e.loopFix({...t,slideTo:e.params.slidesPerView===f.slidesPerView&&n})})):l.controller.control instanceof l.constructor&&l.controller.control.params.loop&&l.controller.control.loopFix({...t,slideTo:l.controller.control.params.slidesPerView===f.slidesPerView&&n})}l.emit("loopFix")},loopDestroy:function(){const t=this,{params:e,slidesEl:n}=t;if(!e.loop||t.virtual&&t.params.virtual.enabled)return;t.recalcSlides();const r=[];t.slides.forEach((t=>{const e=void 0===t.swiperSlideIndex?1*t.getAttribute("data-swiper-slide-index"):t.swiperSlideIndex;r[e]=t})),t.slides.forEach((t=>{t.removeAttribute("data-swiper-slide-index")})),r.forEach((t=>{n.append(t)})),t.recalcSlides(),t.slideTo(t.realIndex,0)}};function so(t,e,n){const r=$i(),{params:i}=t,o=i.edgeSwipeDetection,a=i.edgeSwipeThreshold;return!o||!(n<=a||n>=r.innerWidth-a)||"prevent"===o&&(e.preventDefault(),!0)}function lo(t){const e=this,n=Li();let r=t;r.originalEvent&&(r=r.originalEvent);const i=e.touchEventsData;if("pointerdown"===r.type){if(null!==i.pointerId&&i.pointerId!==r.pointerId)return;i.pointerId=r.pointerId}else"touchstart"===r.type&&1===r.targetTouches.length&&(i.touchId=r.targetTouches[0].identifier);if("touchstart"===r.type)return void so(e,r,r.targetTouches[0].pageX);const{params:o,touches:a,enabled:s}=e;if(!s)return;if(!o.simulateTouch&&"mouse"===r.pointerType)return;if(e.animating&&o.preventInteractionOnTransition)return;!e.animating&&o.cssMode&&o.loop&&e.loopFix();let l=r.target;if("wrapper"===o.touchEventsTarget&&!e.wrapperEl.contains(l))return;if("which"in r&&3===r.which)return;if("button"in r&&r.button>0)return;if(i.isTouched&&i.isMoved)return;const c=!!o.noSwipingClass&&""!==o.noSwipingClass,u=r.composedPath?r.composedPath():r.path;c&&r.target&&r.target.shadowRoot&&u&&(l=u[0]);const d=o.noSwipingSelector?o.noSwipingSelector:`.${o.noSwipingClass}`,p=!(!r.target||!r.target.shadowRoot);if(o.noSwiping&&(p?function(t,e){return void 0===e&&(e=this),function e(n){if(!n||n===Li()||n===$i())return null;n.assignedSlot&&(n=n.assignedSlot);const r=n.closest(t);return r||n.getRootNode?r||e(n.getRootNode().host):null}(e)}(d,l):l.closest(d)))return void(e.allowClick=!0);if(o.swipeHandler&&!l.closest(o.swipeHandler))return;a.currentX=r.pageX,a.currentY=r.pageY;const f=a.currentX,h=a.currentY;if(!so(e,r,f))return;Object.assign(i,{isTouched:!0,isMoved:!1,allowTouchCallbacks:!0,isScrolling:void 0,startMoving:void 0}),a.startX=f,a.startY=h,i.touchStartTime=Ii(),e.allowClick=!0,e.updateSize(),e.swipeDirection=void 0,o.threshold>0&&(i.allowThresholdMove=!1);let m=!0;l.matches(i.focusableElements)&&(m=!1,"SELECT"===l.nodeName&&(i.isTouched=!1)),n.activeElement&&n.activeElement.matches(i.focusableElements)&&n.activeElement!==l&&n.activeElement.blur();const v=m&&e.allowTouchMove&&o.touchStartPreventDefault;!o.touchStartForcePreventDefault&&!v||l.isContentEditable||r.preventDefault(),o.freeMode&&o.freeMode.enabled&&e.freeMode&&e.animating&&!o.cssMode&&e.freeMode.onTouchStart(),e.emit("touchStart",r)}function co(t){const e=Li(),n=this,r=n.touchEventsData,{params:i,touches:o,rtlTranslate:a,enabled:s}=n;if(!s)return;if(!i.simulateTouch&&"mouse"===t.pointerType)return;let l,c=t;if(c.originalEvent&&(c=c.originalEvent),"pointermove"===c.type){if(null!==r.touchId)return;if(c.pointerId!==r.pointerId)return}if("touchmove"===c.type){if(l=[...c.changedTouches].filter((t=>t.identifier===r.touchId))[0],!l||l.identifier!==r.touchId)return}else l=c;if(!r.isTouched)return void(r.startMoving&&r.isScrolling&&n.emit("touchMoveOpposite",c));const u=l.pageX,d=l.pageY;if(c.preventedByNestedSwiper)return o.startX=u,void(o.startY=d);if(!n.allowTouchMove)return c.target.matches(r.focusableElements)||(n.allowClick=!1),void(r.isTouched&&(Object.assign(o,{startX:u,startY:d,currentX:u,currentY:d}),r.touchStartTime=Ii()));if(i.touchReleaseOnEdges&&!i.loop)if(n.isVertical()){if(d<o.startY&&n.translate<=n.maxTranslate()||d>o.startY&&n.translate>=n.minTranslate())return r.isTouched=!1,void(r.isMoved=!1)}else if(u<o.startX&&n.translate<=n.maxTranslate()||u>o.startX&&n.translate>=n.minTranslate())return;if(e.activeElement&&c.target===e.activeElement&&c.target.matches(r.focusableElements))return r.isMoved=!0,void(n.allowClick=!1);r.allowTouchCallbacks&&n.emit("touchMove",c),o.previousX=o.currentX,o.previousY=o.currentY,o.currentX=u,o.currentY=d;const p=o.currentX-o.startX,f=o.currentY-o.startY;if(n.params.threshold&&Math.sqrt(p**2+f**2)<n.params.threshold)return;if(void 0===r.isScrolling){let t;n.isHorizontal()&&o.currentY===o.startY||n.isVertical()&&o.currentX===o.startX?r.isScrolling=!1:p*p+f*f>=25&&(t=180*Math.atan2(Math.abs(f),Math.abs(p))/Math.PI,r.isScrolling=n.isHorizontal()?t>i.touchAngle:90-t>i.touchAngle)}if(r.isScrolling&&n.emit("touchMoveOpposite",c),void 0===r.startMoving&&(o.currentX===o.startX&&o.currentY===o.startY||(r.startMoving=!0)),r.isScrolling)return void(r.isTouched=!1);if(!r.startMoving)return;n.allowClick=!1,!i.cssMode&&c.cancelable&&c.preventDefault(),i.touchMoveStopPropagation&&!i.nested&&c.stopPropagation();let h=n.isHorizontal()?p:f,m=n.isHorizontal()?o.currentX-o.previousX:o.currentY-o.previousY;i.oneWayMovement&&(h=Math.abs(h)*(a?1:-1),m=Math.abs(m)*(a?1:-1)),o.diff=h,h*=i.touchRatio,a&&(h=-h,m=-m);const v=n.touchesDirection;n.swipeDirection=h>0?"prev":"next",n.touchesDirection=m>0?"prev":"next";const g=n.params.loop&&!i.cssMode,_="next"===n.touchesDirection&&n.allowSlideNext||"prev"===n.touchesDirection&&n.allowSlidePrev;if(!r.isMoved){if(g&&_&&n.loopFix({direction:n.swipeDirection}),r.startTranslate=n.getTranslate(),n.setTransition(0),n.animating){const t=new window.CustomEvent("transitionend",{bubbles:!0,cancelable:!0});n.wrapperEl.dispatchEvent(t)}r.allowMomentumBounce=!1,!i.grabCursor||!0!==n.allowSlideNext&&!0!==n.allowSlidePrev||n.setGrabCursor(!0),n.emit("sliderFirstMove",c)}if((new Date).getTime(),r.isMoved&&r.allowThresholdMove&&v!==n.touchesDirection&&g&&_&&Math.abs(h)>=1)return Object.assign(o,{startX:u,startY:d,currentX:u,currentY:d,startTranslate:r.currentTranslate}),r.loopSwapReset=!0,void(r.startTranslate=r.currentTranslate);n.emit("sliderMove",c),r.isMoved=!0,r.currentTranslate=h+r.startTranslate;let y=!0,w=i.resistanceRatio;if(i.touchReleaseOnEdges&&(w=0),h>0?(g&&_&&r.allowThresholdMove&&r.currentTranslate>(i.centeredSlides?n.minTranslate()-n.slidesSizesGrid[n.activeIndex+1]:n.minTranslate())&&n.loopFix({direction:"prev",setTranslate:!0,activeSlideIndex:0}),r.currentTranslate>n.minTranslate()&&(y=!1,i.resistance&&(r.currentTranslate=n.minTranslate()-1+(-n.minTranslate()+r.startTranslate+h)**w))):h<0&&(g&&_&&r.allowThresholdMove&&r.currentTranslate<(i.centeredSlides?n.maxTranslate()+n.slidesSizesGrid[n.slidesSizesGrid.length-1]:n.maxTranslate())&&n.loopFix({direction:"next",setTranslate:!0,activeSlideIndex:n.slides.length-("auto"===i.slidesPerView?n.slidesPerViewDynamic():Math.ceil(parseFloat(i.slidesPerView,10)))}),r.currentTranslate<n.maxTranslate()&&(y=!1,i.resistance&&(r.currentTranslate=n.maxTranslate()+1-(n.maxTranslate()-r.startTranslate-h)**w))),y&&(c.preventedByNestedSwiper=!0),!n.allowSlideNext&&"next"===n.swipeDirection&&r.currentTranslate<r.startTranslate&&(r.currentTranslate=r.startTranslate),!n.allowSlidePrev&&"prev"===n.swipeDirection&&r.currentTranslate>r.startTranslate&&(r.currentTranslate=r.startTranslate),n.allowSlidePrev||n.allowSlideNext||(r.currentTranslate=r.startTranslate),i.threshold>0){if(!(Math.abs(h)>i.threshold||r.allowThresholdMove))return void(r.currentTranslate=r.startTranslate);if(!r.allowThresholdMove)return r.allowThresholdMove=!0,o.startX=o.currentX,o.startY=o.currentY,r.currentTranslate=r.startTranslate,void(o.diff=n.isHorizontal()?o.currentX-o.startX:o.currentY-o.startY)}i.followFinger&&!i.cssMode&&((i.freeMode&&i.freeMode.enabled&&n.freeMode||i.watchSlidesProgress)&&(n.updateActiveIndex(),n.updateSlidesClasses()),i.freeMode&&i.freeMode.enabled&&n.freeMode&&n.freeMode.onTouchMove(),n.updateProgress(r.currentTranslate),n.setTranslate(r.currentTranslate))}function uo(t){const e=this,n=e.touchEventsData;let r,i=t;if(i.originalEvent&&(i=i.originalEvent),"touchend"===i.type||"touchcancel"===i.type){if(r=[...i.changedTouches].filter((t=>t.identifier===n.touchId))[0],!r||r.identifier!==n.touchId)return}else{if(null!==n.touchId)return;if(i.pointerId!==n.pointerId)return;r=i}if(["pointercancel","pointerout","pointerleave","contextmenu"].includes(i.type)&&(!["pointercancel","contextmenu"].includes(i.type)||!e.browser.isSafari&&!e.browser.isWebView))return;n.pointerId=null,n.touchId=null;const{params:o,touches:a,rtlTranslate:s,slidesGrid:l,enabled:c}=e;if(!c)return;if(!o.simulateTouch&&"mouse"===i.pointerType)return;if(n.allowTouchCallbacks&&e.emit("touchEnd",i),n.allowTouchCallbacks=!1,!n.isTouched)return n.isMoved&&o.grabCursor&&e.setGrabCursor(!1),n.isMoved=!1,void(n.startMoving=!1);o.grabCursor&&n.isMoved&&n.isTouched&&(!0===e.allowSlideNext||!0===e.allowSlidePrev)&&e.setGrabCursor(!1);const u=Ii(),d=u-n.touchStartTime;if(e.allowClick){const t=i.path||i.composedPath&&i.composedPath();e.updateClickedSlide(t&&t[0]||i.target,t),e.emit("tap click",i),d<300&&u-n.lastClickTime<300&&e.emit("doubleTap doubleClick",i)}if(n.lastClickTime=Ii(),Di((()=>{e.destroyed||(e.allowClick=!0)})),!n.isTouched||!n.isMoved||!e.swipeDirection||0===a.diff&&!n.loopSwapReset||n.currentTranslate===n.startTranslate&&!n.loopSwapReset)return n.isTouched=!1,n.isMoved=!1,void(n.startMoving=!1);let p;if(n.isTouched=!1,n.isMoved=!1,n.startMoving=!1,p=o.followFinger?s?e.translate:-e.translate:-n.currentTranslate,o.cssMode)return;if(o.freeMode&&o.freeMode.enabled)return void e.freeMode.onTouchEnd({currentPos:p});const f=p>=-e.maxTranslate()&&!e.params.loop;let h=0,m=e.slidesSizesGrid[0];for(let t=0;t<l.length;t+=t<o.slidesPerGroupSkip?1:o.slidesPerGroup){const e=t<o.slidesPerGroupSkip-1?1:o.slidesPerGroup;void 0!==l[t+e]?(f||p>=l[t]&&p<l[t+e])&&(h=t,m=l[t+e]-l[t]):(f||p>=l[t])&&(h=t,m=l[l.length-1]-l[l.length-2])}let v=null,g=null;o.rewind&&(e.isBeginning?g=o.virtual&&o.virtual.enabled&&e.virtual?e.virtual.slides.length-1:e.slides.length-1:e.isEnd&&(v=0));const _=(p-l[h])/m,y=h<o.slidesPerGroupSkip-1?1:o.slidesPerGroup;if(d>o.longSwipesMs){if(!o.longSwipes)return void e.slideTo(e.activeIndex);"next"===e.swipeDirection&&(_>=o.longSwipesRatio?e.slideTo(o.rewind&&e.isEnd?v:h+y):e.slideTo(h)),"prev"===e.swipeDirection&&(_>1-o.longSwipesRatio?e.slideTo(h+y):null!==g&&_<0&&Math.abs(_)>o.longSwipesRatio?e.slideTo(g):e.slideTo(h))}else{if(!o.shortSwipes)return void e.slideTo(e.activeIndex);!e.navigation||i.target!==e.navigation.nextEl&&i.target!==e.navigation.prevEl?("next"===e.swipeDirection&&e.slideTo(null!==v?v:h+y),"prev"===e.swipeDirection&&e.slideTo(null!==g?g:h)):i.target===e.navigation.nextEl?e.slideTo(h+y):e.slideTo(h)}}function po(){const t=this,{params:e,el:n}=t;if(n&&0===n.offsetWidth)return;e.breakpoints&&t.setBreakpoint();const{allowSlideNext:r,allowSlidePrev:i,snapGrid:o}=t,a=t.virtual&&t.params.virtual.enabled;t.allowSlideNext=!0,t.allowSlidePrev=!0,t.updateSize(),t.updateSlides(),t.updateSlidesClasses();const s=a&&e.loop;!("auto"===e.slidesPerView||e.slidesPerView>1)||!t.isEnd||t.isBeginning||t.params.centeredSlides||s?t.params.loop&&!a?t.slideToLoop(t.realIndex,0,!1,!0):t.slideTo(t.activeIndex,0,!1,!0):t.slideTo(t.slides.length-1,0,!1,!0),t.autoplay&&t.autoplay.running&&t.autoplay.paused&&(clearTimeout(t.autoplay.resizeTimeout),t.autoplay.resizeTimeout=setTimeout((()=>{t.autoplay&&t.autoplay.running&&t.autoplay.paused&&t.autoplay.resume()}),500)),t.allowSlidePrev=i,t.allowSlideNext=r,t.params.watchOverflow&&o!==t.snapGrid&&t.checkOverflow()}function fo(t){const e=this;e.enabled&&(e.allowClick||(e.params.preventClicks&&t.preventDefault(),e.params.preventClicksPropagation&&e.animating&&(t.stopPropagation(),t.stopImmediatePropagation())))}function ho(){const t=this,{wrapperEl:e,rtlTranslate:n,enabled:r}=t;if(!r)return;let i;t.previousTranslate=t.translate,t.isHorizontal()?t.translate=-e.scrollLeft:t.translate=-e.scrollTop,0===t.translate&&(t.translate=0),t.updateActiveIndex(),t.updateSlidesClasses();const o=t.maxTranslate()-t.minTranslate();i=0===o?0:(t.translate-t.minTranslate())/o,i!==t.progress&&t.updateProgress(n?-t.translate:t.translate),t.emit("setTranslate",t.translate,!1)}function mo(t){const e=this;to(e,t.target),e.params.cssMode||"auto"!==e.params.slidesPerView&&!e.params.autoHeight||e.update()}function vo(){const t=this;t.documentTouchHandlerProceeded||(t.documentTouchHandlerProceeded=!0,t.params.touchReleaseOnEdges&&(t.el.style.touchAction="auto"))}const go=(t,e)=>{const n=Li(),{params:r,el:i,wrapperEl:o,device:a}=t,s=!!r.nested,l="on"===e?"addEventListener":"removeEventListener",c=e;n[l]("touchstart",t.onDocumentTouchStart,{passive:!1,capture:s}),i[l]("touchstart",t.onTouchStart,{passive:!1}),i[l]("pointerdown",t.onTouchStart,{passive:!1}),n[l]("touchmove",t.onTouchMove,{passive:!1,capture:s}),n[l]("pointermove",t.onTouchMove,{passive:!1,capture:s}),n[l]("touchend",t.onTouchEnd,{passive:!0}),n[l]("pointerup",t.onTouchEnd,{passive:!0}),n[l]("pointercancel",t.onTouchEnd,{passive:!0}),n[l]("touchcancel",t.onTouchEnd,{passive:!0}),n[l]("pointerout",t.onTouchEnd,{passive:!0}),n[l]("pointerleave",t.onTouchEnd,{passive:!0}),n[l]("contextmenu",t.onTouchEnd,{passive:!0}),(r.preventClicks||r.preventClicksPropagation)&&i[l]("click",t.onClick,!0),r.cssMode&&o[l]("scroll",t.onScroll),r.updateOnWindowResize?t[c](a.ios||a.android?"resize orientationchange observerUpdate":"resize 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fade-in"},[t("div",{staticClass:"lwal-hero__nav-next"},[t("img",{staticClass:"lwal-arrow-next",attrs:{src:"/on/demandware.static/-/Library-Sites-LOW_SharedLibrary/default/loewe-art-locator//img/icons/arrow-next.svg"}})]),this._v(" "),t("div",{staticClass:"lwal-hero__nav-prev"},[t("img",{staticClass:"lwal-arrow-prev",attrs:{src:"/on/demandware.static/-/Library-Sites-LOW_SharedLibrary/default/loewe-art-locator/img/icons/arrow-prev.svg"}})])])}],!1,null,null,null).exports,zo=function(){var t=this,e=t._self._c;return e("div",{staticClass:"lwal-content-artworks"},[t.artworks?e("ul",{staticClass:"lwal-list-artworks lwal-grid-container"},t._l(t.artworks,(function(n,r){return e("li",{key:`artwork-${r}`,staticClass:"lwal-list-artworks__item",class:n.class,attrs:{"data-id":r},on:{click:()=>t.$emit("open-artwork",r)}},[e("img",{attrs:{src:`/on/demandware.static/-/Library-Sites-LOW_SharedLibrary/default/loewe-art-locator/${n.thumbnail}`,alt:n.name}}),t._v(" "),e("h2",[t._v(t._s(n.name))])])})),0):t._e()])};zo._withStripped=!0;var No=Kr({components:{},props:["artworks"],data(){return{class:[],slider:null,showDetails:!1}},computed:{},methods:{},mounted(){}},zo,[],!1,null,null,null).exports,Fo=function(){var t=this,e=t._self._c;return t.artworks?e("div",{staticClass:"lwal-popup-artwork"},[e("div",{staticClass:"lwal-popup-artwork__close",on:{click:function(e){return t.$emit("close")}}},[e("svg",{attrs:{width:"32",height:"32",viewBox:"0 0 32 32",fill:"none",xmlns:"http://www.w3.org/2000/svg"}},[e("path",{attrs:{"fill-rule":"evenodd","clip-rule":"evenodd",d:"M24.0132 5.15723L26.8426 7.98656L18.8292 15.9999L26.8426 24.0132L24.0132 26.8426L15.9999 18.8292L7.98656 26.8426L5.15723 24.0132L13.1732 15.9999L5.15989 7.98656L7.98656 5.15723L15.9999 13.1732L24.0132 5.15989V5.15723Z",fill:"black"}})])]),t._v(" "),e("div",{staticClass:"lwal-popup-artwork__close lwal-popup-artwork__close--top",on:{click:function(e){return t.$emit("close")}}}),t._v(" "),e("div",{ref:"slider",staticClass:"swiper"},[e("div",{staticClass:"swiper-wrapper"},t._l(t.artworks,(function(n,r){return e("div",{key:`artwork--${r}`,staticClass:"swiper-slide"},[e("ArtworkSlide",{attrs:{artwork:n,store:t.store},on:{"open-zoom":t.openZoom}})],1)})),0),t._v(" "),e("div",{directives:[{name:"show",rawName:"v-show",value:t.artworks.length>1,expression:"artworks.length > 1"}],staticClass:"swiper-navigation"},[e("div",{ref:"prev",staticClass:"swiper-button-prev"},[e("svg",{attrs:{width:"12",height:"12",viewBox:"0 0 12 12",fill:"none",xmlns:"http://www.w3.org/2000/svg"}},[e("path",{attrs:{d:"M4.85839 6.00258L7.3554 3.50546C7.48228 3.37871 7.54557 3.22369 7.54557 3.04041C7.54557 2.85716 7.48226 2.70221 7.3554 2.57547L6.97011 2.19006C6.84344 2.06337 6.6884 2 6.50519 2C6.32199 2 6.16702 2.06337 6.04014 2.19006L2.69015 5.53496C2.56338 5.66171 2.5 5.81671 2.5 6.00001C2.5 6.1833 2.56337 6.33818 2.69015 6.46498L6.04013 9.80989C6.167 9.93663 6.32195 10 6.50517 10C6.6884 10 6.84342 9.93663 6.9701 9.80989L7.35538 9.42454C7.48226 9.29787 7.54555 9.14373 7.54555 8.96209C7.54555 8.78059 7.48224 8.62473 7.35538 8.49458L4.85839 6.00258Z",fill:"#1A1919"}})])]),t._v(" "),e("div",{directives:[{name:"show",rawName:"v-show",value:t.artworks.length>1,expression:"artworks.length > 1"}],staticClass:"swiper-fraction"},[e("span",{staticClass:"lwal-current"},[t._v(t._s(t.currentSlide+1))]),t._v(" /\n        "),e("span",{staticClass:"lwal-total"},[t._v(t._s(t.artworks.length))])]),t._v(" "),e("div",{ref:"next",staticClass:"swiper-button-next"},[e("svg",{attrs:{width:"12",height:"12",viewBox:"0 0 12 12",fill:"none",xmlns:"http://www.w3.org/2000/svg"}},[e("path",{attrs:{d:"M7.18702 5.99742L4.69001 8.49454C4.56313 8.62129 4.49984 8.77631 4.49984 8.95959C4.49984 9.14284 4.56315 9.29779 4.69001 9.42453L5.0753 9.80994C5.20197 9.93663 5.35701 10 5.54022 10C5.72342 10 5.87839 9.93663 6.00527 9.80994L9.35526 6.46504C9.48203 6.33829 9.54541 6.18329 9.54541 5.99999C9.54541 5.8167 9.48204 5.66182 9.35526 5.53502L6.00528 2.19012C5.87841 2.06337 5.72346 2 5.54024 2C5.35701 2 5.20199 2.06337 5.07532 2.19012L4.69003 2.57546C4.56315 2.70213 4.49986 2.85627 4.49986 3.03791C4.49986 3.21941 4.56317 3.37527 4.69003 3.50543L7.18702 5.99742Z",fill:"#1A1919"}})])])])]),t._v(" "),t.imageZoom?e("ArtworkZoom",{attrs:{data:t.imageZoom},on:{close:t.closeZoom}}):t._e()],1):t._e()};Fo._withStripped=!0;var Bo=function(){var t=this,e=t._self._c;return e("div",{staticClass:"lwal-grid-container"},[e("div",{staticClass:"lwal-col--11 lwal-col--ofset-2 lwal-artwork__swiper-container"},[e("div",{ref:"slider",staticClass:"swiper lwal-artwork__swiper",class:[t.artwork.images.length<2?"no-pagination":""]},[e("div",{staticClass:"swiper-wrapper"},t._l(t.artwork.images,(function(n,r){return e("div",{key:r,staticClass:"swiper-slide",class:[t.artwork.images.length<2?"swiper-slide-active":""],attrs:{alt:t.artwork.title,image:n}},[e("img",{class:[n.width>n.height?"landscape":"portrait"],style:{"aspect-ratio":n.aspect_ratio},attrs:{src:`/on/demandware.static/-/Library-Sites-LOW_SharedLibrary/default/loewe-art-locator${n.image}`,alt:t.artwork.title},on:{click:e=>t.$emit("open-zoom",{image:n,ref:e})}})])})),0),t._v(" "),e("div",{staticClass:"swiper-button-prev"}),t._v(" "),e("div",{staticClass:"swiper-button-next"}),t._v(" "),e("div",{ref:"pagination",staticClass:"swiper-pagination"})])]),t._v(" "),e("div",{staticClass:"lwal-col--ofset-1 lwal-col--9 lwal-artwork__info-container"},[e("span",[e("div",{ref:"sup",staticClass:"lwal-artwork__info-container-sup"},[e("span")]),t._v(" "),e("div",{staticClass:"lwal-content"},[e("h4",{staticClass:"lwal-popup-artwork__name"},[e("span",{staticClass:"lwal-popup-artwork__name__name"},[t._v(t._s(t.artwork.name))]),t._v(" "),e("span",{staticClass:"lwal-popup-artwork__name__birth"},[t._v(t._s(t.artwork.birth))])]),t._v(" "),e("h3",{staticClass:"lwal-popup-artwork__title",domProps:{innerHTML:t._s(t.artwork.title)}}),t._v(" "),e("p",{staticClass:"lwal-popup-artwork__year"},[t._v(t._s(t.artwork.year))]),t._v(" "),e("div",{staticClass:"lwal-popup-artwork__description"},[e("p",{staticClass:"lwal-popup-artwork__name__name"},[t._v(t._s(t.artwork.name))]),t._v(" "),e("div",{staticClass:"lwal-popup-artwork__description-text",domProps:{innerHTML:t._s(t.artwork.description)}})]),t._v(" "),e("div",{staticClass:"lwal-popup-artwork__description"},[e("p",{staticClass:"lwal-popup-artwork__shopname"},[t._v(t._s(t.store.shopname))]),t._v(" "),e("p",{staticClass:"lwal-popup-artwork__address"},[t._v(t._s(t.store.address))]),t._v(" "),e("p",{staticClass:"lwal-popup-artwork__opening"},[t._v("\n            "+t._s(t.openingLabel)+"\n          ")]),t._v(" "),e("div",{staticClass:"lwal-popup-artwork__hours",domProps:{innerHTML:t._s(t.store.hours)}})])])])])])};Bo._withStripped=!0;var jo=n(440),Yo=n.n(jo);Ur.registerPlugin(Yo(),bi);var Xo=Kr({components:{},props:["artwork","store"],data(){return{infoPosition:0,class:[],slider:null,showDetails:!1,abierto:!1,currentSlide:0,openingLabel:art_locator_data.global.opening}},computed:{images(){return this.artwork.images.reverse()}},methods:{UpInfoMobile(){0==this.abierto?this.abrir():this.cerrar()},async abrir(){this.infoPosition=Ur.getProperty(".lwal-artwork__info-container > span","y"),await Ur.to(".swiper-navigation",{opacity:0,duration:.3}),Ur.to(".lwal-popup-artwork",{background:"#F8F8F8"}),$("body").addClass("lwal-artwork__info-open"),Ur.to(".lwal-artwork__info-container > span",{y:"0",duration:.5,onComplete:()=>{}}),this.abierto=!0},async cerrar(){await Ur.to(".lwal-artwork__info-container",{scrollTop:0,duration:.25}),Ur.to(".lwal-popup-artwork",{background:"#ffffff"}),$("body").removeClass("lwal-artwork__info-open"),await Ur.to(".lwal-artwork__info-container  > span",{y:this.infoPosition,duration:.5,onComplete:()=>{}}),await Ur.to(".swiper-navigation",{opacity:1,duration:.3}),this.abierto=!1}},mounted(){const t=this;this.artwork.images.length>1&&(this.slider=new To(this.$refs.slider,{modules:[Eo,Do,ko,So,Po],direction:"vertical",loop:!1,slideToClickedSlide:!0,grabCursor:!0,slidesPerView:"auto",navigation:{nextEl:".swiper-button-next",prevEl:".swiper-button-prev"},mousewheel:!0,freeMode:!0,pagination:{el:this.$refs.pagination,clickable:!0}})),this.$el.addEventListener("scroll",(function(){let e=Ur.utils.pipe(Ur.utils.clamp(0,.5*window.innerHeight),Ur.utils.mapRange(0,.5*window.innerHeight,0,.9),Ur.utils.snap(.01)),n=t.$el.querySelector(".lwal-content").getBoundingClientRect();if(t.$el.style.setProperty("--opacity",e(t.$el.scrollTop)),t.$el.scrollTop>50){if(t.abierto)return;t.abierto=!0,Ur.to(".swiper-navigation, .lwal-popup-artwork__close",{opacity:0,duration:.05})}else if(t.$el.scrollTop>10&&t.$el.scrollTop<50){if(t.abierto)return;t.abierto=!0,t.$el.style.setProperty("pointer-events","none"),Ur.to(".swiper-navigation, .lwal-popup-artwork__close",{opacity:0,duration:.05}),$(t.$el).animate({scrollTop:n.top-10},300,(function(){t.$el.style.setProperty("pointer-events","auto")}))}else{if(!t.abierto)return;t.abierto=!1,Ur.to(".swiper-navigation, .lwal-popup-artwork__close",{opacity:1,duration:.05})}}))},beforeDestroy(){this.slider&&this.slider.destroy(!0,!0)}},Bo,[],!1,null,null,null).exports,Vo=function(){var t=this,e=t._self._c;return e("div",{staticClass:"zoom",class:t.data.image.width>t.data.image.height?"horizontal":"vertical"},[e("div",{ref:"container",staticClass:"zoom-container"},[e("div",{staticClass:"zoom-close",on:{click:t.closeZoom}},[e("svg",{attrs:{width:"32",height:"32",viewBox:"0 0 32 32",fill:"none",xmlns:"http://www.w3.org/2000/svg"}},[e("path",{attrs:{"fill-rule":"evenodd","clip-rule":"evenodd",d:"M24.0132 5.15723L26.8426 7.98656L18.8292 15.9999L26.8426 24.0132L24.0132 26.8426L15.9999 18.8292L7.98656 26.8426L5.15723 24.0132L13.1732 15.9999L5.15989 7.98656L7.98656 5.15723L15.9999 13.1732L24.0132 5.15989V5.15723Z",fill:"white"}})])]),t._v(" "),e("div",{staticClass:"zoom-wrapper"},[e("div",{staticClass:"zoom-image"},[e("img",{ref:"image",class:t.data.image.width>t.data.image.height?"landscape":"portrait",style:{"aspect-ratio":t.data.image.aspect_ratio},attrs:{src:`/on/demandware.static/-/Library-Sites-LOW_SharedLibrary/default/loewe-art-locator/${t.data.image.image}`,width:t.data.image.width,height:t.data.image.height},on:{load:t.onLoad}})])])])])};Vo._withStripped=!0;var Ho=n(296),qo=n.n(Ho);Ci.gsap.registerPlugin(qo(),Yo(),ei());var Go=Kr({components:{},props:["data"],data(){return{class:[],state:null,img:null,scale:1,minY:0,touch:null,container:{width:null,height:null},bounds:{minY:0,maxY:0,minX:0,maxX:0},imagePosition:{x:0,y:0},mousePosition:{x:0,y:0}}},mounted(){const t=this;document.addEventListener("keydown",(function(e){"Escape"!==e.key&&"27"!==e.key||t.closeZoom()}))},async beforeDestroy(){await ei().to(this.state,{duration:1,absolute:!0,ease:"power1.out",onComplete:()=>{document.body.classList.remove("zoom-open")}})},methods:{initDrag(){const t=this;!function(e){function n(n){let r=n.clientX-t.mousePosition.x,i=n.clientY-t.mousePosition.y,o=Ci.gsap.utils.clamp(t.bounds.minX,t.bounds.maxX,t.imagePosition.x+r),a=Ci.gsap.utils.clamp(t.bounds.minY,t.bounds.maxY,t.imagePosition.y+i);Ci.gsap.set(e,{x:o,y:a,force3D:!0})}function r(){document.removeEventListener("mousemove",n),document.body.style.userSelect="auto"}e.parentElement.addEventListener("mousedown",(function(i){document.body.style.userSelect="none",t.mousePosition.x=i.clientX,t.mousePosition.y=i.clientY,t.imagePosition.x=parseInt(e.getBoundingClientRect().left),t.imagePosition.y=parseInt(e.getBoundingClientRect().top),document.addEventListener("mousemove",n),document.addEventListener("mouseup",r)}))}(this.$refs.image.parentElement),Yo().create({target:window,type:"wheel",onUp:()=>this.zoomIn(),onDown:()=>this.zoomOut()})},updateBounds(){const t=this;this.bounds={minY:-1*(this.$refs.image.getBoundingClientRect().height-this.$el.getBoundingClientRect().height),maxY:0,minX:-1*(this.$refs.image.getBoundingClientRect().width-this.$el.getBoundingClientRect().width),maxX:0},console.table(this.bounds);let e=Ci.gsap.utils.clamp(t.bounds.minX,t.bounds.maxX,t.imagePosition.x+0),n=Ci.gsap.utils.clamp(t.bounds.minY,t.bounds.maxY,t.imagePosition.y+0);Ci.gsap.set(this.$refs.image.parentElement,{x:e,y:n,force3D:!0})},onTouchStart(t){this.touch||(this.touch={x:t.clientX,y:t.clientY},this.currentImagePosition=this.imagePosition)},onTouchMove(t){if(!this.touch)return;t.clientX,this.touch.x;let e=t.clientY-this.touch.y;this.imagePosition.y=this.currentImagePosition.y+e,console.log(`y: ${e} |imagePosition: ${this.imagePosition.y}`)},onTouchEnd(t){this.touch=null,console.log("onTouchEnd")},zoomIn(){this.scale=Ci.gsap.utils.clamp(0,4,this.scale+.1),Ci.gsap.set(this.$refs.image,{scale:this.scale,force3D:!0}),this.updateBounds()},zoomOut(){this.scale=Ci.gsap.utils.clamp(1,4,this.scale-.1),Ci.gsap.set(this.$refs.image,{scale:this.scale,force3D:!0}),this.updateBounds()},async closeZoom(){const t=this;t.$el.classList.remove("lwal-sombra");let e=t.$refs.image.getBoundingClientRect();t.$refs.image.style.position="fixed",t.$refs.image.style.top=`${e.top}px`,t.$refs.image.style.left=`${e.left}px`,await ei().to(t.state,{duration:.5,absolute:!0,ease:"power1.out",delay:.3,onComplete:()=>{document.body.classList.remove("zoom-open"),this.$emit("close")}})},async openZoom(){},onLoad(){const t=this;document.body.classList.add("zoom-open"),t.container.width=window.innerWidth,t.container.height=window.innerHeight;let e=t.data.ref.target.getBoundingClientRect();t.$refs.image.style.position="absolute",t.$refs.image.style.zIndex=1e3;let n=window.innerWidth/window.innerHeight,r=e.width/e.height;Ci.gsap.set(t.$refs.image,{width:`${e.width}px`,height:`${e.height}px`,x:`${e.left}px`,y:`${e.top}px`,opacity:1,force3D:!0}),t.state=ei().getState(t.$refs.image);let i=r>n?"fit--height":"fit--width";t.$refs.image.classList.add("lwal-add-zoom",i),Ci.gsap.set(t.$refs.image,{clearProps:"all"}),ei().from(t.state,{duration:.5,absolute:!0,ease:"power1.out",onComplete:()=>{t.$el.classList.add("lwal-sombra")}})}}},Vo,[],!1,null,null,null),Wo=Kr({components:{ArtworkSlide:Xo,ArtworkZoom:Go.exports},props:["artworks","idx","store"],data(){return{class:[],slider:null,showDetails:!1,currentSlide:0,imageZoom:!1}},computed:{},methods:{openZoom(t){this.imageZoom=t},closeZoom(){this.imageZoom=!1}},mounted(){const t=this;document.addEventListener("keydown",(function(e){t.imageZoom||"Escape"!==e.key&&"27"!==e.key||t.$emit("close")})),this.slider=new To(this.$refs.slider,{modules:[ko],initialSlide:this.idx,loop:!0,navigation:{nextEl:this.$refs.next,prevEl:this.$refs.prev},on:{slideChange:function(e){t.currentSlide=e.realIndex},slideChangeTransitionEnd:function(t){t.slides[t.activeIndex].querySelector(".lwal-grid-container").scrollTop=0,t.slides[t.realIndex].querySelector(".lwal-grid-container").scrollTop=0,t.slides[t.previousIndex].querySelector(".lwal-grid-container").scrollTop=0},init:function(e){t.currentSlide=e.realIndex}}})},beforeDestroy(){this.slider.destroy(!0,!0)}},Fo,[],!1,null,null,null).exports,Uo=Kr({props:{content:{type:Object,default:()=>{}}},components:{Hero:Ro,Artworks:No,Artwork:Wo},data(){return{seeLabel:art_locator_data.global.see,showArtwork:!1,currentSlide:0,scrollY:0}},mounted(){document.querySelector("header").classList.add("capds-header--white"),document.querySelector(".header__asset__container").classList.add("capds-header__logo--white"),document.body.classList.add("lwal-header-white"),ki().to(this.$refs["go-to-artworks"].firstElementChild,{y:0,duration:.7,ease:"power2.out",delay:.6,opacity:1})},beforeDestroy(){document.querySelector("header").classList.remove("capds-header--white"),document.querySelector(".header__asset__container").classList.remove("capds-header__logo--white"),document.body.classList.remove("lwal-header-white")},methods:{async goBack(){await ki().to(this.$el,{duration:.4,opacity:0,ease:"power2.in",force3D:!0,delay:.1}),this.$emit("go-to",{section:"Stores"})},onBeforeEnter(t){ki().set(t,{opacity:0,force3D:!0})},async onEnter(t,e){await ki().to(t,{duration:.4,opacity:1,ease:"power2.out",force3D:!0,delay:.1,onComplete:e}),document.body.classList.add("lwal-popup-visible")},onLeave(t,e){ki().to(t,{duration:.4,opacity:0,ease:"power2.in",force3D:!0,delay:.1,onComplete:e})},closeArtwork(){this.showArtwork=!1,this.currentSlide=0,document.body.classList.remove("lwal-popup-visible"),window.scrollTo(0,this.scrollY)},goToArtworks(){$("html, body").animate({scrollTop:$(this.$refs["go-to-artworks"]).offset().top+1},500)},openArtwork(t){this.scrollY=window.scrollY,this.currentSlide=t,this.showArtwork=!0}}},Si,[],!1,null,null,null),Ko=Kr({components:{Home:Zr,Stores:Ti,Store:Uo.exports},props:{},data(){return{currentSection:null,currentContent:art_locator_data.stores[3],class:[],route:window.location.hash}},mounted(){const t=this;document.querySelector("header")&&document.querySelector("header").classList.add("capds-header--overlap"),t.setPage(window.location.hash),window.addEventListener("hashchange",(e=>{t.setPage(window.location.hash)}),!1)},computed:{},methods:{setPage(t){switch(!0){case/home/.test(t):this.currentSection="Home",window.location.hash="home";break;case/stores/.test(t):this.currentSection="Stores",window.location.hash="stores";break;case/store/.test(t):let e=t.split("store=")[1],n=Object.values(art_locator_data.stores).find(((t,n)=>t.slug===e));n?(this.currentContent=n,this.currentSection="Store",window.location.hash="store="+e):(this.currentSection="Home",window.location.hash="home");break;default:this.currentSection="Home",window.location.hash="home"}window.scrollTo(0,0)},goTo(t){this.currentSection=t.section,window.scrollTo(0,0);let e=t.section.toLowerCase();"Store"===t.section?(this.currentContent=art_locator_data.stores[t.store],e="store="+this.currentContent.slug):this.currentContent=null,history.pushState(null,null,"#"+e)},hideHome(){}},watch:{route:function(t){}}},r,[],!1,null,null,null).exports;let Zo=window.innerHeight;document.getElementById("main").style.setProperty("--100vh",`${Zo}px`),document.getElementById("main").style.setProperty("--100vhvariable",`${Zo}px`),window.addEventListener("resize",(function(){let t=window.innerHeight;document.getElementById("main").style.setProperty("--100vhvariable",`${t}px`)})),$((function(){new(e())({el:"#lwal",components:{ArtLocator:Ko},template:"<ArtLocator />"})}))}()}();</script></div>
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